Shamitabh

I expected more from Amitabh's movie. It was great to watch Amitabh and Dhanush. However other characters were not visible enough to be judged.

There were a few odd points I found.

1] The technology shown was odd but great, but it can be taken for granted as it is just fantasizing the idea. Dhanush was able to speak what Amitabh was speaking. But this effort takes lip sync, and air movements from lungs, which cannot be expected of a microprocessor chip. Although, I should not comment on this technology, but I saw this as far fetched idea.

2] Hero Dhanush was buried ??? It sounds odd with Hindu name.

3] He was buried at the same place what was reserved for Amitabh. If the place was reserved, why he was buried at that place without Amitabh's permission.

However, I saw a great humor in the movie, which was a fun to watch.

One thing that helps Shamitabh in making it a decent watch is a new story line. The concept itself is not yet tried in Bollywood. The trailer pretty much speaks about the story yet watching it unfolding on screen can be interesting.

The second great thing about Shamitabh is the performances of Amitabh and Dhanush. Dhanush just nails it again and manages to get noticed even when he shares the frame with Indian legend Amitabh Bachchan. Kudos!

On the flip side you might have wanted the screenplay of the movie to be more tight as there are few dull moments in the movie which at times hamper the narrative.

Nevertheless, Shamitabh is a one time watch owing to fresh new story and decent performances by its lead protagonists.

I love when they make films about films, the reason I love some of those offbeat Indian indie flicks (the most recent one being Sulemani Keeda (2014)). So when R Balki came out of the cave and collaborated with personalities of two very different generations, the end result turned out to be a spectacle.

The film starts with a proper flashback montage telling a concise story of a mute, aspiring actor and film enthusiast Danish (Dhanush). The fact that he is a superstar now increases the excitement. He meets Akshara (same name), an assistant director and what follows is although slightly unbelievable (literally, in its premise), it is immensely enjoyable. The muteness vanishes and we welcome Amitabh's (same first name) baritone voice talking for Danish while he acts his character.

The only things that bothered me are one, why would an amateur assistant director help out an aspirant? and two, the voice technology. Of course, it is not a foolproof way for a mute person to speak his feelings. But, all these thoughts withers away as the narrative indulges you into it, demanding your attention about a consequential rags-to-riches story coupled with a mysterious source of envy.

The film amazingly addresses issues of that of envy and ego and how these two feelings can cause self-destruction, creating waves that also affect the people closer to one. The singleton phenomenon Shamitabh turns into two different entities as the film unfolds toward climax. The film basically acts as an intellectual spoof of the cinema industry, and it does it with finesse.

Dhanush is marvelous, and the measure of his excellence is only competed by his co-star Bachchan Sr, who displays a splendid air of being a drunkard wannabe. His mystery could have been demystified, given the importance it plays in the story construction, but it is forgivable. Akshara Haasan did not impress me much because clearly she cannot pull off romantic scenes properly. She may be the chip off the old block, but has a long way in order to master the art of acting.

Other than having a literally impossible setup, Shamitabh excels in all other departments, from the beautiful art setup and production sets to the beat music (by the maverick Illayaraja), from a fine camera job to inventive writing by Balki. He has carved out a fine plot, often taking potshots at recent filmmaking trends viz. masala nonsense, illogical songs (and even more illogical videos), etc. But, these potshots are not cringe-worthy, instead they will make you laugh. The film has a great amount of humor if you watch closely, and helped by Bachchan's fabulous dialogs delivery, you will roll on the floor laughing.

BOTTOM LINE: Despite a drag in the funnier second half, Shamitabh does not disappoint at all. Bachchan's few solo sequences made me yawn, but I am ready to call this the first good Bollywood film of the year. Go watch the next show, because this is one drama we have all been talking about haven't seen. You will be enthralled by the catchy songs.

Can be watched with a typical Indian family? YES (if few expletives from the mouths of Bachchan Sr and Haasan's second daughter are okay with the heads of the family).

