À la fin de la Seconde Guerre mondiale, une jeune infirmière s'attache à la victime d'un accident d'avion, grièvement brûlé, et dont le passé, raconté en flash-backs, recèle une histoire d'a... Tout lireÀ la fin de la Seconde Guerre mondiale, une jeune infirmière s'attache à la victime d'un accident d'avion, grièvement brûlé, et dont le passé, raconté en flash-backs, recèle une histoire d'amour fatale.À la fin de la Seconde Guerre mondiale, une jeune infirmière s'attache à la victime d'un accident d'avion, grièvement brûlé, et dont le passé, raconté en flash-backs, recèle une histoire d'amour fatale.
- A remporté 9 oscars
- 62 victoires et 78 nominations au total
Oscars Best Picture Winners, Ranked
Oscars Best Picture Winners, Ranked
Histoire
Le saviez-vous
- AnecdotesThe Germans who shoot at Almásy's plane at the beginning were actually tourists roped into the production because they couldn't afford any more extras.
- GaffesKatharine Clifton (Scott-Thomas) explains to Count László Almásy (Fiennes), that her husband is map making in Ethiopia. The year at this point is 1939, and the country was known as Abyssinia until 1945.
- Citations
Katharine Clifton: My darling. I'm waiting for you. How long is the day in the dark? Or a week? The fire is gone, and I'm horribly cold. I really should drag myself outside but then there'd be the sun. I'm afraid I waste the light on the paintings, not writing these words. We die. We die rich with lovers and tribes, tastes we have swallowed, bodies we've entered and swum up like rivers. Fears we've hidden in - like this wretched cave. I want all this marked on my body. We are the real countries. Not boundaries drawn on maps with the names of powerful men. I know you'll come carry me out to the Palace of Winds. That's what I've wanted: to walk in such a place with you. With friends, on an earth without maps. The lamp has gone out and I'm writing in the darkness.
- Générique farfeluDisclaimer in end credits: "While a number of the characters who appear in this film are based on historical figures, and while many of the areas described - such as the Cave of Swimmers and its surrounding desert - exist and were explored in the 1930s, it is important to stress that this story is a fiction and that the portraits of the characters who appear in it are fictional, as are some of the events and journeys."
- Bandes originalesYes! We Have No Bananas
Words and Music by Frank Silver and Irving Cohn (as Irving Conn)
Published by Skidmore Music Co., Inc.
The English Patient may be a slow movie, with all the dates, character relationships and events unfolding at a purposefully leisurely pace, but it is also intensely moving, beautifully shot and compelling. The film looks stunning, the dessert scenes especially are reminiscent of the epic sweeping feel that Lawrence of Arabia had. The cinematography is incredibly beautiful, and the costumes and scenery are wonderfully lavish and evoke the period seamlessly. The English Patient has a truly haunting and heart-wrenching score, particularly in the end credits, complete with some fitting music choices. The film also has a poetic and thought-provoking script, a compelling story that conveys the characters' predicaments wonderfully complete with flashbacks that enhance rather than jar and superb direction by the late and very talented Anthony Minghella.
The English Patient has a strong emotional impact as well, the climatic sequence in particular moved me to tears that stayed long after the movie was over. The characters are richer and more complex than one might think, Almasy especially is very haunted and pained, and dealt with in an incredibly subtle way. The acting does perfect justice to these characters, Ralph Fiennes is absolutely brilliant in one of his best and more complex performances(I'd say only Schindler's List is better), and Kristen Scott Thomas shows a great chemistry with him, the scene where she is carried out of the cave by him is one of extreme pathos. Juliette Binoche is equally affecting, and Willem Dafoe and Kevin Whately are as strong as ever.
All in all, a moving and beautiful film, cinematically and emotionally. 9/10 Bethany Cox
- TheLittleSongbird
- 11 avr. 2011
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The English Patient
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 27 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 78 676 425 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 278 439 $ US
- 17 nov. 1996
- Brut – à l'échelle mondiale
- 231 976 425 $ US
- Durée2 heures 42 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1