Terrence Malick

For coloring in his films, he uses what he calls a "no-look look" which means he doesn't want it to be warm or cold or especially moody, or light, or anything. He wants it to look as if the viewer were looking through a window.

[on La Balade sauvage (1973)] I tried to keep the 1950s to a bare minimum. Nostalgia is a powerful feeling; it can drown out anything. I wanted the picture to set up like a fairy tale, outside time, like Treasure Island. I hoped this would, among other things, take a little of the sharpness out of the violence, but still keep its dreamy quality.