Solas

A very touching movie. During the movie you almost start wondering if there are only sad people around. But even the saddest ones (and they now, because they have had a fight about who the saddest one was) can shift to a better life.

Unfortunately rather overlooked as this film came out the same year as Almodóvar's 'Todo Sobre mi Madre' which went on to reach fame and glory. However, if you liked Almodóvar's excellent drama you will also like 'Solas'. The two films have certain similarities inasmuch that also in 'Solas' the accent is very much on strong characterisation, profound human feelings, though perhaps a little less intense here than in Almodóvar's film.

Ana Fernández is magnificent, playing just right the rather confused, unlucky thirty-five year old young woman a bit given to alcohol, not overplaying her part; María Galiana as her mother shows even at her age that she has come from good theatre, as no less does Carlos Álvarez-Novoa as the lonely neighbour. Benito Zembrano - as Almodóvar - , not only directs his film but is also responsible for the script, which is truly magnificent, especially taking into account certain Andalucian styles of speech. The Andalucian accent may at times cause a bit of a problem if you know Spanish a fair amount and watch this film without any subtitles. Try it, anyway: it is well worth the effort.

An excellent piece of drama which certainly deserves more recognition than it has got. Curiously both films end with a remarkably similar dedication at the end: 'A mi madre; a todas las madres' - To my mother; To all mothers.

I was moved by this one, and I'm a rock. Even though I did not like one of the morals of the story - that if you get a child, you can overcome alcoholism and lead a better life. Unfortunately that's a romantic dream challenged by many an alcoholic as an escape route, and I've seen many try and fail with the children caught up in the mess as victims.

But it's beautifully acted. The story is a tragic one, but it's told in a wonderful "laughter-through-tears" way.

Very nice framing too, and silent and emotional shots - not boring at all. Deeply moving. Thanks for this one.

Nowadays it is not so easy to find a film that hits directly your heart and sentiments. Benito Zambrano gives an opportunity to recover all those sentiments that are well hidden in your subconscious.

Carmona is a small town too close to Seville to have a real identity and is the frame for a difficult and impossible relationship between a daughter, mother and father. Zambrano shows how difficult is to grow up in this outcast and bit farmer town with the leit-motiv of these three characters that join back together due to the father's illness. The father is marked rude and impolite, used to hit the wife or the daughter to show his total dominance and authority. The wife was totally subjected to this situation and the opportunity to find some understanding and heat with their neighbour is accepted with detachment by her. This side relationship with a lonely man brings back love to this sad and destroyed family. The daughter is even worse, alcoholic and in love with a truck driver who does not care of her pregnancy.

The loneliness of the void with a breach of optimism is well expressed in this simple but very effective and straight film.

Rating: 7/10

"Solas" spends its 100 minute run digging deep into the character of Maria (Fernández), an attractive 35 year old brittle pessimist who bears the scars of childhood abuse at the hands of her father, drinks too much, and works as a janitor. A somber, plodding, plaintive character study, "Solas" fleshes out its small ensemble of characters well, illuminating the dark corners of Maria's hopelessness with an unlikely combination of her visiting mother's quiet courage and the friendship of an old man in a neighboring apartment. An award winning film hailed by the critics and an exemplar for American Indie makers, "Solas" will appeal most to more mature audiences into Europix. Those who enjoy this film may want to check out "El Abuelo" (1998). (B)