Operation crepuscule

For about the first half of this movie, the story was very gripping. Tommy Lee Jones and Gene Hackman are both on top of their game. However, once Hackman and Cassidy's characters get to Chicago the film starts to drag and the ending gets predictable. Cassidy's character who started out interesting and intellingent doesn't get anything interesting to do toward the end of the film. The concept, an 80s version of the Kennedy Assisination with a twist is solid, but the movie just runs out of steam. If you like spy thrillers or the Kennedy conspiracies, you may find this movie somewhat entertaining. If you pass on watching this, you aren't really missing much either. Rating 6 of 10 stars.

Gene Hackman is great in this good political thriller that has plenty of action, twists and surprises as he races against time to thwart an assassination attempt. The target of the hit is the Russian premier who's scheduled to visit Chicago and sign the disarmament treaty with the President that would end the threat of nuclear war. The movie takes off when Hackman's prisoner escapes from a Washington airport and sets in motion the events that lead to the picture's tense payoff. Hackman and Tommy Lee Jones have great chemistry between them during their brief screen time, and most of the film is about Hackman and Joanne Cassidy hunting for Jones while staying out of harm's way as unknown killers hunt them down. Dennis Franz and Thalmus Rasulala are good in supporting roles as the chase scenes intensify against the backdrop of Chicago's skyscrapers and downtown areas.

A decent thriller with a fairly convoluted plot. This far removed from the Cold War, it's hard to remember what a threat the Soviet Union was, the incredible evil which she served as vanguard. This film was fairly leftish, seeing accommodation with the USSR as the ultimate good, and confrontation as the ultimate bad. (Sort of a hangover from the demonstrably dumb Nuclear Freeze Movement of the mid '80's) Must have been embarrassing three years later. Tommy Lee Jones and Dennis Franz were totally adequate here. Pam Grier seemed a lot more professional, and a lot prettier, than in the blaxploitation stuff I remember her from. And Joanna Cassidy was great. She played her role intense and low-key at the same time. And what can you say about Gene Hackman. Amazing, the career he's had, looking like that. He is the consummate professional actor, and of course, he had to be. I've never seen him in ANY role that he didn't pull off with seeming effortlessness. (Although I will say, that seeing him in the car scenes seemed to almost be a teensy bit of a self-parody) But some of the plot were a bit big. This one is worth checking out on cable, or a Netflix rental.

Gene Hackman plays Green Beret sergeant Johnny Gallagher; stationed in Germany, he receives the order to escort a habitually rebellious soldier (Tommy Lee Jones) back to the States for a court-martial. When the soldier, or "package", escapes from him, Johnny realizes that some sort of master conspiracy is going on, and that he basically got used. With both police and the military after him, he will be able to rely on just a select few people for assistance, including his ex-wife Eileen (who is herself in the military), and his old friend Milan Delich (Dennis Franz), a lieutenant with the Chicago P.D.

Somewhat under rated, among the scattering of classics on director Andrew Davis' resume, "The Package" is a slick conspiracy thriller melding themes of political intrigue and paranoia. Written by John Bishop, it's not a great story at all, but it is pretty entertaining. Even this viewer had an idea fairly early on where the story was headed, and it didn't exactly prove him wrong.

Still, it's pretty easy to watch, thanks to typically sharp direction by Davis, efficient pacing, and excellent use of both German and Chicago locations. The Windy City was Davis' old stamping ground, and he uses a number of his repertory players (you'll certainly recognize some of them). Hackman is an engaging hero, and he and the effervescent Cassidy do have some nice chemistry. Jones, in the first of his three collaborations with Davis, gets to have some fun, and be somewhat enigmatic; his character is a total mercenary, yet you never really learn much about him. Franz has one of his best feature film roles, and is allowed to head into the final battle right at Hackmans' side. Pam Grier and Reni Santoni are somewhat under utilized, but John Heard, Kevin Crowley, Ron Dean, Nathan Davis (Andrews' father), Chelcie Ross, Joe Greco, and Marco St. John comprise a very fine supporting cast. Heard, in particular, exudes pompous villainy in a subtle way. You don't see him chewing on the scenery.

All in all, good fun, although it's the kind of thing that might not hold up to any intense scrutiny from the viewer.

Seven out of 10.

The end of the Cold War and the toppling of the Berlin Wall made this film outdated almost before it was released. Nevertheless, it remains one of the best conspiracy mystery/thrillers ever made. The plot is amazingly intricate, but by the finish everything is tied up neatly, with no loose ends, a rarity for this type of story.

Gene Hackman is at his no-nonsense best as Johnny Gallagher, a career military man caught up in a complex assassination scheme. As the events unfold, he becomes more and more personally involved, which serves to ratchet up the tension for the audience. His relationships with his ex-wife Eileen (Joanna Cassidy) and the 'package' of the title, a prisoner that Johnny is assigned to escort into the U.S. from Berlin (played by Tommy Lee Jones in top form), are what really elevate "The Package" into the first rank of suspense dramas. The scenes featuring Hackman and Jones together are wonderful examples of understatement, as the larger political conflict becomes a personal one. Dennis Franz (NYPD Blue) turns up in a great supporting role.

"The Package" maintains an entertaining balance between action movie excitement and character-driven drama. The political background may be out of date, but the fine acting and writing deliver a story that is still compelling.

EDIT by author, 08.30.2006 Note: I saw this film during its original theatrical run. Events at that time (late 80's) moved so rapidly, the political situation had changed significantly between the start of production and its release. It was meant to be occurring in the present, not designed as a period piece. That is what I mean by outdated, which in no way detracted from the film's quality, or my enjoyment of it.