La maldición renace

Basically it's a film that seems to rely on one jump scare scenario after another. The story is basic and not really intelligent. It's instantly forgettable. I have not seen the original so I am reviewing this as a stand alone film. If you want to watch this with your mates with a few beers it's perfect. The film is totally predictable and there is nothing new here. It serves a purpose for those who want a night in and stay up late because there is nothing else on. I don't get the 1 stars though as it's not that bad but it's never a 10. I think a 5 is fair and I would ignor the extreme reviews on either end of the scale. If you don't take horror to seriously then give it a go.

Why was this made? Why did they think it was a good idea to remake this? Why does it take the plot of the original film and throw it out the window? Why does it look like an uninspired, totally predictable, and an overall sorry excuse of a horror film?! It's 2020, people! A new decade is already here... STOP REMAKING STUFF THAT DOESN'T NEED TO BE REMADE!!

So get this: it's a remake of the film that is a remake of the Japanese Horror film: Ju-On: The Grudge (fantastic movie, BTW) and they took that and made it into one of the most predictable stupid films ever. And it's already 2020, and I thought unnecessary remakes were outlawed (they should be). I don't even see who is the target audience of this film, and I don't see who will watch this film a second time.

Weak Storyline, Bad Cinematography, and Unnecessary Jump Scares makes this film not worth your money. What a complete disaster! TERRIBLE film!!

I see some people here calling this a remake and I'm thinking "Where they even paying attention!?!". This movie is a sequel and takes place during the same timeline of the 2004 version and the years 2005 and 2006. Only this time the curse has been brought to the US by the first nurse that was taking care of the elderly lady from the first movie. Anyways, I have to say the editing is a mess and most of the characters are lifeless, but the actors did their best with what was given. I actually like the cast and I think Lin Shaye and Jacki Weaver are the highlights of the film. Its biggest mistake was not bringing back the iconic ghosts that fans have grown to love. This is their franchise.

Detective Muldoon (Andrea Riseborough) moves to a small town in Pensylvannia with her son Burke (John J. Hansen) to work in the local Police Department. She is assigned to be partner of Detective Goodman (Demián Bichir), who has recently lost his partner Detective Wilson (William Sadler) that was obsessed by a murder case. When Muldoon and Goodman find the remains of a woman in a car in a closed road, Muldoon realizes that her address was the same of the murder case Wilson was investigating. She decides to investigate the house and soon she learns that there is a curse for those who enter in the house.

"The Grudge" (2020) is a horror movie based on the vengeful spirit from the excellent "Ju-on" (2002) and the American version "The Grudge" (2004). The cinematography is uncomfortable and the viewer startles in a couple of scenes and in the end, it is a reasonable entertainment. The conclusion is predictable. My vote is five.

Title (Brazil): "O Grito" ("The Scream")

The movie follows events in 2004 to 2006 in a small Pennsylvanian town. Nurse Fiona Landers brings the spirit from Japan to America. There are police detectives Muldoon (Andrea Riseborough), Goodman (Demián Bichir), and Wilson (William Sadler). Peter (John Cho) and Nina Spencer (Betty Gilpin) are a married real estate agent couple. Lorna Moody (Jacki Weaver) arrives to assist the struggling Mathesons (Lin Shaye, Frankie Faison).

Nobody cares that this ties in with the rest of the Grudge franchise other than the Japanese house. So the start is the only truly interesting part and then it slowly grinds to a halt. The scrambled timeline and the multiple interconnected stories somehow saps the tension out of the movie. The excellent cast has no chance. The jump scares aren't scary. It's all very flat.