Sky

Road movies are sort of my jam. And they usually work through an interesting cast of characters and scenarios along the way. This is some sort of road movie hybrid.

So many significant parts (cinematography is good) do not equal a great film. There are many ways this could have gone, but it seemed to float around looking for something cohesive.

I wish I could have come in and fixed the script that is so flawed that a roster of talented actors could not fish it out of the toilet.

Yes, the end is a nice flip, but so many missteps to get there. My "5" is generous. I should have known with the horrible accents from the locals in the first scene and then Lena Dunham was just a really bad impression who knows no one to base the interpretation.

Boo for wasting so many beautiful shots on this.

I lived in 29 Palms. The only people allowed to make movies set in the Mojave should be people who live or have lived there. Perhaps the most grating (and insulting) error was "Grandma Sioux", not the character or the actress, but the fact that the Native Americans of that area are Chemehuevi. They have been there for centuries. They don't speak Sioux - mapiya is a Sioux word. I've found that too many whites - especially Europeans enamored of the romantic "Indian" behave as though all tribes are the same. It was also inaccurate to picture the Anglos as desert rats with no teeth or all kind-hearted souls. This movie was one of the worst examples of sentimental stereotyping that I've ever seen - made Dances with Wolves look hard-core. There were also errors in geography and location. Finally, at no point in the credits do the film-makers thank the Mojave itself or talk about the current threats that corporate solar power installations pose to the wildlife and sacred sites in the desert. Sheer exploitation. Honte a toi.

I basically watched this because it looked intriguing on Netflix streaming and Norman Reedus is in it. I didn't know anything else about it.

This isn't like most other films. A slow drama, dialogue based, periods of time go by and we don't know how long. It just shows clips of things, like real life, but slow and atmospheric, kind of like how real life is.

The acting and writing was well done. I enjoyed the performances. If you are a sucker for indie stuff like me that is done differently and well and not traditional Hollywood garbage then this may be up your alley.

If you are looking for something fast or action packed then this is not the film for you.

But I enjoyed it a lot.

A Frenchman and his wife are vacationing around Twentynine Palms, and are driving through the desert going who-knows-where, to "repair" their relationship. A stop at a desert bar, where hubby gets drunk turns to disaster and she wacks him a few times with a lamp in a motel room. Now, she's on the run and doesn't know whether hubby is dead or just injured. Her guilt causes her to stop at a police station to confess, however, an investigation determines that he's not dead -- just hospitalized. And, she's not going back to him. Instead, she hitchhikes to Las Vegas. She gets a wonderful job and lives happily ever after... well, not exactly. You'll have to watch this one to see how well her choices go.

A bitter sweet romance, a reborn and an unlikely almost impossible match, that lead to such a unique love. Not the best script ever at some point, but still make my cry and feel empathy for such a hard human rality