Nous avons un fantôme

This movie was fun, touching, well filmed and a tad bit silly. The mix of mystery and action felt well timed and the pacing made a 2 hr movie feel like a lot less. The story was a fun version of the typical ghost story and the characters were endearing enough to keep you interested until the end. And most of the acting was solid even the over the top roles of the government sector. Anthony Mackey was solid as always. To be fair... David Harbour is my favorite actor, so I may be a bit biased. That being said... he hit this role on the head and did an amazing sell of a script without saying a single word. Enjoyed it for what it is.

Set in a house in the Chicago area, one year after the previously family fled without explanation, the house is now occupied by the Presley family consisting of father Frank (Anthony Mackie), mother Melanie "Mel" (Erica Ash), and Fulton (Niles Fitch) and Kevin (Jahi Winston) the older and younger sons respectively. Kevin is none too thrilled at the prospect of having moved yet again as Frank has made a habit of going for ill-advised business ventures that necessitate their moving from place to place. While exploring the attic Kevin encounters a ghost of a man in a bowling shirt with the name "Ernest" (David Harbour) stitched on the breast who tries in vain to scare Kevin who records the apparition on his phone. As Kevin tries to communicate with Ernest in the hopes of getting to know him better, the two strike up a friendship. However Kevin's brother and father soon find the video on his phone and posting the video on the internet turns Ernest into a social media sensation much to Kevin's annoyance. As Ernest can't remember anything from when he was alive, Kevin works with his next door neighbor Joy Yoshino (Isabella Russo) to track down clues to Ernest's identity as Dr. Leslie Monroe (Tig Notaro), an agent of the CIA paranormal program "Wizard Clip" attempts to get Ernest into CIA custody.

We Have a Ghost is the latest film from writer director Christopher Landon who had previously made a name for himself with the two Happy Death Day films as well as the body switch slasher Freaky. Based on the short story Ernest by Geoff Manaugh, Landon taps into more high concept territory as he takes the familiar premise of comic haunted house movies (such as 95's Casper and especially Burton's Beetlejuice) and puts his own spin on it for the modern age. Like Landon's previous efforts, he takes a well trodden formula and makes it feel fresh thanks to a smart script, strong direction, and good performances from the ensemble.

At the center of the film is undeniably David Harbour as the titular ghost and it's a fantastic performance from Harbour in spite of the fact he can't speak. Harbour was hesitant to take on the role as it would be challenging to create a compelling character without words, but Harbour shows just how versatile and charismatic of a presence he is not only scoring big laughs from his physicality and the pantomime nature of his performance, but also eliciting some strong emotional resonance and a sense of sadness and tragedy that makes you really care about him. Outside of Harbour, the movie is supported by a terrific ensemble. Jahi Winston is very good as the co-lead and he makes a solid audience proxy whom we enjoy seeing go through the supernatural shenanigans. Winston does a good job of making his interactions with Ernest and his neighbor and love interest Joy played by Isabella Russo very endearing and when the three of them are together in the movie they play off nicely against each other. Anthony Mackie, Erica Ash, and Niles Fitch get some good mileage playing Kevin's family and their varying reactions to how the ghost affects their lives with Frank booking TV appearances, Fulton using it for popularity and Mel at her wits end with the crowds of Ernest fans and TikTokers camped outside their house leads to some fantastic comic set pieces. Tig Notaro is also very good as Dr. Leslie Monroe who serves as our primary antagonist and serves as a more nuanced take on the role Walter Peck played in Ghostbusters. Tig brings a lot of humanity to the role and does well playing a driven and quirky CIA agent.

At it's core the movie is essentially a mash-up of Beetlejuice by way of Starman or E. T. (particularly in the second half). While the stuff around centered around the house is very good with the satire of internet fame and haunted house trappings, Landon takes the action on the road in a creative way as Kevin, Joy and Ernest search for more clues to Ernest's identity and we get some really creative and humorous sequences that often had me giving solid belly laughs. We Have a Ghost runs strongly for a good 75% of the runtime, but around the last 25% I started to notice some things began to drag. I personally think the movie runs a little long at two hours, and while it does stay funny there is a "flabbiness" in the structure that made the comic rhythm stumble a bit. I also felt like the movie had two different ideas of how it wanted to end because they introduce a secondary antagonist towards the end of the second act and it feels like it deviates a bit too far from the established pieces in my opinion and it probably could've been tied up better by having a singular antagonistic force.

