Rebel Moon - Partie 1: Enfant du feu
Titre original : Rebel Moon - Part One: A Child of Fire
Une jeune femme cherche des guerriers d'autres planètes pour combattre les armées tyranniques qui terrorisent sa paisible colonie.Une jeune femme cherche des guerriers d'autres planètes pour combattre les armées tyranniques qui terrorisent sa paisible colonie.Une jeune femme cherche des guerriers d'autres planètes pour combattre les armées tyranniques qui terrorisent sa paisible colonie.
- Prix
- 2 victoires et 4 nominations au total
Anthony Hopkins
- Jimmy
- (voice)
Ingvar Sigurdsson
- Hagen
- (as Ingvar Sigurðsson)
Elise Duffy
- Milius
- (as E. Duffy)
Avis en vedette
What's worse than a movie that shamelessly plagiarizes elements from other sci-fi or fantasy products? A movie that does all this and fails to even build a world in which you feel interest and curiosity in finding out how the story will evolve. However, if the terrible world-building is Rebel Moon's biggest flaw, it certainly cannot be said that everything else is able to compensate for the extremely poor script. Direction, visual effects, photography, costumes are all so aseptic and unmemorable that it is guaranteed that nothing of this movie will remain forged in people's minds for years to come, as movies and TV series have been able to do like which Rebel Moon would pretentiously love to place itself.
I wanted this to be good so badly. Like really badly.
Other than the world design and effects, there really isn't much else to salvage from it.
In true Snyder style we've got lens flare and slow motion, but this time he's dialled it up over the top.
Some of the action scenes are absolutely ruined from way too much diving in and out of slow motion.
The biggest disappointment is the writing.
The first 70% of the film is absolutely a waste of time and not needed.
You don't find out most of the characters actual relevance until the back end of the film.
Everything before that is a mixture of utterly pointless painfully boring scenes done for the sole purpose of filler.
Looks great, but that's all.
Other than the world design and effects, there really isn't much else to salvage from it.
In true Snyder style we've got lens flare and slow motion, but this time he's dialled it up over the top.
Some of the action scenes are absolutely ruined from way too much diving in and out of slow motion.
The biggest disappointment is the writing.
The first 70% of the film is absolutely a waste of time and not needed.
You don't find out most of the characters actual relevance until the back end of the film.
Everything before that is a mixture of utterly pointless painfully boring scenes done for the sole purpose of filler.
Looks great, but that's all.
The biggest problem of the movie is the plot. It is just bad. And not just the main storyline which makes little sense and the villains are comedic, but almost every interaction ends up with the viewer asking "but, why?" or "how does it even make sense?".
The assembly of heroes (what the movie is about) is also rushed as hell, and the motivation of the people to join is straight-up nonexistent in most of the cases and is simply skipped entirely.
As for the villain who comes to find mysterious troubling rebels, apparently every single person knows who are the rebels and how to find them and shares that information to the first stranger they meet. It's not like they are even hiding.
Next, combat and action scenes. Blasters that penetrate people in armor through, but can't penetrate a thin piece of wood. Remember when in the new Star Wars trilogy a red guard could strike Ray but was just making dumb random moves to simulate action? Well, it's absolutely the same here. Maximum drama, lots of slow motion, frequent switch of the scenes every few seconds and very little sense.
The acting is ok, but it's difficult to judge the actors if they do good because the script tells them to follow an unnatural character arc in the first place. I'd say Sofia played Kora well, but Kora is just a poor character which is out of place in the very story she's central.
It's not all bad. The picture is nice.
I'd say it's the most disappointing Snyder's movie so far.
The assembly of heroes (what the movie is about) is also rushed as hell, and the motivation of the people to join is straight-up nonexistent in most of the cases and is simply skipped entirely.
As for the villain who comes to find mysterious troubling rebels, apparently every single person knows who are the rebels and how to find them and shares that information to the first stranger they meet. It's not like they are even hiding.
Next, combat and action scenes. Blasters that penetrate people in armor through, but can't penetrate a thin piece of wood. Remember when in the new Star Wars trilogy a red guard could strike Ray but was just making dumb random moves to simulate action? Well, it's absolutely the same here. Maximum drama, lots of slow motion, frequent switch of the scenes every few seconds and very little sense.
The acting is ok, but it's difficult to judge the actors if they do good because the script tells them to follow an unnatural character arc in the first place. I'd say Sofia played Kora well, but Kora is just a poor character which is out of place in the very story she's central.
It's not all bad. The picture is nice.
I'd say it's the most disappointing Snyder's movie so far.
As an other reviewer wrote, there are wooden language, wooden expressions and wooden dialogue.
