Meurtre en équation

Like I said in the header it's definitely cliche but it'd harsh to give a 6. Ive seen a lot of 6's but I couldn't personally go that low. It definitely didn't blow me away. You've got to remember though this film came out nearly 20 years ago. The acting was all round was really good absolutely no complaints there. I'd have to say Ryan gosling shined the most, he played his psychopath role really well which is a hard role to master well especially at his young age. There's not much to say on it, it's good but not amazing. You won't be disappointed, it's also just fun watching younger actors then compared to now.

I definitely liked this movie, despite several flaws. The premise is fairly original (although Hitchcock's "Rope" inmediately comes to mind), the pace is fine, and the acting is overall great, with a 22-year old Ryan Gosling standing out in his multi-layered portrayal of the self-assured, manipulative, spoilt rich kid Richard. And in my opinion Sandra Bullock did a pretty convincing job (while watching her is by the way always a treat). I even liked the cliché shoot-out ending, it gave this otherwise low-on-action movie an exciting finale.

What did annoy me however, was the way Bullock's character detective Cassie Mayweather was written. Why this elaborate traumatic background?! It did not serve any purpose for the central story of the movie (the ordeal in her past being totally different from the crime that she now had to investigate) but did take lots of screentime. I guess it had to explain her cranky behavior, and maybe her apparent casual attitude to sex. But she was also pictured as a brilliant professional detective. So why this totally inappropriate sexual harrassment of her newbie partner? Or the innuendos of a sensual attraction towards her major crime-suspect?

It's a strange convention in so many crime-movies, that detectives on duty have to have some troublesome past or an addiction or a conflicting bad divorce or whatever, I always yawn when yet another one of these traumatized police-officers comes along. Either make it essential to the story, or leave it, I would say.

Anyway, as an interesting psychological portrayal of two young wannabe killers, and as an extended well-acted CSI episode, it made for an entertaining but slightly overlong two hours.

This is exactly what Hollywood does badly. Very Badly. Typically awful who-dunnit featuring more bluffs and double bluffs than you could shake a stick at. This movie is up there with horrendous plotless rambles like Copycat, Along Came A Spider and even Kiss the Girls. Horrendous in that it is possible to work out just about every plot detail in the first 25 minutes. The constant "twists" and "surprises" are tedious to say the least.

Don't get me wrong I like Sandra Bullock but when is she going to get a role that truly makes her shine. She seems to manage to choose the wrong movies time after time. I think she should maybe look to more comedy roles as I feel some of her best parts have been in films like Demolision Man and even last years Miss Congeniality wasn't too bad (ok it was was that bad but not as bad as Murder By Numbers).

Michael Pitt on the other hand is awesome. I saw him in Bully not so long ago in which he was fantastic and also last years Hedwig and the Angry Inch. He does evil particularly well. I think he could be destined for very great things.

And what the hell is Chris Penn doing in this tripe?! Nice guy Eddie is far better than this!

It was worth going to see this movie just for the guys walking around in the Slipknot costumes whenever they were going to murder someone.

On the whole this film was very poor, it scores only a ** out of ***** on the Meejoir-meter. But if Sandra Bullock is reading this, I still love you!

I predicted too many things in this movie and the only thing that kept my interest were the two young actors playing teenagers. They seemed to have the stronger and by far, more interesting scenes. They definitely seemed to have more to do than our star, Sandra Bullock.

Bullock always plays this independent character that lives alone and has predictable "back story" issues. I would like to see her do something a little more challenging.

Not bad, just not great. 6/10

When the dead body of a woman is found in the woods near the river, feisty homicide detective Cassie Mayweather (Sandra Bullock) and her new partner, Sam Kennedy (Ben Chaplin) are assigned to the case. Determined to solve the crime, Mayweather follows her hunches and microscopic bits of evidence, focusing her investigation on two teens: Justin Pendleton (Michael Pitt), a brilliant, misunderstood nerd, and Richard Haywood (Ryan Gosling), a smooth talking, spoiled rich kid. From the beginning, the audience knows that this unlikely duo has formed a secret bond that pushes the boundaries of morality and the law in their attempt to commit the perfect murder and experience complete freedom. It's up to Mayweather, who buries herself in her work in an attempt to forget her own tormented past, and Kennedy, a transfer from Vice who is working his first homicide case, to ignore the stereotypical profiles and see past the obvious in order to solve the crime.

Murder by Numbers is an interesting and entertaining small little thriller that doesn't excel but never disappoints either. The film is gripping, engaging and has this somewhat mysterious atmosphere that creates quite a bit of tension. The story does have some small plot holes but nothing that will ruin the film. Gosling delivered a great performance as usual and I can see why he felt attracted to his project, the film ends up being more of a character study then a thriller often reflecting on the human nature. Michael Pitt was excellent as the ostracized teenager and Sandra Bullock (who also served as producer) did OK as the seasoned detective Cassie Mayweather. What really threw me off and dragged the film down was not so much Bullock's performance but the way her character was written and her past story. It was extremely cliché and contrived. Still, I was entertained by what I think is, a decent and well acted thriller.

6.5/10