Comme une étoile filante

I am really sorry but this is one of worse movies ever...

Artificial ,unrealistic, neither comedy or a drama... I wonder how movies like that can be made. Even a child with 10y old would have more talent do direct.

And no acting talent..at all !!! What lack of...everything!

Im really sorry for my nasty comment but I really do think reflects the reality. We as a Telespectators should actually receive a payment for watching such a movie.

The scene in the railway station is really touching. We all have a moment in life...

This is a charming film about an actress who stomps off set and ends up in a small steel town without a dime to her name.

The plot of the film somewhat anticipates Notting Hill, with the female celebrity falling for a civilian.

No one recognizes her and through the kindness of strangers, makes her way to new friends and relationships.

The two leads have definite chemistry and their acting is natural and easy going.

The film is charming and, although a bit predictable, there are some good sub-plots.

The setting is quaint and it is always fun to watch these 80s films to see the culture.

It was a fun watch.

I just finished watching this painful Sunday film. My son was married on Saturday, and I was too tired to leave the couch and to click the remote. What a simple, predictable story. I never liked Sela Ward, who is one of the worst actors ever. Even a ton of red lipstick does not help. Anyone who knows mill workers, especially steel workers, sees the flaws in this. First of all, a steel town is not a charming, storybook place to live. Bowling, community theatre, a cozy dinner place at film's end were silly. In this economy Hollywood money would not save a dying industry! And the workers in line for splinter-in-the-butt removal and other such ailments -- dumb, dumb, dumb! Hiring her as a nurse in a steel mill where serious accidents DO happen was unreal and dangerous. And that white-haired, panty-waist Ben -- was that his name? What a crummy job acting! His supposed-to-be dynamic speeches and serious looks were hilarious, and Ward's portions were miserable. Near the end when the assortment of characters was-were speaking - ugh! How bad was that? And Fran -- horrible acting. What a way to end a perfect weekend. This destined for a tour of Lifetime film is awful so do not waste your time. It was not even sleep-inducing -- way more painful than "a splinter in the butt"! I cannot believe I actually wrote that stoopid word I never say. See what this did to me. Avoid this garbage.

This effort is routinely - if not garishly, more's the pity - formulaic in its plot, situation and characters. It is certainly bland and bears the standard airbrushed feel-goodery of the bland-B-Picture, the TV-Movie. It is only really worth a few marks for a *relatively* fair script, performances with just a pinch of life, and it is slightly less annoying than the worst of its kind, or indeed many of the more successful U.S. 'blockbuster' pictures of today. I felt it could maybe have been a bit more economical and kept the running time down below 80 minutes; after all, do I really want to watch this general sort of insipidity for half an hour, let alone 90-120 minutes...!? And, obviously, I would rather the scriptwriters had thrown their weight behind a few more quirks or added even any emotional depth.

Acting is far from awful, a la "Showgirls" or "Starship Troopers"; it is merely competent if bland, much like a middling TV soap. The main character Sydney Clarke is played by Sela Ward, who just about manages to carry this TVM; she is an inept actress who simply undergoes a change of pace in her life for a while. Yes... this is scintallating stuff, I mark ye! ;) Ward does play her character with some charm, making her likable and wispy, even if she fits resolutely into the ultimately saccharine world of the film. Ward, an older actress at 43 when she played this 36-year-old uses perhaps that extra experience to treat the whole thing on occasion with a dry levity - the scene where Sydney ineptly renders a Shakespeare soliloquy is admittedly fun, after a fashion.

To be frank, as a picture, this is quite forgettable, but certainly not due too much criticism; 'tis after all, small-fry, though unfortunately these things do get quite regular showings on UK TV - Channel 5 most likely, but not just - during the afternoon. This is explicitly not a film - or TVM - to go out of one's way for, or indeed stay in for. It isn't even quite worth a sole viewing on TV, despite the dainty turn of Sela Ward, who is just about the only performer to show signs of jocund life. Who, indeed, wants to fully take this whole story seriously, who is not part of its U.S. TV target-audience? No... I thought I didn't see any hands up at the back, ladies, fellers, felons... ;)