Katniss Everdeen se porte volontaire pour prendre la place de sa jeune soeur aux Hunger Games, une compétition télévisée au cours de laquelle deux adolescents de chacun des douze districts d... Tout lireKatniss Everdeen se porte volontaire pour prendre la place de sa jeune soeur aux Hunger Games, une compétition télévisée au cours de laquelle deux adolescents de chacun des douze districts de Panem sont choisis au hasard pour se battre jusqu'à la mort.Katniss Everdeen se porte volontaire pour prendre la place de sa jeune soeur aux Hunger Games, une compétition télévisée au cours de laquelle deux adolescents de chacun des douze districts de Panem sont choisis au hasard pour se battre jusqu'à la mort.
- A remporté le prix 1 BAFTA Award
- 34 victoires et 49 nominations au total
- Hob Vendor
- (as Sandra Lafferty)
‘Snow White’ Stars Test Their Wits
Histoire
Le saviez-vous
- AnecdotesThere was a swear jar on the set. Co-writer and director Gary Ross said half of it was contributed by Jennifer Lawrence.
- Gaffes(at around 16 mins) After Katniss volunteers for Prim, it shows the crowd putting three fingers over their lips and kissing it as a sign of respect. You can clearly see a man in the crowd wearing black with a camera. This is often mistaken as a goof but remember that the 'Reaping' is being televised across Panem.
- Citations
Caesar Flickerman: So, Peeta, tell me, is there a special girl back home?
Peeta Mellark: No. No, not really.
Caesar Flickerman: No? I don't believe it for a second. Look at that face. Handsome man like you. Peeta... tell me.
Peeta Mellark: Well, there, uh... there is this one girl that I've had a crush on forever.
Caesar Flickerman: Ah.
Peeta Mellark: But I don't think she actually recognized me until the Reaping.
Caesar Flickerman: Well, I'll tell you what, Peeta. You go out there, and you win this thing, and when you get home, she'll have to go out with you. Right, folks?
Peeta Mellark: Thanks, but I, uh, I don't think winning's gonna help me at all.
Caesar Flickerman: And why not?
Peeta Mellark: Because she came here with me.
- Générique farfeluThe film opens with a worded passage about the history of the Hunger Games. In the last section, all of the text fades away except for the film's title.
- Autres versionsA rough cut of the film was submitted to the BBFC in the UK for an advisory screening, a process used by filmmakers to see how likely a film will obtain a certain rating. The BBFC explained a 12A rating would be likely if the violence was toned down. Four scenes were changes, removing bloody violence, threat and a scene of injury. These included the use of alternate footage and the digital removal of blood. When the finished film was submitted to the BBFC for a formal classification, the BBFC stated that more cuts would be needed in order to secure the 12A. Blood splashes were digitally removed from both impacts to bodies and blood on blades of weapons, achieved through the darkening of certain shots and by digitally erasing blood from the image. The BBFC then gave the film a 12A rating for cinema release. This pre-cut version was released on DVD in the UK with a 12 rating. However, the US PG-13 version was submitted to the BBFC for the UK Blu-ray release, which was classified '15' uncut.
- ConnexionsFeatured in Side by Side (2012)
- Bandes originalesDeep in the Meadow
(Lullaby)
Lyrics by Suzanne Collins
Music by T Bone Burnett and Simone Burnette
Performed by Jennifer Lawrence and Willow Shields
The film offers a lot of potential and this potential is evident from the start because it sets out its stall to be many things. Firstly there is plenty of room for satire by virtue of this exaggerated futuristic world where this annual murder is presented as both entertainment and also as a way of punishing the masses and keeping them in their place while those with the power enjoy the best of life. Secondly there is the opportunity to draw the audience into being a viewer of this very thing and then confronting us with the horror of what it really means so that there is at least a part of us questioning what we're finding entertaining. I wasn't looking for this to be some incredibly dark film that spits out an audience full of self-loathing and introspection, but I did expect it to be intelligent and impacting on some level to make it stand out from being just a teen-friendly adventure story.
The film itself surprised me by falling far short of what it could have been and squandering or ignoring most of the things of the potential it had. In terms of the satire, it never convinced me of the world it had created – it seemed unnecessarily excessive and didn't have enough truth to it to make me believe. I got the impression that it wasn't particularly interested in making the world function as a real place either – just that it was on screen was enough. As a place for commentary or digs at real things, it wasn't that it picked easy targets or easy shots, it was more a matter of it not really having much interest in saying anything beyond a few very basic things. This is a problem not only because it wasted potential but also because the first hour or so of this film is entirely in this world.
The second hour is within the games itself and as such it does have dramatic moments as one would expect (it is after all, an expensive Hollywood thriller), however these are fewer than I would have liked and also a lot less impacting – I watched most of it with a removal that I shouldn't have had. The delivery of children violently murdering other is only horrifying in regards how sanitised and unhorrific it is. I wasn't looking for it to be really gory or to revel in the blood, but it certainly should not have been something that I watch without any reaction. This lack of horror (even just emotional horror) leaves the game as a rather hollow affair which eventually turns into a standard thriller where we root for the "good" kids over the "bad" kids, even though it would have been stronger to have not drawn that very easy line.
The performances are mostly solid even though the majority have little to work with. Lawrence is a good actress and she adds a weight to her character tat doesn't seem to come from anywhere but her. I liked her throughout – even terrible "fire" special effects seemed unable to make her look bad. The supporting cast aren't able to bring as much as her to the table – even though there are plenty of big names here. The majority of the other children are carefully cast and given exits from the story that befits the easy-road approach to the plot.
I wasn't sure what to expect from this film but I was surprised to find that the words sanitised, safe and standard were the ones that kept going through my mind considering I was watching a globally successful satire that uses the murder of children by other children as its core plot. As it is The Hunger Games comes off as a lot of ideas that have been done better elsewhere and any teeth it may have had are all smoothed down and buffed into a consumer friendly product that will undoubtedly become a smash franchise – my only hope is that the next film can deliver some of its promise and not just churn out something as safe, generic and frankly unmemorable as this one.
- bob the moo
- 2 sept. 2012
- Lien permanent
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Hunger Games
- Lieux de tournage
- Shelby, Caroline du Nord, États-Unis(District 12 reaping ceremony)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 78 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 408 010 692 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 152 535 747 $ US
- 25 mars 2012
- Brut – à l'échelle mondiale
- 695 220 619 $ US
- Durée2 heures 22 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1