La famille Tenenbaum

I think if someone tries to watch a Wes Anderson film, they have to have a certain kind mind to understand the real meaning of them. After being awed by the Royal Tenenbaums, I left with a certain kind of joy that only a great film can give me. It's like flying an electric kite, it's that hard of a buzz. As I began my travel down the stairs of the theater, I heard this couple talking about how stupid the movie was, and how they are going to ask for a refund. I suddenly smiled, because I hoped that they would get one. I think that I got something out of the film that they didn't. That inside the frames of the movie I felt like I was in good company and had a understanding for the material that they didn't. What is so good about the Royal Tenenbaums? The great detail in every frame, from the costumes (and they really are costumes)to the design of Chas, Margot, and Richie rooms and the house. This is brilliant film on every level, a delight for the senses and for the mind. This movie makes you think, and without giving too much away there is a lot of surprises that come from the characters dialogue and their past. High kudos go to Luke Wilson, I loved his performance as the suffering Richie. If you loved Rushmore, there is no doubt that you will love this film because it is at par with it, except that its a bit darker in tone. I think its funny that way that people look at film, we each love or hate a film based on our own perception(and mind there are people who just watch film for entertainment). So if you have a complicated mind and you enjoy watching a challenging film, then the Royal Tenenbaums is for you. As for me, I plan on watching it again so I find more things to love about it. Thank you Wes Anderson, so much. You made laugh, you made me smile and I cried. A thousand times, thank you!

I think it's unfortunate that some of those who liked this film imply that anyone who found it a waste of time is a boor, who is only interested in Jim Carrey style films. There are some very off-beat, "arty" films that I enjoy a great deal. This was not one of them, though. To me, it was "okay", but certainly not great. The humor was very subtle. I got most of the "jokes" (or humorous aspects, really, more than jokes) that people have mentioned, but they just weren't all that funny, to me. Maybe I actually sympathized with the characters too much; the humor was overwhelmed by the sadness of their situations.

It seems to be generally agreed that this is Wes Anderson's staple film, or perhaps his mission statement as far as movies he wanted to create: idiosyncratic, campy tales about complex relationships being told in often witty and blunt dialogue. And no one can forget the Wes Anderson tells - symmetry, pastel or earthy color schemes, and Bill Murray. Even though the way this story is told would never happen in real life (it felt fitting that the "actual story" being told was through a book), it still feels incredibly human and almost believable in an odd way. Royal Tenenbaum (Gene Hackman) almost feels like the hero of a classic Greek tragedy, except the movie focuses more on gathering yourself the day, or in this case, the two decades after. Royal's ex-wife (Anjelica Huston), his two sons (Ben Stiller and Luke Wilson), his adopted daughter (Gwyneth Paltrow), and his children's friend from across the street (Owen Wilson) have all fallen on hard times (meltdowns, depression, drug use) decades after the family drifted apart. Royal attempts to reconnect with his family initially to keep his distanced wife from remarrying a tax advisor (Donny Glover), but throughout the film, he finds the best days of his life with his long-lost family. The group catches up with varying success and share in each other's mutual sadness. There are many beautiful and crushing scenes, heightened by the Wes Anderson style, and the story explores several different feelings and tones. I think the only real problem is that even though every character is written well and intricate in their own special way, and I believe each has an arc as well, there are so many people and histories to keep track of, it becomes a little bit of a nuisance. And the film struggles to juggle all these characters and all of this information in a balanced way; they each kind of have their moment and disappear for a while and then resurface briefly. And this makes the telling of the story a little choppy and confusing at points because you're always wondering who someone is or why they are acting the way they are until you remember through context clues. But if it weren't chosen to have this movie told through a book, I think it might have been much more noticeable. Of Anderson's films that I have seen, even though it is not my favorite by him, I'd say it's the best introduction to one of the best filmmakers in the industry right now.

I loved this movie the first time I saw it. And it grows on me a little bit every time I rewatch it. It's like going to visit an old friend's house. Anderson did such a marvelous job building this odd little world. It's just one indelible image after another. Gene Hackman is just marvelous. And that shot of Margot getting off the bus.

Movies like this don't get made anymore. A full cast of expert actors, a director with complete artistic license. Usually the artistic nature of a film is controlled when the cast is this packed full of talent.

Anderson usually has problems meshing the pacing and rhythms of his stories with his specific style, but not in this one. This one works like a charm. One of my top 10 favorite movies.