Shamitabh...Instantly you think of two legends - Shammi Kapoor and Amitabh Bachan. Obviously there is no link to Shammi Kapoor in this film but you have to admit it's a great title.

Shamitabh isn't quite what I expected it to be when seeing the trailers and reading the synopsis. Amitabh and Dhanush are both nothing short of brilliant in their respective roles, but i think the story is flawed in many areas and just doesn't grab your attention. I'm not sure how big Dhanush will be in Bollywood, but he clearly has created a niche for himself. Without a single dialogue, he matches Big B in terms of his screen presence so well. He is full of expression and very energetic. Amitabh, as always is the soul of the film. Not only is his acting just top notch but when you watch Dhanush, but hear Amitabh's voice you remember just how amazing his voice actually is. Akshara wasn't as a bad as I thought, but she does not have the looks to go far in Bollywood. Perhaps if we could merge the two sisters (her acting and Shruti's looks) and you'd have something pretty decent!

I didn't like the music. Piddly is no doubt the most catchy and what most people will remember the film for.

On the whole Shamitabh is an okay film - a must watch for both Dhanush and Amitabh, but considering the work Balki did with Paa and English Vinglish it's a disappointment.

"Shamitabh," directed by R. Balki, is a satire that brings together an unusual yet captivating collaboration of talent, starring Dhanush and Amitabh Bachchan. Released in 2015, this film dared to tread a path few would have imagined, especially during a time when patriotic films, action dramas, and biopics were dominating the Indian cinema landscape. This unique narrative features a South Indian actor from the Tamil industry, Dhanush, in his second Hindi film, working alongside the legendary Amitabh Bachchan in a film that stands out for its originality and unconventional storytelling.

The film follows Danish (played by Dhanush), a small-town boy with a dream of becoming an actor, despite having no voice, no connections, and an unassuming appearance. Danish's character defies the typical Bollywood hero archetype, which usually demands good looks, height, and a commanding screen presence. Danish's journey is filled with obstacles, not only due to his lack of voice but also because of societal expectations.

Enter Akshara Pandey (played by Akshara Haasan), who becomes the catalyst for Danish's transformation. With the help of her father's technological prowess, Danish is equipped with a voice modulator. The search for the perfect voice leads them to Amitabh Sinha (played by Amitabh Bachchan), whose deep, resonant voice becomes Danish's own. This unlikely partnership between a mute aspiring actor and a disillusioned, alcoholic voice artist forms the crux of "Shamitabh."

Dhanush delivers an impressive performance as Danish, capturing the character's vulnerability and determination with finesse. His portrayal of a man battling physical limitations and societal prejudices is both poignant and inspiring. Amitabh Bachchan, as always, is exceptional. His portrayal of Amitabh Sinha, a man grappling with his own demons, adds depth to the film. The dynamic between Dhanush and Bachchan is electrifying, creating a compelling narrative that keeps the audience engaged.

Akshara Haasan, in her debut role, adds a refreshing presence to the film. Her character, Akshara Pandey, is pivotal in bridging the gap between Danish and Amitabh, and she handles the role with grace and confidence.

R. Balki's direction is commendable, as he successfully navigates the film's unique premise, blending satire with drama seamlessly. The screenplay is sharp, with moments of humor and introspection that resonate deeply. The film's music, composed by Ilaiyaraaja, complements the narrative beautifully, enhancing the emotional depth of the story.

However, "Shamitabh" is not without its flaws. The pacing of the film, especially in the second half, could have been tighter. Some subplots feel underdeveloped, and the climax, while emotionally charged, might not satisfy everyone.

In conclusion, "Shamitabh" is a bold and innovative film that explores themes of identity, ambition, and the power of voice. It stands out for its originality and the stellar performances of its lead actors. While it may not have achieved commercial blockbuster status, it remains a significant film for its daring narrative and the memorable collaboration between Dhanush and Amitabh Bachchan. It's a must-watch for those seeking a break from conventional storytelling and looking for a film that challenges norms and expectations.