Mark Zuckerberg, étudiant à Harvard, crée le réseau social qui deviendra Facebook. Mark est poursuivi en justice par deux frères qui l'accusent d'avoir volé leur idée et par le cofondateur d... Tout lireMark Zuckerberg, étudiant à Harvard, crée le réseau social qui deviendra Facebook. Mark est poursuivi en justice par deux frères qui l'accusent d'avoir volé leur idée et par le cofondateur du réseau.Mark Zuckerberg, étudiant à Harvard, crée le réseau social qui deviendra Facebook. Mark est poursuivi en justice par deux frères qui l'accusent d'avoir volé leur idée et par le cofondateur du réseau.
- Director
- Writers
- Stars
- A remporté 3 oscars
- 174 victoires et 188 nominations au total
Sommaire
Avis en vedette
But despite being more positive towards its subject than they would warrant, the movie manages to capture part of the psychopathic nature of facebook and its founding. Artistic liberties were taken in order to humanize these monsters, to make us care and for plot not to be boring. In that it succeeded, but humanizing monsters like Zuckenberg or Hitttlerr is never a good idea in a movie. However, you at least get an idea about the depths of the cutthrooat depravity that was only confirmed by the fact that facebook abuses the trust of its sheeple all the time, and a movie is fun to watch, and deserves a praise even if it is an idealised/sanitized/overseksed version of the sorry reality this movie is based on, and as a movie is well worth a watch, but keep in mind the reality was much darker and more boring at the same time.
"I think this is Finchers new movie actually"
"DAVID Fincher? He's made a film about facebook?!"
Almost immediately 'Social Network' became a movie that I needed to see. David Fincher is one of the true masters of delivering some of the greatest films of the past few decades. The gritty 'Se7en' and the intelligent 'Fight Club' had been two of my favourite movies growing up, the latter of which I had the privilege of studying in college quite in depth and although I missed 'Benjamin Button' (only god knows why it took me until 2013 to watch!) I had thoroughly enjoyed the enigmatic 'Zodiac' as well.
'Social Network' became my favourite Fincher title almost immediately. It is one of those rare works that feels so effortless in its brilliance which is due to the incredible work from both Fincher and Sorkin in creating this modern masterpiece, the way I see it the film relies heavily upon three aspects which are executed with perfection.
First of all, the score for this film is sensational. I've always been a huge fan of Trent Reznor & Nine Inch Nails but with his partnership with Atticus Ross and his ongoing collaborations with Fincher (also see 'Girl With The Dragon Tattoo') I can only see them becoming the most formidable artists in the industry, every minor note resonates perfectly throughout the film and creates a beautiful texture on top of an already excellent piece of work.
Secondly, Sorkin's razor sharp screenplay is something a director can only dream of receiving, the dialogue never falters and it is always witty, sincere and hilarious all in one (which can also be attributed to the performances of the actors involved)
But most of all, the atmosphere that Fincher is able to create visually is stunning, huge credit must also go to long time collaborator Jeff Cronenweth, together their formidable partnership and undoubted perfect understanding of each other's work is clearly the factor behind this film being one of the best movies of the past decade
Great performances from Eisenberg, Garfield and Timberlake also help this movie stand head and shoulders above most and as one of the most promising young actresses in the business, Rooney Mara is given her first chance to truly show her quality in a small role.
It's difficult to say where 'Social Network' will stand when we look back on Finchers body of work but one things for sure, if it isn't seen as one of his truly great masterpieces then he is sure to become one of, if not the most powerful director in the industry for years to come.
I believe that for the sole reason of the foundinh story and the captivating storytelling of the pioneers that forged a completely new age for the new generation.
Le saviez-vous
- AnecdotesDuring one of the depositions, it is mentioned that the invention of Facebook made Mark Zuckerberg "the biggest thing on a campus that included nineteen Nobel Laureates, fifteen Pulitzer Prize winners, two future Olympians, and a movie star." One of the lawyers then asks, "Who was the movie star?" and the response is, "Does it matter?" This movie star was, in fact, Natalie Portman, who was enrolled at Harvard as a junior and senior when Mark Zuckerberg was a freshman. She invited Aaron Sorkin to a dinner party with her Harvard friends to provide him insider information on the school's social life at the time Facebook was created.
- GaffesIn the meeting Eduardo has with the lawyer to discuss the new stock options he is given the following breakdown on stock ownership: Eduardo 34.4%, Dustin 6.81%, Sean 6.47%, Mark 51% and Thiel 7%. These total up to 105.68%.
- Citations
Gretchen: 18,000 dollars?
Eduardo Saverin: Yes.
Gretchen: In addition to the $1,000 you'd already put up?
Eduardo Saverin: Yes.
Gretchen: A total of $19,000 now?
Eduardo Saverin: Yes.
Mark Zuckerberg: Hang on.
[Mark sarcastically adds up the 2 amounts on his notepad]
Mark Zuckerberg: I'm just checking your math on that. Yes, I got the same thing.
- Autres versionsIn the theatrical version, Armie Hammer delivers a line that was altered to: "Let's gut the frickin' nerd." In the unrated cut, at David Fincher's request, the line has been restored to its original recording: "Let's gut the fuckin' nerd."
- Bandes originalesBall and Biscuit
Written by Jack White (as Jack White III)
Performed by The White Stripes
Courtesy of Third Man Records
and Courtesy of XL Recordings Ltd.
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Social Network
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 40 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 96 962 694 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 22 445 653 $ US
- 3 oct. 2010
- Brut – à l'échelle mondiale
- 224 927 749 $ US
- Durée2 heures
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1