La nuit nous appartient

The Grusinsky family is a family of cops, father Bert is Deputy Chief and son Joe is Captain. However son Bobby has shunned this side of the family and, to Bert's chagrin, is using his mother's maiden name and is running a club in Brooklyn, mixing with those who see the police as a joke and the city as theirs. As a result the family is split, with neither willing to see the others' point of view. When Joe leads a raid on Booby's club and picks up several men of a high-profile Russian mobster the outcome is bloodshed - with a hit put out on Joe. With the Russians unaware of the family connection, Bobby must decide who he stands with and the risks he is willing to take for his family.

We Own the Night came and went in the cinemas over here and struck me as being one of those thrillers that gets made that is solid enough to watch but not remarkable enough to do really well. This was enough to make me check it out anyway though and it turned out to be pretty much what it appeared to be in the overview. This is no bad thing though because a solid thriller is still a solid thriller and sometimes that is a welcome relief from all the noisy, superficial blockbusters handed to us week in, week out. Set in the 1980's, the film does recall the cop thrillers of the 1970's to a certain point and it does feel like an old fashioned film in terms of the characters and the way it is shot and the rather grey and oppressive feel to the city of the time does lend itself to the narrative.

It's not a film of gripping tension though. There are several really well done scenes that are unbearably tragic and tense (the shoot-out between cars is particularly good) but mostly the film takes a slower pace that focuses on the characters. It is a good direction to go but the problem is that Gray allows it all to get just that bit too sombre and heavy and it does have an impact on the film in regards slowing it down somewhat. This seems to have been passed onto the cast as well, who are generally restrained in their emotions - again not a massive criticism but it does feel a bit like all these factors are weighing down the film to a certain extent. Phoenix impresses despite this and he does convince in his character even if he himself comes over like he has a weight on his shoulders that is crushing him; I get that that is part of his character but again it adds this sense of slowness to proceedings. Wahlberg is underused and has too little time and opportunity to make the most of his character - he is very much a supporting player. Duvall is better because his presence adds more and the lack of time doesn't take away from him as he does what he has to do. I enjoyed seeing Mendes doing more than being her usual foxy and a bit playful self - trust me, I do love her in that mode but she is capable of more. Gray and his cinematographer provide style when it matters but I think he is mostly responsible for the rather heavy feel to the entire film and it does rather suck the energy out of the film.

I'm not suggesting that this film should have been zingy and "fun" but just that it is sombre to the point of being a bit too much like hard work at times. In terms of content, characters and themes I found that it all worked but that this sense of weight did affect it. Still a solid film that is dramatically satisfying in an old fashioned way but these issues do prevent it being as memorable as it could have been.

La nuit nous appartient (2007) is a powerful film based on a dark atmosphere, literally and figuratively. First of all, many, if not most, scenes are shot at night with an obvious aesthetic sense. Then, the topic deals with the violent conflict between the Russian underworld and the NYPD, within the Brooklyn of the 80s. It's an ultimate film noir: crime, treason, jealousy and fatalism are themes adroitly developed by James Gray and marvelously interpreted by an awesome cast. Robert Duvall is a honest and accomplished policeman, a wise and protector father, Eva Mendes is a deliberately inflammatory woman, Mark Wahlberg is the ideal son and then Joaquin Phoenix is the 'second' son with a slightly tortured mind and who seeks his own place in the shadow of his family. In my humble opinion, this movie is clearly underrated. As a synthesis: 8/9 of 10.

