ÉVALUATION IMDb
7,3/10
11 k
MA NOTE
Une idole dissolue en matinée devrait apparaître dans une émission de variétés télévisée en direct.Une idole dissolue en matinée devrait apparaître dans une émission de variétés télévisée en direct.Une idole dissolue en matinée devrait apparaître dans une émission de variétés télévisée en direct.
- Nommé pour 1 oscar
- 2 victoires et 8 nominations au total
Anne DeSalvo
- Alice Miller
- (as Anne De Salvo)
Amanda Horan Kennedy
- Lady Eleanor
- (as Barbara Horan)
Avis en vedette
Have you ever watched a film and wished it wouldn't end? Where you loved all the characters, adored each scene, and laughed at every joke, even after you'd seen the film so many times that you could quote the dialog? MY FAVORITE YEAR is that kind of movie!
Directed with gusto by Richard Benjamin, the film is both a loving tribute to Sid Caesar's 'Your Show of Show', and the remarkable talents that brought it together each week, and a sincere homage to Errol Flynn, whose antics and larger-than-life persona, in the waning years of his life, still had a kind of magic that could enthrall a shy young fan, or make a woman swoon.
Three dynamic performances dominate the film. Mark Linn-Baker, as Benjy Stone, based on the young Mel Brooks, is a shy kid who hides his insecurities behind a rapid-fire wit. The dazzling young star in a staff of comedy 'pros', Stone suffers from an unrequited love from fellow staffer K. C. Downing (Jessica Harper), and has an inspiration, inviting legendary swashbuckler Alan Swann (Peter O'Toole) to appear on the show. As King Kaiser, star of the hit series, Joseph Bologna captures much of Sid Caesar's legendary physical 'presence' and irreverence to authority. When threatened by gangsters over a 'too close to home' series of parodies about crime boss Karl Rojeck (portrayed with brute menace by veteran actor Cameron Mitchell), Kaiser 'thumbs his nose' at them, mimicking the gangster mercilessly. "I'll KEEP doing it!" he taunts. "Why? Because it's FUNNY!"
Then there is Peter O'Toole's 'Alan Swann'. With his own career a roller coaster ride of alcoholism, resulting in the near destruction of his health, no actor could have 'channeled' Errol Flynn better. Just as Flynn, by the 1950s, was a nearly burned-out roué, his classic good looks long gone, O'Toole's matinee-idol appearance, after years of self-abuse, had aged into a gaunt mask, making Benji Stone's film montage of 'classic' clips more poignant. What Flynn still had, in abundance, were charm and a ready wit, and O'Toole's 'Swann' is so enchanting a personality that you can't help but love him, and root for him to succeed.
From the opening nostalgic strains of Nat King Cole's rendition of 'Stardust', through Benjy's futile effort to attempt to keep Swann sober (Red Skelton loved to tell how he kept Flynn sober on his program...he emptied all of the actor's bottles of vodka, replacing it with water...and Flynn couldn't tell the difference!), to a riotous Swann dinner with Benjy's family, to the near-disastrous broadcast, with Swann developing stage fright, and Kaiser brawling with mob enforcers...MY FAVORITE YEAR has one glorious scene after another, each unforgettable!
One of the AFI's '100 Greatest Film Comedies', MY FAVORITE YEAR will bring a tear to your eye, even as you laugh. It was a time of legends, and heroes who would live up to boyhood dreams.
Film comedy doesn't get any better than this!
Directed with gusto by Richard Benjamin, the film is both a loving tribute to Sid Caesar's 'Your Show of Show', and the remarkable talents that brought it together each week, and a sincere homage to Errol Flynn, whose antics and larger-than-life persona, in the waning years of his life, still had a kind of magic that could enthrall a shy young fan, or make a woman swoon.
Three dynamic performances dominate the film. Mark Linn-Baker, as Benjy Stone, based on the young Mel Brooks, is a shy kid who hides his insecurities behind a rapid-fire wit. The dazzling young star in a staff of comedy 'pros', Stone suffers from an unrequited love from fellow staffer K. C. Downing (Jessica Harper), and has an inspiration, inviting legendary swashbuckler Alan Swann (Peter O'Toole) to appear on the show. As King Kaiser, star of the hit series, Joseph Bologna captures much of Sid Caesar's legendary physical 'presence' and irreverence to authority. When threatened by gangsters over a 'too close to home' series of parodies about crime boss Karl Rojeck (portrayed with brute menace by veteran actor Cameron Mitchell), Kaiser 'thumbs his nose' at them, mimicking the gangster mercilessly. "I'll KEEP doing it!" he taunts. "Why? Because it's FUNNY!"
