Party Girl

1995
R
1h 34m

ÉVALUATION IMDb

6,5/10

7,6 k

MA NOTE

POPULARITÉ

1 345

301

Liretrailer1 min 52 s

1 vidéo

86 photos

Comedy Drama Romance

La fêtarde Mary est libérée de prison par sa marraine bibliothécaire. Elle commence à travailler à la bibliothèque et remplit lentement son cerveau vide.La fêtarde Mary est libérée de prison par sa marraine bibliothécaire. Elle commence à travailler à la bibliothèque et remplit lentement son cerveau vide.La fêtarde Mary est libérée de prison par sa marraine bibliothécaire. Elle commence à travailler à la bibliothèque et remplit lentement son cerveau vide.

Voir l’information sur la production à IMDbPro

ÉVALUATION IMDb

6,5/10

7,6 k

MA NOTE

POPULARITÉ

1 345

301

Voir l’information sur la production à IMDbPro

Prix
- 1 nomination au total

Vidéos1

Trailer 1:52

Party Girl

Photos86

+ 78

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Soirée d'anniversaire

Histoire

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Le saviez-vous

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Anecdotes
On June 3, 1995, it became the first feature film to be shown in its entirety on the Internet through Glenn Fleishman's Point of Presence Company (POPCO). Parker Posey appeared live in the POPCO offices to introduce the film and welcome Internet viewers.

Citations
Mary: I would like a nice, powerful, mind-altering substance. Preferably one that will make my unborn children grow gills.

Générique farfelu
THE "LADY" BUNNY ... ITSELF

Connexions
Featured in Siskel & Ebert & the Movies: First Knight/Party Girl/Species/Batman: Mask of the Phantasm/Il Postino (1995)

Bandes originales
Mama Told Me Not to Come
Written by Randy Newman
Performed by The Wolfgang Press
Courtesy of 4ad Records by Arrangement with Warner Special Products
Used by Permission of Unichappell (BMI)

Commentaires des utilisateurs46

Commentaire en vedette

6/10

I Wish Parker Posey Would Get More Star Vehicles Like This

Parker Posey flashes her 1,000-kilowatt smile frequently in this film, and your enjoyment of the movie will rely primarily on how smitten you are by Posey's quirky charm.

Count me as a follower. I think Posey is a hoot in everything she's in, incapable of giving an ordinary performance. I have a feeling that in "Party Girl" she plays a variation of herself, but that's just fine with me. She appears in virtually every frame of the film, but the movie isn't much of anything without her, so I welcomed the overdose of Posey.

The script for "Party Girl" feels half-assed, though I did appreciate the existential crisis faced by Posey's character and the shelter she seeks in the Dewey Decimal System as a way of bringing order to her chaotic existence. I wish the screenwriters had taken clever hooks like that further. And the ending had a conventional, all-loose-ends-tied-up quality that would better suit a television sitcom than an out-there indie film.

But none of these faults take anything away from Posey herself, so really, how serious can they be?

Grade: B