De surprise

Director Mike van Diem is back with his new movie after 18 years.

A mother expecting her death, an emotionless son, the movie begins like this. After the death of his mother, the hero tries several methods to commit suicide, but all in vain. In search of death, he encounters some Indian people who are running a business to help to commit suicide. As usual, he meets the heroine there, who is also looking for the same. Her company brings radical changes in his emotions, he laughs, become angry and as expected hope of life grows in him. Now he needs to get rid of the killers or at-least a delay. The plot is similar to Malayalam movie "Kaakkakkum Poochakkum Kallyaanam". The amazing treatment along with the smaller and bigger "Surprises" makes this movie unique and a different experience.

There are some unique similarities with the director's previous movie "Karakter". The absence of love or in this case, he has a glass barrier between him and the real world. The hero grows up without the presence of his father is also a common factor. Beautiful visuals, production design, actors are the great highlights of the movie.

In the hands of a typical Hollywood studios this would be a watered down formula movie, but I found the drama to stand out the most. It's a mistake to simply call this a romantic comedy. It is first and foremost a drama starting out as an examination of people in pain. And slowly embracing the quirky yet twisted predicament that ensues.

"De Surprise" marks the long-awaited return of Mike van Diem (of 1997 "Karakter" acclaim). I had no idea what to expect, but wasn't disappointed: it's a clever, self-written, self-produced dark comedy, that surprises with its off-kilter locations, developments and characters.

Starting with a funeral and quickly progressing to boy-meets-girl, the setup is of the well-traveled romcom variety, but the story heads for loftier territories after this and keeps us engaged throughout. Van Koningsbrugge and Verbaan acquit themselves well in parts that require a more understated, highbrow approach than their usual brand of comedy, and - essential for this genre - I rooted for them all the way through.

What kind of bugs me, though: the main characters in "De Surprise" exhibit a Wes Anderson-ish formal approach to emotions, which, combined with a distinct Wes Anderson-ish quirky world view, setting and storyline, almost made me feel like I was watching a WA-movie, only one without Wes' exceptional talents for art direction and editing.

This is not to say "De Surprise" lacks originality: but the day after, it did impress me more as a tight exercise in style than a profound exercise in storytelling - quite unlike the superior "Karakter". It does re-establish Van Diem as an independent, original filmmaker, and here's hoping he'll stick to cinema the upcoming decade.

I loved the quirkiness and the rain. Both of which, combined with the hero who can't feel emotions, reminded me of Garden State, one of my fav romantic comedies.

There is a huge plot hole--the funeral home had no idea that our hero, Jacob, played by Jeroen van Koningsbrugge was going to come in and purchase their services that day. Yet, the plot hinges on them knowing. But I was willing to overlook that loose end as the rest of the movie was perfect.

Our hero was so out of it that he had no idea how he spent his days and had to ask the gardener, what he did on Fridays. BTW, the Gardener, Muller, played by Jan Decleir plays a very pivotal role in the movie.

Essentially, facing his death, Jacob had an awakening when he meets a beautiful woman--who wants to end her life too. And suddenly he could laugh, and get angry and enjoy dancing, all of the things that eluded him before. As he explained it, there was a "wall" between him and the rest of the world.

Intriguingly, Georgina Verbaan, embodying Anne de Koning, delivered a powerful performance, skillfully capturing the essence of a character seeking solace in the face of not belonging. The chemistry between Verbaan and Jeroen van Koningsbrugge subtly and believably fueled the hero's transformation, offering a poignant narrative of newfound purpose sparked by their fateful encounter.

I liked the leads except when one of them was speaking English and had a terrible accent.

The gardener was also good, but some of the other characters were rather wooden.

Some nice twists and turns in the story and some nice buildings and cars to look at.

At two or three points I laughed a lot, but not the whole way through.