Then there is Peter O'Toole's 'Alan Swann'. With his own career a roller coaster ride of alcoholism, resulting in the near destruction of his health, no actor could have 'channeled' Errol Flynn better. Just as Flynn, by the 1950s, was a nearly burned-out roué, his classic good looks long gone, O'Toole's matinee-idol appearance, after years of self-abuse, had aged into a gaunt mask, making Benji Stone's film montage of 'classic' clips more poignant. What Flynn still had, in abundance, were charm and a ready wit, and O'Toole's 'Swann' is so enchanting a personality that you can't help but love him, and root for him to succeed.
From the opening nostalgic strains of Nat King Cole's rendition of 'Stardust', through Benjy's futile effort to attempt to keep Swann sober (Red Skelton loved to tell how he kept Flynn sober on his program...he emptied all of the actor's bottles of vodka, replacing it with water...and Flynn couldn't tell the difference!), to a riotous Swann dinner with Benjy's family, to the near-disastrous broadcast, with Swann developing stage fright, and Kaiser brawling with mob enforcers...MY FAVORITE YEAR has one glorious scene after another, each unforgettable!
One of the AFI's '100 Greatest Film Comedies', MY FAVORITE YEAR will bring a tear to your eye, even as you laugh. It was a time of legends, and heroes who would live up to boyhood dreams.
Film comedy doesn't get any better than this!
Really fun movie, with a tone and style all its own. It has the same zippy sitcom character of the set which is its main stage, and the comedic acting is often over the top. Yet it drives through some very subtle and deep ideas about what makes a celebrity tick, the price culture extracts from its most ballyhooed figures, and the scars divorce and drink can leave on those with the smoothest of surfaces.
The secret to this film's success is O'Toole, who gives up some of his most intimate and affecting moments on screen and intersperses them with ass-over-elbow feats of physical schtick that would make a Ritz Brother proud. What a shock we never saw much else from him after this tour de force. Richard Benjamin did go on to direct other films like "Shoot The Moon," but he never managed to get it all absolutely right the way he did here. It's so note-perfect, from the opening shot of midtown Manhattan 1954 with the cars, outfits, and bustle all coming together beneath the strains of Les Paul and Mary Ford's "How High The Moon" into a tight closeup of Benjy Stone carrying a cardboard cutout of his hero, Alan Swann, through an uncaring, jostling crowd.
I almost wish they could have made a sitcom featuring the King Kaiser crew, with of course Joseph Balogna, Bill Macy, Adolph Green and the rest all reprising their roles in a kind of "Remember WENN"-style show. O, what roads left untravelled. Balogna is so good, managing to carry off his Sid Caesar-inspired role with the same kind of aplomb that made the original Caesar early television's most dynamic and celebrated comedy performer. There's a nice scene early on where Stone sticks up for a prone Swann by telling Kaiser he can't fire the swashbuckler. "You're a big star now, and I'm sure you always will be," Benjy says. "But suppose, and I know it will never happen, you end up like this. I hope nobody does to you what you're doing to him." Of course Caesar did end up like this, strung out on substance-use problems that derailed his post-50s career, and knowing that gives the scene, both funny and tension-filled, a certain undertone of poignancy for those in the know.
Mark Linn-Baker could have taken it down a notch or two, and the Brooklyn idyll was to die for, and not in a good way. I'd like to know how the hell I'm supposed to lock lips with the woman of my dreams by stuffing my face with Chinese food and showing her old movies, but I don't think my repeated viewings have helped my love life much. It has given me many hours of pleasure though. This is one film that keeps on giving. With lines like "Plastered? So are some of the finest erections in Europe" "These must be his drinking socks" and "Tongue...Death," how can it do anything less?
