Une jeune femme est recrutée dans une agence gouvernementale secrète pour être «implantée» dans l'esprit des personnes récemment décédées, utilisant ses souvenirs pour enquêter sur des meurt... Tout lireUne jeune femme est recrutée dans une agence gouvernementale secrète pour être «implantée» dans l'esprit des personnes récemment décédées, utilisant ses souvenirs pour enquêter sur des meurtres.Une jeune femme est recrutée dans une agence gouvernementale secrète pour être «implantée» dans l'esprit des personnes récemment décédées, utilisant ses souvenirs pour enquêter sur des meurtres.
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- 4 nominations au total
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College student Kirsten Clark (Emma Ishta) suffers from temporal dysplasia, an inability to sense the passage of time. She is recruited into the highly secret government Stitcher program. It is an experimental machine used to tap into the memories of the recently deceased. Maggie Baptiste is the leader and Cameron Goodkin is the leading scientist. Kirsten's roommate Camille Engelson is revealed to be monitoring her for the program before she was recruited. Kirsten's dead father is revealed to be connected to the Stitcher program.
Emma Ishta is not that good as an actress. That's why her social awkwardness with the temporal dysplasia is so helpful. She actually fits her character. The show suffers after her normalization. The sci-fi premise is ok and the stitching is not the most compelling aspect of the show. I guess a wet Emma injects some sexiness but it's all a little cheap. Allison Scagliotti provides good sass but it's not always maximized. The start is acceptable level of TV sci-fi but the show deteriorates over its three year run.
Emma Ishta is not that good as an actress. That's why her social awkwardness with the temporal dysplasia is so helpful. She actually fits her character. The show suffers after her normalization. The sci-fi premise is ok and the stitching is not the most compelling aspect of the show. I guess a wet Emma injects some sexiness but it's all a little cheap. Allison Scagliotti provides good sass but it's not always maximized. The start is acceptable level of TV sci-fi but the show deteriorates over its three year run.
The show is watchable and some characters are interesting and enjoyable to watch. So many flaws in the story line but it is fictional and who cares. Unfortunately the casting of Emma Ishta ruined it for me. Forced acting, and bad hairstyles almost forced me to switch off after season 1. She just doesn't have presence or a natural ability to act. American accent kept dropping and her acting skills are sub par. The casting of the rest of the cast saved the show for me. By season 3 I was fast forwarding through a lot of her scenes.
I think this show has tons of potential, although I like it just the way it is now. I mean it has the potential to last several seasons, and I hope it does.
Other reviews have given the basic info on what the show is about - a sci-fi crime show starring a bunch of smart young people, sort of like NCIS meet Dr. No. The producers use a sort of TV shorthand: instead of a long, complicated back story, the Federal agency that "recruits" Kristin is merely described as "you can't guess what it is", or words to that effect. Why waste time on yet another series of flashbacks and explanations? We all know what they're talking about. Some of the other reviewers are bothered by the impossibility and "scientific" inadequacy of the work space where the corpses are kept on hand for the stitching process. Again, so what? We've been watching Star Trek and Dr. No for years without worrying about it - the flashing lights and dim floating bodies are all one needs to get it; this is a science fiction detective show, for heaven's sake.
I really like the way the geeks, including Kristin and her abrasive roommate, Camille, communicate. Along with the boys in the lab, they are unapologetically smarter than most of the rest of the humans in the world, and don't bother with the cutesy salutes to normal people that some shows use to make smart people more accessible. House and Monk are both examples of exceptionally unlikable people who nonetheless obtained a loyal fan following based on how their characters solved problems, and I think the same will happen with this show.
I love the way some of the characters in this show zoom through pretty complicated dialogue with no explanation or apology, and call me crazy, but I thought Kristin's first experience stitching was gripping; the hyper- ventilation was a nice touch, and totally believable.
I say give them a couple of seasons to show their stuff; they certainly got my attention.
