Ajouter une intrigue dans votre langueA variety of losers in Dublin have harrowingly farcical intersecting stories of love, greed and violence.A variety of losers in Dublin have harrowingly farcical intersecting stories of love, greed and violence.A variety of losers in Dublin have harrowingly farcical intersecting stories of love, greed and violence.
- Prix
- 9 victoires et 12 nominations au total
‘Snow White’ Stars Test Their Wits
Histoire
Le saviez-vous
- AnecdotesColin Farrell performs "I Fought The Law" over the end credits.
- Citations
John: This is a list of things that I want, and have wanted, for a long time. Straight from the heart - no fucking around: to be with you; to live with you; and to eventually, you know, to marry you; to have your child... or...
Deirdre: ...for me to have yours...
John: ...yes, all my children - however many - three, four...
Deirdre: Go on.
John: ...to grow old with you; to know - and that's the main thing - to know, all right? that you feel the same. That's it.
- Générique farfeluThere is an extra scene during the credits showing Noeleen and Sam, who have presumably gotten back together. Noeleen is pestering Sam about changing the TV channel, and her nagging manner may give a hint why Sam left her in the first place.
- ConnexionsReferences Monty Python and the Holy Grail (1975)
- Bandes originalesOut of Control
Music and Words by U2
Published by Universal Music Publishing BV
Except Blue Mountain Music Ltd
Mother Music (IRL)
Performed by U2
Produced by Steve Lillywhite
(p) 1980 Island Records Ltd
Courtesy of Universal Music International BV
The screenplay focuses on a group of seemingly unrelated people whose lives crisscross and intersect in so well crafted a way that, as the story develops, a fully connected narrative soon emerges. Through a carefully thought-out structure and pattern, writer Mark O'Rowe and director John Crowley create order out of seeming disorder, and the overlaps never feel pre-fabricated or contrived - until the end that is, and then the contrivance is used for comic effect. The overarching theme of the piece is an examination of the subtleties and complexities that make up human interactions and human relationships. There are people here from all walks of life, yet they are basically united in their desire for love, commitment and acceptance from their fellow man. A few of them veer towards the criminal and/or violent side of life but most are just ordinary Joes (and Janes) trying to make the best of the lives they've been handed. This is one of those films in which the good people triumph over their failings, the not-so-good ones get the chance to make things right, and the irredeemable ones get their richly deserved comeuppance in the end.
Colin Farrell, playing a violent, two-bit hoodlum, is the only "name" member of the cast, but the film boasts a whole gallery of fine actors and actresses who deliver heartfelt, winning performances. The film is filled with humor and sentiment and just enough action and violence to keep the whole thing contemporary and cutting edge (with the usual nod to "Pulp Fiction," of course).
The real joy of the film lies in putting yourself in the hands of the filmmakers and letting them take you wherever it is they want you to go. The trip, I promise you, will be a rewarding one.
And you'll barely feel that whiplash.
- Buddy-51
- 12 mars 2005
- Lien permanent
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Détails
Box-office
- Budget
- 5 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 896 993 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 39 936 $ US
- 21 mars 2004
- Brut – à l'échelle mondiale
- 5 175 215 $ US
- Durée1 heure 45 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1