The first ting I noticed in the movie was the words the actors spoke seemed like they had been written by a teenager... so many pointless words.
Then there where the actors speaking the words, they just seemed wierd and emotionless.
Then there are the action scenes. There are a lot of them, and they could have been really good. But the editing are just a bunch of normal speed, slow speed clipping to make it look good, and the bad guys just stand still doing nothing while the "hero" spends minutes moving around in the open...
CGI/Greenscreen galore.. but very well done. So this is perhaps the strongest part of the movie.
Waisted and nonsense slowmo sections... there are so many of them... and they are so pointless and gives nothing to the movie. There are movies and directors that know how to use slow motion sequences in a movie, and then there are this movie and director, that did not take that class... it's just a waist of time.
In summary, if you are able to ignore all the writing, dialogue, acting/directing issues... its a passable scifi action movie.
The movie could have been so much better, because there is a decent enough story underneath.. and they obviously had enough money to do what they wanted...
I'm assuming Netflix payed for this. So I'm guessing that there where a big payday for writer/director and no requirements for quality on the delivered product. So they just cut from the budget anyone that could have given the director feedback on the uality issues.
The first ting I noticed in the movie was the words the actors spoke seemed like they had been written by a teenager... so many pointless words.
Then there where the actors speaking the words, they just seemed wierd and emotionless.
Then there are the action scenes. There are a lot of them, and they could have been really good. But the editing are just a bunch of normal speed, slow speed clipping to make it look good, and the bad guys just stand still doing nothing while the "hero" spends minutes moving around in the open...
CGI/Greenscreen galore.. but very well done. So this is perhaps the strongest part of the movie.
Waisted and nonsense slowmo sections... there are so many of them... and they are so pointless and gives nothing to the movie. There are movies and directors that know how to use slow motion sequences in a movie, and then there are this movie and director, that did not take that class... it's just a waist of time.
In summary, if you are able to ignore all the writing, dialogue, acting/directing issues... its a passable scifi action movie.
The movie could have been so much better, because there is a decent enough story underneath.. and they obviously had enough money to do what they wanted...
I'm assuming Netflix payed for this. So I'm guessing that there where a big payday for writer/director and no requirements for quality on the delivered product. So they just cut from the budget anyone that could have given the director feedback on the uality issues.
Hello,
Like evreyone who reads this (sorry i'm french and yes I hated Raygun), finally we have Zach Snyder. I saw his first cut and was unimpressed (hated the first version, too disney like for me).
But, his director's cut, the decription and details of the characters has finally caught up to me. I mean, we did not have any ulteriors or superiors motives for any characters and it was a pain in the neck. But with the director's cut, finally we can relate. Regarding the "violent" scene, finally we left Disney and went for a more "gore" approach (everyone has its limit). Personnaly, it wasn't gore enough knowing Snyder past work. However, the character evolution was spot on. Basically, watch the director's cut, it is so much better than the original one.
Like evreyone who reads this (sorry i'm french and yes I hated Raygun), finally we have Zach Snyder. I saw his first cut and was unimpressed (hated the first version, too disney like for me).
But, his director's cut, the decription and details of the characters has finally caught up to me. I mean, we did not have any ulteriors or superiors motives for any characters and it was a pain in the neck. But with the director's cut, finally we can relate. Regarding the "violent" scene, finally we left Disney and went for a more "gore" approach (everyone has its limit). Personnaly, it wasn't gore enough knowing Snyder past work. However, the character evolution was spot on. Basically, watch the director's cut, it is so much better than the original one.
Le saviez-vous
- AnecdotesZack Snyder first conceived this as a Star Wars movie, and pitched it to Lucasfilm shortly after it was bought by Disney in 2012, but it never got off the ground.
- GaffesThe shape of the floating platform on Gondival [at 1:52:00] changes depending on where it is viewed from. When Noble lands on it, and later Kora (and all shots from above, and of their fight) it is octagonal, or eight-sided - i.e. five edges are often in the shot, two of which are parallel; but in all the shots from underneath (as when Kora falls over the edge) it is shown as hexagonal, or six-sided; however it cannot be both.
- Autres versionsOn August 2nd, 2024, Netflix released an R-rated director's cut of the film, titled Rebel Moon - Part One: Chalice of Blood. This version runs for 205 minutes (3h 25m) and features more violence, language and sexuality which were removed from A Child of Fire.
- Bandes originalesThunderous
Written and Performed by Diego Stocco
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Rebel Moon - Part One: A Child of Fire
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 90 000 000 $ US (estimation)
- Durée2 heures 13 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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What was the official certification given to Rebel Moon - Partie 1: Enfant du feu (2023) in Canada?
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