Un magnat des fonds spéculatifs perturbé et désespéré d'achever la vente de son empire commercial commet une erreur. Il est obligé de se tourner vers une personne improbable pour obtenir de ... Tout lireUn magnat des fonds spéculatifs perturbé et désespéré d'achever la vente de son empire commercial commet une erreur. Il est obligé de se tourner vers une personne improbable pour obtenir de l'aide.Un magnat des fonds spéculatifs perturbé et désespéré d'achever la vente de son empire commercial commet une erreur. Il est obligé de se tourner vers une personne improbable pour obtenir de l'aide.
- Prix
- 4 victoires et 6 nominations au total
No matter how much we would prefer it to be otherwise, there is something to the charisma and emotional power of the few who seize control as politicians, CEO's and cult leaders ... all subjects of recent films. During this film, we never once doubt that Gere's Miller is a scam artist with power. He is not a good guy, despite his warm smile as he says all the right things to his family and close circle of advisors. We are sickened that he is able to fool so many. Yet, the reason this story is so familiar is that it rings so true.
Watching Miller's house of cards slowly crumble is both fascinating and nerve-racking. We aren't rooting for him, but we still get caught up in his web of deceit. His demented sense of "responsibilities" guide him down the path of betrayal ... a path that stomps on his all-knowing wife, his ultra-trusting daughter, his sensitive mistress, and a young guy just trying to get his life in order.
The supporting cast is strong led by Susan Sarandon as the wife, Brit Marling (Another Earth) as the daughter, and Tim Roth as the crusty NY Detective trying to catch the big fish. However, this is Gere's film and he delivers his best in years. It's also great to see Stuart Margolin, who was so entertaining as Angel in The Rockford Files back in the 70's. Another interesting casting choice has long time "Vanity Fair" editor Graydon Carter as the head of the financial institution looking to purchase Miller's company.
Again, the individual pieces of the story are all quite familiar, but filmmaker Jarecki does a nice job of assembling the pieces in a manner that keep us engaged. It's a nice example of how the rules are different for the rich, and show how the worst of them even think they can get away with murder! (www.MovieReviewsFromTheDark.wordpress.com)
- ferguson-6
- 15 sept. 2012
- Lien permanent
Histoire
Le saviez-vous
- AnecdotesRittenband, the judge's name in the film, is also the name of an actual judge who sat on a number of high profile celebrity court cases, including Roman Polanski's trial in the late seventies.
- GaffesWhen Ellen is adjusting Robert's tie before the business dinner, the position of the knot in his tie changes repeatedly between shots.
- Citations
[first lines]
Maria Bartiromo: But you took a huge bet on the housing crisis in the middle of the biggest boom in housing anybody has ever seen. Why?
Robert Miller: I'm a child of the '50s. My father welded steel for the Navy, and my mother worked at the V.A. They lived through the Depression, Pearl Harbor, and the bomb. They didn't think that bad things might happen. They knew that bad things would happen.
Maria Bartiromo: Is that what's happening now?
Robert Miller: When I was a kid, my favorite teacher was Mr. James. Mr. James said world events all revolve around five things. M - O - N - E - Y.
- Générique farfeluVan Cleef & Arpels, the French jewelry, watch, and perfume company is incorrectly shown as "Van Cleef & Aprels" in the credits roll.
- ConnexionsFeatured in Maltin on Movies: Arbitrage (2012)
- Bandes originalesSo Soft
Written and performed by Gary Anderson (ASCAP)
Published by Teretone Productions LLC
Courtesy of Teretone Music Productions
Meilleurs choix
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Mentiras mortales
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 12 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 7 919 574 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 002 165 $ US
- 16 sept. 2012
- Brut – à l'échelle mondiale
- 35 485 056 $ US
- Durée1 heure 47 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1