Un gangster engage un ancien joueur de football pour retrouver sa blonde. Quand il la trouve, ils tombent en amour et les rebondissements commencent à apparaître.Un gangster engage un ancien joueur de football pour retrouver sa blonde. Quand il la trouve, ils tombent en amour et les rebondissements commencent à apparaître.Un gangster engage un ancien joueur de football pour retrouver sa blonde. Quand il la trouve, ils tombent en amour et les rebondissements commencent à apparaître.
- Nommé pour 1 oscar
- 3 victoires et 3 nominations au total
Commentaire en vedette
The single thing that stand out most for me in this film is the very last shot of Rachel Ward looking at the camera while Phil Collins, singing the title song, says "How can I just watch you walk away, when all I can do is watch you leave".
If you've ever been part of a couple where 2 people loved each other so very much, but it had to end because circumstances like jobs, school, parents, etc. made it impossible to continue, this movie is for you.
If you've lived through a time in your life when you and your friends/lovers were immortal-young lions-with the world at your feet, but one day you sense a change of seasons in the air... a change that for shadows the coming of the real world you always knew was there but that you had hoped against hope to avoid, you'll love this movie.
Great characters, solid performances, top notch script, beautiful natural scenery in Mexico, great soundtrack and a real "LA in the 80's" feel. For the most part the film holds up well today and the "look" is timeless. Very few holes in the plot, if any, and a fine supporting cast.
If you've ever been part of a couple where 2 people loved each other so very much, but it had to end because circumstances like jobs, school, parents, etc. made it impossible to continue, this movie is for you.
If you've lived through a time in your life when you and your friends/lovers were immortal-young lions-with the world at your feet, but one day you sense a change of seasons in the air... a change that for shadows the coming of the real world you always knew was there but that you had hoped against hope to avoid, you'll love this movie.
Great characters, solid performances, top notch script, beautiful natural scenery in Mexico, great soundtrack and a real "LA in the 80's" feel. For the most part the film holds up well today and the "look" is timeless. Very few holes in the plot, if any, and a fine supporting cast.
- shanfeldt
- 17 août 2004
- Lien permanent
Histoire
Le saviez-vous
- AnecdotesJames Woods and Jeff Bridges both loved working with Richard Widmark, and fondly remembered the late actor's love of pancakes. He used to have a plate waiting for him while shooting a scene, and Woods and Bridges would often hide it. Widmark refused to go back to shooting before the cakes had been recovered.
- GaffesDuring the race scene between Terry Brogan and Jake Wise, Jake's dog, who is riding in the front seat with him, disappears during the high speed scenes and then reappears at the very end of the race scene. Also, as Jake prepares to pass a motor home, a rear hatch is open on the motor home and then suddenly it is closed.
- Citations
[last lines]
Terry Brogan: Look, when you need me in court, I'll be there for her.
Ben Caxton: But forget anything else. Remember, Brogan - you're out of her life.
Terry Brogan: Figure that's up to her. You're not going to control us forever. Believe me.
- Autres versionsCBS edited 9 minutes from this film for its 1986 network television premiere.
- Bandes originalesAgainst All Odds (Take a Look at Me Now)
Written and Performed by Phil Collins
Produced by Arif Mardin
Courtesy of Atlantic Records / Virgin Records
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- How long is Against All Odds?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Against All Odds
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 13 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 21 689 062 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 766 128 $ US
- 4 mars 1984
- Brut – à l'échelle mondiale
- 21 689 062 $ US
- Durée2 heures 8 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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