Mannequin en herbe, Jesse débarque à Los Angeles. Toutefois, sa beauté et sa jeunesse, qui produisent une intense fascination et de la jalousie au sein de l'industrie de la mode, peuvent se ... Tout lireMannequin en herbe, Jesse débarque à Los Angeles. Toutefois, sa beauté et sa jeunesse, qui produisent une intense fascination et de la jalousie au sein de l'industrie de la mode, peuvent se révéler sinistres.Mannequin en herbe, Jesse débarque à Los Angeles. Toutefois, sa beauté et sa jeunesse, qui produisent une intense fascination et de la jalousie au sein de l'industrie de la mode, peuvent se révéler sinistres.
- Prix
- 18 victoires et 39 nominations au total
Rachel Dik Dukes
- Carrie
- (as Rachel Dik)
Avis en vedette
The brilliant Danish director Nicolas Winding Refn has already offered us the sumptuous Sang-froid (2011) as well as interesting movies like Valhalla Rising (2009), Bronson (2008) or Bleeder (1999). In Le démon de néon (2016), Nicolas Winding Refn locks himself in a world dominated with an always ultra-neat and globally irreproachable aesthetics and characters who are deliberately cold and devoid of empathy. After the first 20/30 minutes, we understood the message and the film would have benefited from being a short film. Que nenni! The film languishes and barely conveys emotion, with a few surrealistic and bloody scenes. Thus, the last third of the film is a show as gore as annoying. As a synthesis: visually amazing but desperately boring.
I can understand the harsh reviews, this movie isn't for everyone but it's such a GORGEOUS movie, every shot is so aesthetically pleasing and i like it so much, the story and the acting were fine too it's disturbing yes but absolutely not a waste of time
This film tells the story of a sixteen years old girl who moves to Los Angeles to pursue her modeling dream. She knows that she's beautiful, and quickly establishes herself in the modeling world. Jealousy from other models quickly ensue, with undesirable results.
The beginning of "The Neon Demon" looks quite promising, as it retains the beautiful visuals that Nicholas Winding Refn is known for, but is upbeat because of the electronic music. The plot looks quite interesting as it tells the story of jealous, backstabbing models. Then, the story is interspersed between many visually stunning but purposeless scenes. The ending of the film becomes really bizarre, I got so lost and just could not believe what I was watching. I don't even know what the second half of the film is about, except that it wants to be very provocative. If the film could be consistently like the first half, I would actually have liked it.
The beginning of "The Neon Demon" looks quite promising, as it retains the beautiful visuals that Nicholas Winding Refn is known for, but is upbeat because of the electronic music. The plot looks quite interesting as it tells the story of jealous, backstabbing models. Then, the story is interspersed between many visually stunning but purposeless scenes. The ending of the film becomes really bizarre, I got so lost and just could not believe what I was watching. I don't even know what the second half of the film is about, except that it wants to be very provocative. If the film could be consistently like the first half, I would actually have liked it.
Having seen previous films by Nicolas Winding Refn and consider Drive to be a masterpiece, had little expectations for this film. There is certainly some influences within Drive in the Neon Demon but this film is closer to Only God Forgives in terms of quality.
Now his films are certain art house pieces and we can see as to why many people would dislike this film. It is most certainly for an acquired taste and not for everyone.
As the film, well done visuals and the camera angles and set pieces are nice to look at but after a while the story line becomes predictable and cliche. There are some intrigue at first then suddenly flares off a little. There are certainly several bizarre and more disturbing scenes towards the end which stand out.
This film isn't perfect, yet isn't completely awful. It is a step up from OGF but not on the level of Drive.
Now his films are certain art house pieces and we can see as to why many people would dislike this film. It is most certainly for an acquired taste and not for everyone.
As the film, well done visuals and the camera angles and set pieces are nice to look at but after a while the story line becomes predictable and cliche. There are some intrigue at first then suddenly flares off a little. There are certainly several bizarre and more disturbing scenes towards the end which stand out.
This film isn't perfect, yet isn't completely awful. It is a step up from OGF but not on the level of Drive.
There appear to be some who think this is a movie about the fashion industry. If so, it has about as much to say about fashion as "Suspira" has to say about ballet. Really, this film is about obsession, loneliness, fear and the crippling tension of being on constant guard against the attack of predators. Alone and vulnerable in Los Angeles, Jesse (Elle Fanning) is a skittish prey animal surrounded by the dangers of the urban jungle. As she navigates the threats around her, she transforms into a kind of predator herself. But she will soon discover that not all killers hunt alone.
Le saviez-vous
- AnecdotesThe film was shot in chronological order, and the ending was created and improvised on-set, according to Elle Fanning.
- GaffesWhen Jesse locks her motel room door about halfway through the movie, the deadbolt goes from locked to unlocked and back to locked between shots.
- Autres versionsThe theatrical R-rated version and unrated version are different only in the second morgue scene as follows: (A) Female genital nudity is depicted 1 hour 29 minutes and 0 seconds into the film. In the R rated version (which played in US theaters), when Ruby was kissing the corpse (played by a female actress), the bottom of the frame showed the upper half of the vulva (inclusive of somewhat blurred labia, due to the camera focus on the kissing). In the "unrated" version (NOT the theatrical version or the director's narrative - which both emulate the R rated version seen in US theaters), that same moment depicts VERY clear labial exposure (as in medical clarity, yet artistically depicted). (B) Note that the unrated version also shows Ruby's hand brush along the genitalia as it sweeps up to the left breast (R rated version prolongs the cut-away to the Jessie fantasy shot), and also depicts Ruby bouncing on the corpse as she reaches orgasm (while the R rated version shows only the close up of her face). The foley work and soundtrack during the unrated morgue scene are subtly but noticeably different. In short, the unrated cut sounds a lot more "squishy" with ample "smacking" sounds. The uncut version appears to be available through iTunes only, despite being an Amazon production,which you can find here: https://itunes.apple.com/mt/movie/the-neon-demon/id1129719992 (That means if you want to watch it on a TV you'll need an AppleTV to play it).
- Bandes originalesNeon Demon
Composed by Cliff Martinez and Peter Adams
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Neon Demon
- Lieux de tournage
- Canfield-Moreno Estate - 1923 Micheltorena Street, Silver Lake, Los Angeles, Californie, États-Unis(Outdoor scenes in and around the swimming pool.)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 7 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 1 333 124 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 589 014 $ US
- 26 juin 2016
- Brut – à l'échelle mondiale
- 3 073 700 $ US
- Durée1 heure 57 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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