L'escadron Red Tails

I had high hopes for this; Cuba Gooding Jnr, Terence Howard, David Oyelowo and Bryan Cranston in the same film? Surely this would be a master work of cultural importance highlighting egregious racial slights in WWII which were - clearly - absurd? The topic laid open the opportunity for aerial combat scenes that would make Top Gun look like walk in the park given that it's nearly 30 years on and surely SFX would have improved exponentially - it's LucasFilm for crying out loud - George Lucas knows a bit about SFX, right? Wrong. Wrong wrong wrong wrong wrong. WRONG. This was Red Tails, light. The Disney version of the story, if you will.

The acting, with the notable exceptions of Oyelowo, who tried SO hard to carry the film, Gooding Jnr & Howard who given their heavy-weight were woefully under-utilised but still shone in every scene (especially Howard) but who has Terence Howard in a film and only give him about four scenes? Who!? David Oyelowo's maverick-type character "Lightening" was the only character with depth, but even he struggled with the ridiculously poor script and naive plot formation as the film was a staccato of - largely predictable - events. Of course the dogfights and flying scenes were key but there was so much potential that was glossed over. insubordination, alcoholism, unlikely romance, fear and righteous rage at a government scorning them because of the colour of their skin! It could have been mindblowing... it should have been edge of the seat tense but nothing about this hit the nail on the head. It missed on every point. Direction, score, script, acting etc and even the aerial combat scenes were poor. It had no passion, or realism. There were a few good aerial moves but it was without emotional response, consequence or discipline!

For telling a true story, or at least based on true events and the Tuskegee Training program, these airmen were fighting to prove wrong (!) a Government edict that stated that Black people weren't smart, coordinated, skilled, brave or loyal enough to fly a plane in battle and would chicken out, as they were gutless. What a story to take part in!! Woefully disappointing. The moments of bravery, sentient, beauty, faith and camaraderie were glossed over, not enough made of them, and it felt like it dragged; I was convinced it was a three hour film as whilst things happened, they didn't *HAPPEN.* Overall it was too ... vanilla. This film shouldn't have been a 12A. It should have been real and raw and visceral. Oh what a waste.

Among the many problems I had with Red Tails, I suppose one of the most egregious was the incredibly overbearing and cloying musical score. But in a rather sad way, the score perfectly fits the entirely forced and artificial nature of the movie itself. Now, I know that typically a film's musical score is used to enhance emotion, but in the case of Red Tails, the music is so over-the-top, in-your-face, and cliché ridden that I couldn't help but laugh at times. One example is the music we hear when a soldier drives into an Italian town. Yes, we know we're in Italy, but in case anyone is confused we're treated to a musical cue that sounds like the spaghetti scene from Lady and the Tramp. And if you can't figure out that the German pilot is a bad guy, why, the music will certainly tell you! Well, that and the GIGANTIC SCAR ON HIS German FACE!

And I'm sure I'll be called a pinko/commie for saying this, but what was up with playing America the Beautiful during the credits? It felt so forced, like the music in one of those "patriotic" animatronic exhibits at Disneyland that gets mocked. And the reason those are mocked is because they are lifeless objects trying to manipulate and force us to feel something without actually LETTING us feel that way on our own. It's cynical trickery. And that's how I feel about the score of Red Tails and pretty much the movie in general.

The men of the 332nd were heroes and patriots. Real ones. But they were also real men, not the cartoon characters in Red Tails. And the Tuskegee Airmen deserve better than the childish fantasy of George Lucas by way of Anthony Hemingway.

My biggest problem is that I saw the 1995 film Tuskegee Airman and loved it. I had to compare this current film to that and unfortunately found it extremely lacking.

I don't feel any connection to the characters in this film. Live or die, who knows or cares.

Contrasting that with the Tuskegee Airman, when people died in that film, you felt it. You cared about each single character and were emotionally invested with them.

So my saying, wait for DVD, and if you want a much better film, buy the Tuskegee Airman. You wont be disappointed.

It's 1944 Italy. The Tuskegee Airmen are a squadron of black pilots finally given the chance to prove themselves in the sky, even while they're battling discrimination on the ground. The are given the task of protecting bombers sent to destroy Germany.

This stars a large cast of black actors most notably Terrence Howard and Cuba Gooding Jr. The story of these men is a whole lot of cheesy stale clichés. The filmmaker seemed to have concentrated on CG fighter action more than giving these men good story lines. This multi-story line is embarrassingly old school. If they could just do one character, that would be an improvement. And imagine if that character is real.

Red Tails is a movie about the Tuskegee Airmen. A squadron of black Army pilots who served with distinction in Europe in World War II despite facing racial prejudice.

The film was produced by George Lucas and it has some top notch CGI with the aerial battle scenes. The script is rather corny and flat as well as being fictionalised.

The four main characters are Marty 'Easy' Julian (Nate Parker) who likes to drink a lot. His best friend, Joe 'Lightning' Little (David Oyelowo) a hotshot pilot who is having a romance with a local Italian woman. Samuel 'Joker' George (Elijah Kelley) is good for laughs. Ray 'Junior' Gannon (Tristan Wilds) is the baby of the group.

The film is too uninspired, cheesy and cliched. It manages to get glorified cameos from Terrence Howard and Cuba Gooding Jr.