The secret to this film's success is O'Toole, who gives up some of his most intimate and affecting moments on screen and intersperses them with ass-over-elbow feats of physical schtick that would make a Ritz Brother proud. What a shock we never saw much else from him after this tour de force. Richard Benjamin did go on to direct other films like "Shoot The Moon," but he never managed to get it all absolutely right the way he did here. It's so note-perfect, from the opening shot of midtown Manhattan 1954 with the cars, outfits, and bustle all coming together beneath the strains of Les Paul and Mary Ford's "How High The Moon" into a tight closeup of Benjy Stone carrying a cardboard cutout of his hero, Alan Swann, through an uncaring, jostling crowd.
I almost wish they could have made a sitcom featuring the King Kaiser crew, with of course Joseph Balogna, Bill Macy, Adolph Green and the rest all reprising their roles in a kind of "Remember WENN"-style show. O, what roads left untravelled. Balogna is so good, managing to carry off his Sid Caesar-inspired role with the same kind of aplomb that made the original Caesar early television's most dynamic and celebrated comedy performer. There's a nice scene early on where Stone sticks up for a prone Swann by telling Kaiser he can't fire the swashbuckler. "You're a big star now, and I'm sure you always will be," Benjy says. "But suppose, and I know it will never happen, you end up like this. I hope nobody does to you what you're doing to him." Of course Caesar did end up like this, strung out on substance-use problems that derailed his post-50s career, and knowing that gives the scene, both funny and tension-filled, a certain undertone of poignancy for those in the know.
Mark Linn-Baker could have taken it down a notch or two, and the Brooklyn idyll was to die for, and not in a good way. I'd like to know how the hell I'm supposed to lock lips with the woman of my dreams by stuffing my face with Chinese food and showing her old movies, but I don't think my repeated viewings have helped my love life much. It has given me many hours of pleasure though. This is one film that keeps on giving. With lines like "Plastered? So are some of the finest erections in Europe" "These must be his drinking socks" and "Tongue...Death," how can it do anything less?
Hilarious, an unexpected joy. The laughs keep coming, thanks to an expert cast and a big dose of Jewish humor. No one seems in charge of getting the weekly TV show together for an audience of 20-million. Instead, everyone backstage appears to be rushing around like spinning tops. Even the alleged star King Kaiser (Bologna) can't seem to keep the order of his skits straight. Looks to me like bibulous guest star Alan Swann (O'Toole) should fit right in, drunk or sober. Then there's poor young schlemiel (Linn-Baker) who gets to baby-sit Swann when not pursuing a fruitless romance with the comely K.C. (Harper). Mix in a bunch of mobsters who don't like being made fun of, and you've got a finale to end all finales, even if the mayhem is every TV producer's nightmare.
Now I'm really curious whether the old Sid Caesar show was really as wild backstage as the movie presents it. At the time, I was a faithful watcher, so the hijinks here come as a special revelation. But what else could you expect from backstage characters like Caesar's writers Mel Brooks and Woody Allen. Anyhow, this was Dick Benjamin's first directorial outing even though you'd never know it. Then too, credit O'Toole with coming up with a really sly performance that alternates between drunken stupor and charming finesse. I particularly like it when Swann reveals his real self but still shifts gears into the movie swashbuckler when needed.
All in all, it's a wacko comedy well deserving its place on Premiere's Top 50 comedies of all time.
Now I'm really curious whether the old Sid Caesar show was really as wild backstage as the movie presents it. At the time, I was a faithful watcher, so the hijinks here come as a special revelation. But what else could you expect from backstage characters like Caesar's writers Mel Brooks and Woody Allen. Anyhow, this was Dick Benjamin's first directorial outing even though you'd never know it. Then too, credit O'Toole with coming up with a really sly performance that alternates between drunken stupor and charming finesse. I particularly like it when Swann reveals his real self but still shifts gears into the movie swashbuckler when needed.
All in all, it's a wacko comedy well deserving its place on Premiere's Top 50 comedies of all time.