Other reviews have given the basic info on what the show is about - a sci-fi crime show starring a bunch of smart young people, sort of like NCIS meet Dr. No. The producers use a sort of TV shorthand: instead of a long, complicated back story, the Federal agency that "recruits" Kristin is merely described as "you can't guess what it is", or words to that effect. Why waste time on yet another series of flashbacks and explanations? We all know what they're talking about. Some of the other reviewers are bothered by the impossibility and "scientific" inadequacy of the work space where the corpses are kept on hand for the stitching process. Again, so what? We've been watching Star Trek and Dr. No for years without worrying about it - the flashing lights and dim floating bodies are all one needs to get it; this is a science fiction detective show, for heaven's sake.
I really like the way the geeks, including Kristin and her abrasive roommate, Camille, communicate. Along with the boys in the lab, they are unapologetically smarter than most of the rest of the humans in the world, and don't bother with the cutesy salutes to normal people that some shows use to make smart people more accessible. House and Monk are both examples of exceptionally unlikable people who nonetheless obtained a loyal fan following based on how their characters solved problems, and I think the same will happen with this show.
I love the way some of the characters in this show zoom through pretty complicated dialogue with no explanation or apology, and call me crazy, but I thought Kristin's first experience stitching was gripping; the hyper- ventilation was a nice touch, and totally believable.
I say give them a couple of seasons to show their stuff; they certainly got my attention.
I think this show is interesting. it is true that there is alway this circle that a couple of series would stick to, but I think this show is going to get better if it gets a shot just like the other TV shows. the main characters are interesting, and from the three episodes I have seen so far, they are being better developed each time. the plot at first seems so obvious and nothing much to expect, but as we keep watching it reveals that nothing is what is seems to be, maybe somethings are easy to predict still not all of them which push the suspense admirers stick to the show a little bit more. I believe that around the 10th episode it will receive better critics and more followers. you will never know until you try.
Well, this is another sci-fi-ish series with the unoriginal idea to examine people's memories to find clues that could help prevent a crime like a bombing. Instantly my mind went to "Source code" (because in the pilot is about hidden bombs too), but if you count that these memories are from ...dead people you may also have an iZombie rip-off (which I stop seeing as I got bored).
There is a secret federal Agency, of course. And a special lab. And some Special hackers and scientists. And the heroine is ...special, with some form of brain dysplasia (like maybe the producers???). And everything is ...special BUT the problem is doesn't feel like it.
Emma Ishta, the lead actress, looks like a cross between a tall Scarlett Johansson and Taylor Swift but she is annoying as @#$&@. A pretty good reason NOT to see the show.
Technically also is sub-par. The graphics during the flashback are uninspiring and you've seen it before a 1000 times.
So. What is the target audience for this? I'm not sure. But I'm pretty sure I'm not in it. I suspect most of you too...
There is a secret federal Agency, of course. And a special lab. And some Special hackers and scientists. And the heroine is ...special, with some form of brain dysplasia (like maybe the producers???). And everything is ...special BUT the problem is doesn't feel like it.
Emma Ishta, the lead actress, looks like a cross between a tall Scarlett Johansson and Taylor Swift but she is annoying as @#$&@. A pretty good reason NOT to see the show.
Technically also is sub-par. The graphics during the flashback are uninspiring and you've seen it before a 1000 times.
So. What is the target audience for this? I'm not sure. But I'm pretty sure I'm not in it. I suspect most of you too...
Le saviez-vous
- AnecdotesOn September 15, 2017, the show was canceled by Freeform after three seasons, presumably due to low ratings. A large fan campaign to bring back the show was soon launched on Twitter with the full support of the cast and crew. A petition was made and fans tweeted emails of higher-ups at Freeform as well as Freeform's Feedback page on their website. Fans also contacted other networks, specifically SYFY and TheCW, to get them to pick the show up for a fourth season.
- GaffesThroughout the series, actress Emma Ishta's (Kirsten) Australian accent can occasionally be heard slipping through, despite the character being from California.
- ConnexionsFeatured in MsMojo: Top 10 Greatest Sci-Fi & Fantasy Teen Drama Shows (2018)
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Détails
- Date de sortie
- Site officiel
- Langue
- Aussi connu sous le nom de
- Сшиватели
- Lieux de tournage
- 984 Everett St, Los Angeles, Californie, États-Unis(Kirsten & Camille's exterior house)
- société de production
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