We Have a Ghost is a strong high concept comedy that features a great comedic performance by Harbour and a likable ensemble strongly directed by Landon. Landon's script remains funny for a good chunk of the running time, but does feel like it loses some integrity around the 90 minute mark and feels like the third act could've done with a bit of tweaking. A solid recommendation especially if you've an affinity for the likes of Beetlejuice, Ghostbusters, or Starman.

From the well-known writer-director Christopher Landon, who has showcased films such as Freaky, Disturbia, Happy Death Day 1, Happy Death Day 2, Scouts Guide to Zombie Apocalypse, Viral, and 5 of the Paranormal Activity films under his belt, comes the supernatural thriller We Have a Ghost. He is the son of the infamous actor Michael Landon who became famous in the 70s through early 90s with Tv series such as Little House on the Prarie, Bonanza, and Highway to Heaven.

Unlike his earlier films that have more intensity and heightened elements of fear and horror, We Have a Ghost is a much more tapered-down version of his somewhat uniquely unhinged style typical with wistful turns.

The story is much similar in spirit to one of the most-known iconic films "Ghost", directed by Jerry Zucker and played by Patrick Swayze and Debbie Moore. Although Jerry Zucker's Ghost is a love story, Christopher Landons' We Have a Ghost is a story of young adults who are struggling with their identities in a brutally judgemental harsh social world, that is instantaneously connected to everyone. And such displays the disparity between the parents who were raised in a world that does not exist today and the children who grow much faster and more maturer than their parents did thus, they feel disconnected and do not understand their parents as well as their reasonings. And they are dealing with a silent Ghost in their house in their own ways.

It is very well-acted, directed, and written. It may not be everyone's cup of tea because the targeted age group is young adults and it is a film that you can be watch with the entire family.

So, the movies "alright".

It's competently directed, acted, and it looks decent. The issue I have is it's waaaaaay long. For what the movie was presented to be, it should've been about and hour and forty five minutes TOPS. With a running time of two hours and six minutes... the film is extremely difficult to get through.

And... the tone is all over the place. Is it a comedy? A drama? A thriller? A mystery? It tried to be all of these things. I've seen a lot of movies on Netflix like this recently. Is it a Netflix thing? Or just something Hollywood is trying on for size. Hopefully they cut the crap because it doesn't work.

The main hero, Kevin, is really likeable. And I appreciate that. Performances are good, but the jumbled mess is not the casts fault. It rests with the filmmakers. Netflix should've advertised this as more of a drama revolving around a family. There ARE funny moments, but the preview makes it seem like this will carry throughout the entirety of the movie and it doesn't.

It's average and gets a higher rating for me because I'm a fan of David Harbour.

. I had actually thought this was going to be a series, but it ended up being a 2-hour movie.

The story was that very good-kids discover a ghost in the attic of their new home, the Father & older son exploit the haunting, the younger son tries to help the ghost & the Mom is terrified, avoiding the ghost at all costs. That's about it.

Well this movie is full of the usual tropes found in any movie of this genre, but the special effects of the ghost and the guy who plays the ghost (David Harbour) are outstanding. The younger son is a typical withdrawn teenager in a new school and he quickly pairs up with the adorable but wacky girl next door. The mystery of the ghost's story is easy to figure out & wraps up nicely in 127 min.

Kids, teens are definitely the target audience here, since so much of the story is completely implausible-and I don't mean the "ghost" part but the real-life part. For example, when the cop's car gets wrecked during a chase scene & he stands in the middle of the road shaking his fist as the kids get away. Sorry, there's no way police would simply give up without pursuing 2 teens on the run!

One aspect that rang so true was how fast social media stories spread & how info is distorted & editorialized by idiots.

Overall it was fun & cute, all actors were excellent (although the adult women were EMACIATED & skeletal) the sets were great and the lighting, photography & editing top notch.

This was written & directed by Christopher Landon, Michael Landon's son. He seems to be interested in the paranormal genre and this one has the gentle feel of Touched By An Angel moreso than haunting/horror.