White Rose

White Rose is a masterfully crafted emotional thriller that grips you from the very beginning and doesn't let go. Director Rajasekar brilliantly weaves a tale of suspense and emotional depth, keeping the audience engaged with its intense character arcs and unexpected twists. The film's visual storytelling is elevated by the breathtaking cinematography of Elayaraja, whose skillful use of lighting and composition creates a haunting atmosphere that perfectly complements the tone of the movie. The emotional weight of the story is further enhanced by Sudarshan evocative score, which heightens the tension at pivotal moments while deeply resonating with the film's more vulnerable scenes. White Rose stands as a testament to Rajasekar's directorial prowess, offering a thrilling yet deeply emotional cinematic experience that lingers long after the credits roll.

"This Tamil thriller, while occasionally engaging, offers few surprises and feels reminiscent of films from the early 2010s. Notably, it tackles the psychological issue of necrophilia, a rare topic in Tamil cinema. The first half effectively explores the disturbing social issue of women's victimization, but the film fails to reach its full potential, relying on genre clichés. Anandhi shines in her debut performance, carrying the film with her acting prowess. However, the action sequences and technical aspects feel dated and lacking in refinement. Overall, the film's unfulfilled potential and outdated aesthetics make it a middling watch."

The director delivers a captivating thriller that grabs your attention from the very first scene and never lets go. His direction is sharp and focused, building suspense with precision in every scene, keeping the audience on edge throughout.

The camera work is excellent, with the cinematographer using light and shadow to perfection. The shots are visually striking, adding to the film's tension and drawing you into the story.

The performances are top-notch, with the actors bringing their characters to life convincingly. Their expressions and body language heighten the tension, making each moment feel real and intense.

A standout element is the background score. The music is perfectly timed, enhancing the suspense and heightening the mood in key moments. It complements the story without overwhelming it, adding depth to every twist and turn.

The screenplay is tightly written, filled with unpredictable twists that keep you guessing. The dialogues are crisp, and the plot moves at a perfect pace, never dragging or relying on cheap thrills.

Overall, K Rajasekar's direction, combined with excellent camera work, powerful performances, a gripping screenplay, and an immersive background score, makes this thriller an unforgettable experience.

Must watch Psycho Thriller with a gripping screenplay which conquers the whole screen. A less explored plot of the movie with a subtle acting of RK Suresh make the movie even more appealing. Kayal Anandhi's fiery reactions, suspenseful expressions of the baby girl and Anandhi is surely a nail biter, Sudharshan's background music transforms the fear to audience.

Susi Ganesan's disciple Director Rajasekar gave an excellency in his writings which has no concept of lagging. A complete drama of emotions, love and thriller, unexpected flashback has been handled well. Especially a motivational climax which deserves a 2nd part.

I am very satisfied if I show Sabdhan rahe satark rahe, this the totally waste movie, I think movie of the year.

Purana wohi ghisi pithi movie very weak screen play, and what a horrible acting of main lead actor. Terrible Only the good thing in this movie it's background score, no no no I can't say it's too much goosebump crate, movie k mukable yehi ek chiz tha jo thik thak baki pura garbage.

Apko movie dakhte dakhte hi pata chal jayega iski agli scene kya ane wala hai, and also ap pura predict kar ho logi kya movie ka ending bhi, aisi bohat sari episode apne bhi CID ya Sabdhan India me dekhe honge.

My final verdict is- Disaster.