Une mère en deuil s'en prend à la police de Los Angeles à son propre détriment lorsqu'elle tente de faire passer un imposteur évident pour son enfant disparu.Une mère en deuil s'en prend à la police de Los Angeles à son propre détriment lorsqu'elle tente de faire passer un imposteur évident pour son enfant disparu.Une mère en deuil s'en prend à la police de Los Angeles à son propre détriment lorsqu'elle tente de faire passer un imposteur évident pour son enfant disparu.
- Nommé pour 3 oscars
- 14 victoires et 55 nominations au total
‘Snow White’ Stars Test Their Wits
Histoire
Le saviez-vous
- AnecdotesScreenwriter J. Michael Straczynski first learned of the story of Christine Collins from an unnamed source at Los Angeles City Hall. The source had stumbled across case files regarding the Wineville Chicken Coop Murders among other discarded documents scheduled for destruction. Straczynski took the files and became obsessed with the case, doing extensive research over the course of a year. He tried to make it into a television project, but never found a solid way to do that. Virtually every event depicted in this movie appears as cited in legal documents, with dialogue often taken verbatim from court transcripts. Straczynski wrote his first draft of the screenplay in only 11 days.
- GaffesDetective Ybarra uses the term "serial killer," coined by FBI Special Agent Robert K. Ressler in the 1970s.
- Citations
[last lines]
Christine Collins: Three boys made a run for it that night, Detective, and if one got out, then maybe either or both of the other two did too. Maybe Walter's out there having the same fears that he did. Afraid to come home and identify himself, or afraid to get in trouble. But either way, it gives me something I didn't have before today.
Detective Lester Ybarra: What's that?
Christine Collins: Hope.
- Générique farfeluThe black-and-white Universal logo used in the 1940s opens the film.
- ConnexionsFeatured in Los 10 magníficos: Clint Eastwood (2008)
Angelina Jolie does a superb job of portraying a Los Angeles woman ("Christine Collins") in the late 1920s whose boy is kidnapped. Five months later, the "proud" police department brings her kid back, making it a good PR session. Unfortunately, it's not her kid and stupidly, although she's naturally upset about, she poses with the kid and takes him home. (Would that really happen?).
Then she begins her quest of finding her real "Walter." Further twists and turns make the story increasingly horrifying. In all, you won't be able to keep your eyes off the screen wondering if justice will ever prevail in the end and who exactly is involved in what. It's not particularly a fun ride - you'll have a frown on your face for quite some time - but it sure is interesting and an excellent two hour-plus of entertainment. By the end, you'll be emotionally exhausted.
Kudos to all the actors in here for riveting performances and to the production and design team for a great period piece. Where else can you feel you're back 75-80 years in time with the boxy cars and flapper hats than in movies?
- ccthemovieman-1
- 25 juill. 2009
- Lien permanent
Meilleurs choix
Détails
Box-office
- Budget
- 55 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 35 739 802 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 489 015 $ US
- 26 oct. 2008
- Brut – à l'échelle mondiale
- 113 398 237 $ US
- Durée2 heures 21 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1