Ajouter une intrigue dans votre langueA Native American travels around a resort town, murdering cops and rich people with a high-powered crossbow, while demanding that the town's richest residents pay him money to stop the killi... Tout lireA Native American travels around a resort town, murdering cops and rich people with a high-powered crossbow, while demanding that the town's richest residents pay him money to stop the killings.A Native American travels around a resort town, murdering cops and rich people with a high-powered crossbow, while demanding that the town's richest residents pay him money to stop the killings.
James Mitchum
- Tracker
- (as Jim Mitchum)
Shatka Bearstep
- Red Sky
- (as Shatka Bear-Step)
Julienne Wells
- Floozy
- (as Julian Wells)
Commentaire en vedette
Of all the films that have been graced with the title "Maniac" over the years, this one is probably the most boring. That's not for lack of potential. The idea of a Native American man stalking and murdering millionaire townsfolk sounds like exploitation gold. And Assault in Paradise even opens strong, with a classic car-makeout-session double murder, rapidly followed by some crossbow police executions. Not the highest quality 70s film kills to be sure, but it's something we could have worked with at least. Unfortunately though, it's only downhill from there.
It turns out that the real goal of our villain (aka, "The Wind *whooshing sounds*") is to blackmail a brilliantly mustachioed fellow who we'll call Mr. Rich. Of course Mr. Rich is a big man around town and won't be having any of that, so he hires Mr. Tough to take care of the problem. A pretty classic setup all things considered.
Mr. Tough is one of those tough guys who says tough guy things like (paraphrased), "I do things two ways: my way, or my way." He also picks up a woman by sticking a loaded gun in her face over cocktails. I guess back in the 1970s that was considered quite the move because in the next scene they are having rather bland sex. The whole deal would be hilariously stupid if I didn't get the sense the filmmakers were not entirely in on the joke.
The rest of the film is a series of increasingly dull action scenes interspersed with people you don't care about talking about things you don't care about. All the characters act exactly as you expect them to when you first meet them. The action itself is fine for low budget 1970s stuff but lacks any real charm and just doesn't hold up today. There are lots of long shots with helicopters hovering but never any real suspense.
The biggest problem I have with the film is that all of the characters besides Mr. Tough and Mr. Rich are completely forgettable. The tracker character who ends up working with Mr. Tough is never developed. Most of the time, I forgot he was even in the film. Even the evil, faux Native American villain is amazingly boring. He wears face paint that looks like something you'd see at a kindergarten play retelling the first Thanksgiving and his motivation only seems to be money. Money! Not revenge, or ancient Indian spiritual possession, or even just because he's completely nuts, but instead boring old cash. How pedestrian.
Overall, this is just a very forgettable film. I watched it two days ago and literally had to look up what it was about so that I could write this review. There are far better action and exploitation films from the time period. This isn't even the best film that had the alt title "Maniac" from the time period. Compared to "Maniac" (1980), "Assault in Paradise" is a total snoozefest.
It turns out that the real goal of our villain (aka, "The Wind *whooshing sounds*") is to blackmail a brilliantly mustachioed fellow who we'll call Mr. Rich. Of course Mr. Rich is a big man around town and won't be having any of that, so he hires Mr. Tough to take care of the problem. A pretty classic setup all things considered.
Mr. Tough is one of those tough guys who says tough guy things like (paraphrased), "I do things two ways: my way, or my way." He also picks up a woman by sticking a loaded gun in her face over cocktails. I guess back in the 1970s that was considered quite the move because in the next scene they are having rather bland sex. The whole deal would be hilariously stupid if I didn't get the sense the filmmakers were not entirely in on the joke.
The rest of the film is a series of increasingly dull action scenes interspersed with people you don't care about talking about things you don't care about. All the characters act exactly as you expect them to when you first meet them. The action itself is fine for low budget 1970s stuff but lacks any real charm and just doesn't hold up today. There are lots of long shots with helicopters hovering but never any real suspense.
The biggest problem I have with the film is that all of the characters besides Mr. Tough and Mr. Rich are completely forgettable. The tracker character who ends up working with Mr. Tough is never developed. Most of the time, I forgot he was even in the film. Even the evil, faux Native American villain is amazingly boring. He wears face paint that looks like something you'd see at a kindergarten play retelling the first Thanksgiving and his motivation only seems to be money. Money! Not revenge, or ancient Indian spiritual possession, or even just because he's completely nuts, but instead boring old cash. How pedestrian.
Overall, this is just a very forgettable film. I watched it two days ago and literally had to look up what it was about so that I could write this review. There are far better action and exploitation films from the time period. This isn't even the best film that had the alt title "Maniac" from the time period. Compared to "Maniac" (1980), "Assault in Paradise" is a total snoozefest.
- yv_es
- 27 sept. 2020
- Lien permanent
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- AnecdotesA year later Oliver Reed would work with James Mitchum's dad Robert in The Big Sleep.
- Autres versionsWhen New World Pictures picked up the film for distribution, they added a prologue scene that had nothing to do with the actual movie. A masked gunman, who looks nothing like the Paul Koslo character, appears behind a convertible at a drive-in movie, where a couple are making out and groping each other. He takes his gun out and shoots both of them.
- ConnexionsFeatured in Paul Koslo on 'Maniac!' (2016)
- Bandes originalesVictor's Theme: 'Shoot Him'
Performed and Written by Roger McGuinn and Patrick Ferrell
Produced by Roger McGuinn and Patrick Ferrell
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Détails
- Durée1 heure 30 minutes
- Mixage
- Rapport de forme
- 2.35 : 1
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By what name was Assaut sur la ville (1977) officially released in India in English?
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