The 1982 comedy MY FAVORITE COMEDY was a lovingly made period piece that takes place during a wonderful time in entertainment history...the infancy of live television in the 1950's (or more specifically, YOUR SHOW OF SHOWS). This laugh-filled comic romp follows the adventures of Benji (Mark Linn-Baker), a gopher for COMEDY CALVACADE (this film's version of YOUR SHOW OF SHOWS), who is excited when a swashbuckling actor of the period named Alan Swann (Peter O'Toole) has been booked as a guest on the show turns out to be a skirt-chasing alcoholic who Benji is put in charge of keeping under control until showtime. This movie is a lovely valentine to the 1950's with exquisite period detail and an intelligent screenplay that invokes the period so beautifully. O'Toole gives the performance of a lifetime as Swann, an alternately laugh out loud funny and heartbreakingly warm performance that earned him an Oscar nomination, yet somehow Linn-Baker somehow manages to hold his own and never allows O'Toole to blow him off the screen. O' Toole and Linn-Baker get solid support from Lainie Kazan as Benji's mother, Joseph Bologna as King Kaiser, the star of Comedy Calvacade, Cameron Mitchell as a not-too bright gangster, and Adolph Green as the manic producer of the show. A good looking, smartly-written superbly written comedy that documents a long gone era in entertainment history and tells a warm and amusing story as well.
Peter O'Toole is at the height of his comic powers in this wonderful homage to Errol Flynn, the 50's, and early live TV. Alan Swann (O'Toole) is a swashbuckling, aging, alcoholic actor billed to appear on television - which is fine until he realises that the thing is going to be broadcast LIVE, which is unthinkable. This prompts severe stage fright and heavy drinking, as he is cojoled with endless patience by his adoring young minder, Benjy Stone, (Mark Linn-Baker).
The film is funny, brilliant, sad, stirring, inspiring, exciting - unique. The cast is perfect from top to bottom A tour de force by O'Toole. Watch it. 'My Favorite Year' should become one of Your Favorite Films. 9 out of 10.
The film is funny, brilliant, sad, stirring, inspiring, exciting - unique. The cast is perfect from top to bottom A tour de force by O'Toole. Watch it. 'My Favorite Year' should become one of Your Favorite Films. 9 out of 10.
Le saviez-vous
- AnecdotesDirector Richard Benjamin offered Peter O'Toole the role of Alan Swann the day that O'Toole was nominated for an Academy Award for Le diable en boîte (1980). When executive producer Mel Brooks found out about the timing of the offer, he yelled at Benjamin, "Well, that was brilliant. Do you have any idea how much money that cost us?"
- GaffesIn the street scene following the "hot dog" shot, the block Benjy and Swann are walking in is a real NY street dressed for 1954. The next block behind them and the skyline, including the long-gone Astor Hotel, is a matte shot. Several modern buses and an RV can be seen under the marque over the left sidewalk.
- Citations
[Alan Swann has blundered into the wrong restroom]
Lil: This is for ladies only!
Alan Swann: [unzipping fly] So is *this*, ma'am, but every now and then I have to run a little water through it.
- Autres versionsThe version of "My Favorite Year" syndicated to (American) broadcast television contains at least three extra scenes:
- At the beginning of the film, Benjy Stone is carrying a cardboard cutout of Alan Swann into the RCA Building; as he dashes to an elevator in the lobby, the theatrical version jumps to Benjy's arrival in the writers' office. But in the broadcast version, we see Benjy take the elevator up; also on the elevator is K.C., who ignores Benjy's attempts to engage her in conversation.
- The broadcast version extends the rehearsal of the "Boss Hijack" sketch to include several more pieces of business, including the illusion of steam shooting out of King Kaiser's ears.
- Following Benjy and Alan's wild horse ride through Central Park, the broadcast version adds a shot of the horse parked in front of the Waldorf Astoria Hotel.
- ConnexionsFeatured in The 55th Annual Academy Awards (1983)
- Bandes originalesStardust
Performed by Nat 'King' Cole (as Nat King Cole)
Music by Hoagy Carmichael (uncredited)
Lyrics by Mitchell Parish (uncredited)
Courtesy of Capitol Records Inc.
Heard during opening credit sequence
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- My Favorite Year
- Lieux de tournage
- Central Park, Manhattan, Ville de New York, New York, États-Unis(horse riding over the Bow Bridge - mid-park at 74th St.)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 900 000 $ US (estimation)
- Brut – États-Unis et Canada
- 20 123 620 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 400 696 $ US
- 10 oct. 1982
- Brut – à l'échelle mondiale
- 20 123 620 $ US
- Durée1 heure 32 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Où est passée mon idole? (1982) officially released in India in English?
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