Ajouter une intrigue dans votre langueThe door of time opens between the swordsman who wants to seize the legendary divine sword at the end of the Goryeo Dynasty and those who chase after an alien prisoner imprisoned in a human ... Tout lireThe door of time opens between the swordsman who wants to seize the legendary divine sword at the end of the Goryeo Dynasty and those who chase after an alien prisoner imprisoned in a human body in 2022.The door of time opens between the swordsman who wants to seize the legendary divine sword at the end of the Goryeo Dynasty and those who chase after an alien prisoner imprisoned in a human body in 2022.
- Prix
- 2 victoires et 8 nominations au total
Kim Chan-hyung
- Thief
- (as Chan-hyung Kim)
Kim Dae-myung
- Thunder
- (voice)
Avis en vedette
Storylines of Past-Present-Future robot, alien, human bla bla . Actually the director didn't miss anything,put everything into this and made linsey-woolsey. There weren't anything that seems to me interesting rather felt like clumsy. Why do the director had to put all these concept together? I really wanted to like and to enjoy it because of it's casts . I was kind of eagerly waiting for this movie to release. And now that I watched it, I'm having huge disappointment.
Literally bored me badly, sometimes made me confused . However, watched it for 2 hours + but won't recommend this to anyone :)
Literally bored me badly, sometimes made me confused . However, watched it for 2 hours + but won't recommend this to anyone :)
Messy but entertaining Korean hybrid-genre from Choi Dong-hoon. Took a while to understand its concept and get to know a lot of characters. Star-studded cast crafted a deft mix of high-octane action and character-driven comedy to kept us all on hold for part two.
Probably the worst screenplay, editing and directing I've seen in such an eye-candy filled movie. Feels like one screenplay from every genre was shredded and randomly pieced together.
The story lacked continuity, cohesion and most of the attempt at humor was infantile. Even some of the dialog was questionable. Writer and director Dong-hoon Choi failed in giving us a story that made much sense, and instead convoluted almost two and a half hours of story-telling with ridiculous timelines that were riddled with plot and technical issues, and lazy filler with very little substance to the story.
I could edit/cut this down to a 90 min film and even give it a proper ending, and I'd enjoy it more, and I'm not a filmmaker. If it wasn't for the amazing visual effects and decent performances, I would've turned this off after the first time-line jump. I lost interest during every change in timeline because the story kept getting sloppier and lazier.
What's worse, is that after the long dragged out 142 min runtime, there was no reward in the end; we'll probably have to sit through another convoluted 142 mins mess of a story in Part 2, and I'm not willing to make that investment. It's a generous 6/10 from me, mostly all for the visuals effects and decent performances.
The story lacked continuity, cohesion and most of the attempt at humor was infantile. Even some of the dialog was questionable. Writer and director Dong-hoon Choi failed in giving us a story that made much sense, and instead convoluted almost two and a half hours of story-telling with ridiculous timelines that were riddled with plot and technical issues, and lazy filler with very little substance to the story.
I could edit/cut this down to a 90 min film and even give it a proper ending, and I'd enjoy it more, and I'm not a filmmaker. If it wasn't for the amazing visual effects and decent performances, I would've turned this off after the first time-line jump. I lost interest during every change in timeline because the story kept getting sloppier and lazier.
What's worse, is that after the long dragged out 142 min runtime, there was no reward in the end; we'll probably have to sit through another convoluted 142 mins mess of a story in Part 2, and I'm not willing to make that investment. It's a generous 6/10 from me, mostly all for the visuals effects and decent performances.
If you are a person who couldn't sit still for more than 2 hours, this might not be your cup of tea! But if you could, all the acts, comedies, sceneries, CGIs, and story-lines won't dissapoint you. I got sceptical at first, but more than satisfied at the end of the movie. I suggest to watch it in the cinema (especially 4D) so you'll have more remarkable experience. Can't wait for Alienoid Part 2!
The must see movie of this genre is Fyodor Bondachuk's 2017 Russian movie, Attraction. It's on many streaming platforms. The 2022 Korean Alienoid seems inspired by Attraction. What Alienoid has going for it is very good on-set morale; it's fun. Its verve, snappy dialogue, committed acting and stunts and lots of creative scenes make it watchable TV.
The VFX are stellar. The middle part of Alienoid is a Terminator vs. Terminator battle in a city with impeccable post-production values. There's also a Mission Impossible stunt reference.
As with many foreign sci-fi and fantasy movies, even with very committed acting as you have here, a series of action scenes strung together, does not add up to a blockbuster. To really pop, the characters have to have an arc of development which fuels their passion.
The VFX are stellar. The middle part of Alienoid is a Terminator vs. Terminator battle in a city with impeccable post-production values. There's also a Mission Impossible stunt reference.
As with many foreign sci-fi and fantasy movies, even with very committed acting as you have here, a series of action scenes strung together, does not add up to a blockbuster. To really pop, the characters have to have an arc of development which fuels their passion.
Le saviez-vous
- AnecdotesBoth first and second parts were filmed simultaneously for 13 months.
- ConnexionsFollowed by Oegye+in 2bu (2024)
Meilleurs choix
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- How long is Alienoid?Propulsé par Alexa
Détails
Box-office
- Budget
- 30 000 000 000 KRW (estimation)
- Brut – États-Unis et Canada
- 168 309 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 116 032 $ US
- 28 août 2022
- Brut – à l'échelle mondiale
- 12 109 608 $ US
- Durée2 heures 22 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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