Before you say nighty-nite tonight, I invite you to take reading proprietorship on my film review of Director James Gray's police drama "We Own The Night". Gray's grayscale directorial techniques were impressive in helming a film on two brothers subdivided by the arm of the law in a crime-ridden New York society. Joaquin Phoenix does stellar work portraying Bobby Green, a rebellious club manager who bickers with his police captain brother and deputy chief father due to the fact that the club he manages is run by a Russian mafia even though Bobby does not deal in criminal activity with those White Russians. Mark Wahlberg is cool as an iceberg as Bobby's aforementioned po-po brother Captain Joe Grusinksy. Wahlberg seems to excel in roles that call for him to play the fiery law enforcement official as he did in his Oscar-nominated performance in "The Departed". I think Mr. Dirk Diggler himself digs to be typecast in that role! Robert Duvall pops it up as Bobby and Joe's po-po papa Deputy Chief Bert Grusinsky. Eva Mendez rounds out the "We Own The Night" role call lineup as Bobby's Latina girlfriend Amada Juarez. The gray areas that James Gray nocturnally takes us into in "We Own The Night" are suspenseful, enthralling, and familial. Gray's takes on society's perception on law enforcement and commitment to the family system are well-enforced throughout the narrative's continuing plot developments. The only cinematic citation I have for Gray's effort would be on his mechanical action-flick screenplay in reference to the characters' dialogue; even though the plot structure was not worthy of an arrested development. Nevertheless, "We Own The Night" has plenty of night fever for it to warrant a lawful recommendation. **** Good

On the whole I think James Gray's movies benefit from his smooth directing, no rushed and furious MTV editing. This leads to a good deal of leniency from the part of critics (as with Night Shyamalan before it became too obvious he was shooting the same narrative structure over and over), a kind of prime for directors who don't harass the viewer with images + sounds but let the camera roll and the actors do their jobs, the story unfold and so on.

We Own the Night starts very well, the exposure is excellent. Even though the brother confrontation is definitely not new Joaquin Phoenix is so good you just get into the story and beg for the plot to become more complicated. Oops. The problem is the story becomes a one-way highway of the same old/same old. Joaquin Phoenix is ever so good you don't care too much until it becomes way way too much. In that respect (and lack of respect for the movie-goer) the movie ends in a lame way, rushing an happy and clean and tidy and moral conclusion.

The last lines (see the so-called "memorable quotes") say it all. It perfectly reflects that a smooth director may be too smooth on writing. Bringing sentiments before the camera is miles away from shooting scripted sentimentalism and I think James Gray has a problem with his characters' emotions since he is only able to play on pathos and good acting.

The film starts in Brooklyn , 1888. Two brothers, Robert and Albert Green have chosen separated ways. Bobby Green Grusinsky(Joaquin Phoenix) is manager of a Russian club, who suffers emotional pain when has to confront with his father and brother. Joseph Green Grusinsky (Mark Wahlberg)is a police officer recently promoted to captain, he's a cold-blood professional. Their father is the upright Deputy Chief Albert Grusinsky(Robert Duvall). Bobby has a beautiful fiancée(Eva Mendes) and directs efficiently his club. When a Russian mobster is making his heroin trade, Joseph and Albert ask help to Bobby but he declines. Then Joe busts the discotheque that Robert manages and detain the Russian gangster but also to Bobby. Then the events wreak havoc and lead a spiral out of control.

This is a familiar drama full of intrigue, action, tension, thrills, and violence. Stunning performances by the trio protagonist, Wahlberg, Duvall and Phoenix who frequently casts for the director Gray. Gorgeous beauty from Eva Mendes who also does a magnificent acting as suffering girlfriend .This entertaining and suspenseful film is plenty of twists and unexpected turns. Adequate and moving musical score by Wojciech Kilar.Atmospheric cinematography reflecting splendidly interiors and exteriors from Queens streets.The picture is well directed by John Gray who frequently deals familiar conflicts set in N.Y , in fact he grew up in Queens and his grandparents were Russian immigrants. Gray is a nice writer/director and winner of several prizes.His first movie was ¨Litte Odessa¨(1994) at age of twenty-four and winner of the Venice film Festival, concerning also about Russian immigrants. His following was ¨The Yards¨ which was selected for official competition at Cannes Festival and starred by Mark Wahlberg and Joaquin Phoenix . His last film is titled ¨Two lovers¨(2008), and again with Joaquin Phoenix. Rating : Better than average, well worth watching.