La famille Addams

The Addams Family has had a death... Fester Addams. But lo and behold, their lawyer knows a man who resembles Fester and if he passes the impostor off, could gain access to the family vault, full of treasures untold. But can the fake Fester survive the family's maniacal games?

I don't have much experience with older incarnations of the Addams Family. So, I can't make an educated comparison. However, this film excels in every way: macabre, humorous and just plain eccentrically absurd. The casting is also amazing... Raul Julia in the performance of his career, and Christopher Lloyd in a very offebeat role even for him.

This was a breakout performance for Christina Ricci (playing Wednesday Addams). Sure, it possibly typecast her into weird roles ("Casper", "Sleepy Hollow", "Pumpkin") but this is, beyond a doubt, where she fits. She can do drama ("Monster", "Black Snake Moan") but will always be America's goth girl.

This film's dark humor is family appropriate -- cartoon violence, no nudity and marginal language. They simply do not make films like this anymore. Full credit must be given to the writer and director for bringing this family to life in a way that just cannot be repeated. Well, aside from the sequel.

"The Adams Family" is a very funny film that is very under rated. With a great all star cast you get just what you expect, a great comedy. The TV show was already funny enough, and then the movie came and I was on the floor laughing. It's fun to see a happy dysfunctional family. No, I'm not talking about "The Osbornes". All the characters are great and you really get into it. If you can tell me that you honestly did not get one laugh from this film, there is something very wrong with you. Because it is a very funny film. I would recommend this to anyone. It's a good watch on any day.

8/10

The Addams family are far from being normal but they are rich and as such are their attorney's only chance of getting rich. Tully has debts up the yazoo and the only thing that stops his knees being violently replaced with fresh air is the fact that Abigail Craven's son Gordon looks eerily like Gomez's missing brother Fester. Shaving his head, Gordon enters the Addams home as Fester and tries to use his spare time to get into the family vault. However Gomez's joy at his return is gradually marred by a sneaking feeling that Fester is not himself – meanwhile Wednesday has no such doubts at all and is out to expose the impostor.

One of the few remakes that actually works, The Addams Family takes the Gothic humour of the TV series and makes it feel fresh and entertaining. The story is essentially a nail for us to hang our coats on so we can watch the gags come but even with this it is actually pretty good. Making one of the family a "new character" is a clever way of adding to the formula without having to bring in new characters to lead the film and it does work. Within this frame the twisted comedy is rather entertaining and, although rarely laugh out loud funny, it is still consistently amusing and enjoyable.

The cast are roundly good. Julia is a perfect Gomez and Huston is a great Morticia despite the latter being a fairly one-note affair. Lloyd is enjoyable in the lead and manages to do well to carry the "new character" aspect of Fester without disrupting the dynamic of the family. Ricci is excellent and the only downside is that the film doesn't give her enough to do; Workman is also good and has good chemistry with her. Hedaya, Wilson, Ivey and others are strong in support and generally do well to shore up the story.

Overall a kooky affair that is enjoyable in you are in the mood for its particular brand of dark silliness. The plot is more than enough to act as a frame, the jokes maybe don't hit many real highs but they do consistently get very close to the target and the fact that the actors all buy into the joke makes it that little bit better. An enjoyable remake that succeeds because it has the strength to stand as its own beast.

Charles Addams' dark characters get the film treatment in Barry Sonnenfeld's THE ADDAMS FAMILY, which is something of a cross between the actual New Yorker comics and the 1960s television show. Not trying to lean too far to either, the movie stays at a safe plane, even incorporating a vague plot involving two grifters, Gordon and Abigail Craven, posing as Uncle Fester and a renowned psychiatrist (Christopher Lloyd and Elizabeth Wilson) who are in cahoots to rob the Addams of their fortune and house. The problem arises when Craven seems to go against his take-the-money-and-run attitude and when the Addams themselves appear to enjoy every minute that they're being taken advantage of. It suits the dark humor well, because since the Addams live in an alternative universe of their own creation in which dark is light, repugnant is beautiful, pain equals pleasure, death is life, and chaos equals order, it leaves the door open for many of their Gothic eccentricities to pull the rug over Lloyd and Wilson over and over again. It's clever, although its only problem is the "needing to introduce the characters we all know" setup which like in all movies based on comics or television shows, looks obvious.

But despite this, everyone is uniformly excellent. Raul Julia and Anjelica Huston lend their looks to embody their cartoon counterparts and are the romantics at the heart of this decidedly perverse story. Christopher Lloyd is also great in his representation of Uncle Fester. But hands down: the one who walks away with the entire movie is Christina Ricci who plays Wednesday as if she were living the role day by day. There's a sadistic gleam in her eyes and her voice that not many child actors have and I think that any other actor of the time that this film was made would have been unable to fit into this difficult part. Other than that, the tone of the movie is perfect: as dark as it wants to be, but never letting its Gothic setting drown it in an inescapable mire. On the contrary, we're constantly aware that this is a typical American family who lives upside down and who are happy in being so even when we gawk and cringe at their oddities.

Uncle Fester appears to have come home after a long period of absence, but is he an imposter?

This is a pretty good comedy with great performances, a decent amount of jokes and some memorable scenes.

The plot is for me the weakest aspect of the movie, but it gets us from start to finish and importantly allows for the characters and their actors to shine as much as possible.

I enjoy the visuals which are very atmospheric, entertaining and technically well done. The cinematography and editing is excellent with lots of great shot compositions and lively camera movement. One of my favourite moments is the dance between Gomez and Morticia in the dark empty ballroom that superbly transitions mid dip to the actual ball in full swing.

The production design is perfect for the tone of the film with wonderful set design in the Addams house, along with great costumes and props.

It is the acting that gives it the extra quality, with Raúl Juliá on fantastic form as Gomez and Angelica Huston perfect as Morticia. Christina Ricci shows glimpses of the quality to come in her great Addams Family Values performance.