The Duchess of Duke Street

There is still great pleasure to be had from this series. Set in the earlier 1900s in London, it is the story of a young woman who begins as a kitchen hand and, through talent and determination, becomes a great chef and hotelier, (though she refuses to lose her cockney speech).

Louisa Trotter, played by the truly WONDERFUL Gemma Jones, must be one of the most memorable characters in television history. A creature of so many moods - haranguing her staff in the kitchen, deliriously in love, vulgar when she's angry, prickly with her mother, sentimental about her affair with the old King - it's hard to know whether to laugh at her, or cry. But there is one constant about her - her artistry in her profession, and that is always awe-inspiring.

During a long series, relationships between characters can acquire great reality. Louisa's covert affection for her staff, her enduring love for Charlie (Christopher Cazenove), and her deep friendship with the Major (Richard Vernon) - mainly because of the exquisite playing of the cast - have an extraordinary conviction.

In this time of mostly dour TV mediocrity, it is a relief to be able to savor and enjoy the stupefyingly satisfying excellence that Duchess of Duke Street imparts. Truly a classic and a treasure, it has not dated a second and still packs a wallop both dramatically and historically. The cast boasts an amazing array of superb actors, all of whom best, with rare exception, any working TV actor today.

Gemma Jones is so delicious and perfect that she is indelible in the part to anyone who watches. Her energy and conviction carry the show even when she has little to do in some of the episodes. Christopher Cazenove is sexy, charming and touching and should have become a big star.

If one had to give a reason to substantiate the continued existence of television, one need only to turn to this dramatic jewel that is the Duchess of Duke Street.

This show was one of the best British series ever imported to the States. I watched every episode and was the most entertained by the story, the relationships, the detail to clothing, the acting, and especially as I was a working chef at the time, the food. Seeing Gemma Jones make her character so real from her very humble beginnings at the bottom of the kitchen staff to become a renowned chef and hotel owner was probably a fantasy of mine in the 20th century. I absolutely loved this show and wish I could get it on DVD. I wish we had more good TV like this today. To me even Upstairs Downstairs which I also loved was not as good because the story was more long winded and drawn out. Would someone please bring back good drama to TV.

The first recommendation I get is undoubtedly Pride and Prejudice(Collin Firth version),when talking about British TV series, the second probably would be Brideshead Revisited or Fawlty Towers, yet no one recommends The Duchess of Duke Street to me before. It is by sheer luck that I come across this series-and what enjoyment it gives me! how many times it sets me think like I have never thought before! and what a treasure it is!

The first two or three episodes are quite plain, and indeed, dull, I would say; as the story unfolds itself, however, I become quite captivated-I never knew before any female characters from any TV series can be such as Louisa Trotter: she's pretty(quite common among all TV series), but damn headstrong as a bull, and she says 'bloody' as often as a man does, never cares very much about deportment and carriage herself;what strikes me as rarer and harder to find among women is her force-she has passion for cooking, and on no occasion allows any one or anything whatsoever to hinder her from realizing her dream of being the best cook in England. Such a woman is uncommon even in today's world. For how many times have we been dragged away from the path to our true dream by this or that seemingly reasonable excuse! How many people have been regretting in their winter season of life-oh, if only I did! In short, this is quite a thought-provoking series, can be even better than Pride and Prejudice and Brideshead Revisited in a way. A pity to be sure, that The Duchess of Duke Street is not well-known now, well, in America at least.

However I am a bit disappointed that in the later parts of the series, too much is focused on Louisa's relationships-I don't like such a good topic to evolve into a kind of romantic soap opera, there's already too many of them stuffed in the American TV markets-the focus of which really disappoints me, since I do consider the middle of the series very promising. Well, that's the only flaw I find with this series, and that's why I give a 9 star instead of a perfect 10.

Yup, it was the seventies that was the golden age of the miniseries, and it was the British who ruled, with PBS acting as as kind of Prince Regent, offering up such televisual feasts as Upstairs Downstairs, Poldark, and the Duchess of Duke Street.

To people over a certain age, Gemma Jones will be forever remembered as Louisa Trotter, the plucky lower middle class girl, practically sold into service by her selfish mother, who works her way up in the world to become the proprietress of the best gentle-person's hotel in London, the lover of the Prince of Wales, and a legend in her own time.

The Duchess of Duke Street is an artifact of a crossroads of two very special times - the 1960's, when there was a serious interest in the not-too-distant past (the Belle Epoque, the Edwardian Period, the Roaring Twenties, etc.), and the 1980's when the interest in the past had more to do with escapism and romanticism and produced some of the most beautiful visuals in film history. Because of this, The Dutchess is a treat, full of historical detail, with wonderful fictionalizations of Edwardian fact (Prince Edwards practice of taking mistresses for example).

The series paved the way for some of the great miniseries to come - including Brideshead Revisited, the 1980's production of Love in a Cold Climate, Flickers, and To Serve Them All My Days - and ensured that a certain segment of television viewers had grand images of Edwardian London and Art Nouveau imprinted in its memory.