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MA NOTE
Après avoir tué un homme en légitime défense, une jeune femme est la cible d'un chantage par un témoin du meurtre.Après avoir tué un homme en légitime défense, une jeune femme est la cible d'un chantage par un témoin du meurtre.Après avoir tué un homme en légitime défense, une jeune femme est la cible d'un chantage par un témoin du meurtre.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires au total
Ex-Det. Sergt. Bishop
- The Detective Sergeant
- (as Ex-Det. Sergt. Bishop - Late C.I.D. Scotland Yard)
Johnny Ashby
- Boy
- (non crédité)
Joan Barry
- Alice White
- (voix)
- (non crédité)
Johnny Butt
- Sergeant
- (non crédité)
Alfred Hitchcock
- Man on Subway
- (non crédité)
Phyllis Konstam
- Gossiping Neighbour
- (non crédité)
Sam Livesey
- The Chief Inspector (silent version)
- (non crédité)
Phyllis Monkman
- Gossip Woman
- (non crédité)
Percy Parsons
- Crook
- (non crédité)
Commentaire à la une
A common motif in Alfred Hitchcock's movies is the guilty woman: "Blackmail", "Psycho" and "The Birds" are all prime examples. In "Blackmail", Alice White (Anny Ondra) goes home with an artist one night and he tries to rape her. She murders him, and from then on everything reminds her of it. The jester painting appears to be looking at her (or she at it?), a billboard looks like a knife, and a woman keeps uttering the word knife. But in the end, everything blows up in Alice's face.
Hitch was certainly showing his chops here. The camera angles, scenery, and other such things all combined to make what we would expect in a Hitchcock movie. I try to imagine being a moviegoer in 1929 watching "Blackmail" for the first time, wondering what Hitchcock's subsequent work would be like.
Hitch was certainly showing his chops here. The camera angles, scenery, and other such things all combined to make what we would expect in a Hitchcock movie. I try to imagine being a moviegoer in 1929 watching "Blackmail" for the first time, wondering what Hitchcock's subsequent work would be like.
- lee_eisenberg
- 9 août 2005
- Permalien
Histoire
Le saviez-vous
- AnecdotesMuch of the filming originally was shot silently. When sound became available during the course of shooting, Sir Alfred Hitchcock reshot certain scenes with sound, thus making it his first talkie. There was one complication with this change, however. Leading lady Anny Ondra had a thick Czech accent which was inappropriate for her character, Alice White. Joan Barry was chosen to provide a different voice for her, but post-production dubbing technology did not exist then. The solution was for Barry to stand just out of shot and read Alice's lines into a microphone as Ondra mouthed them in front of the camera. [This is a major plot point of Chantons sous la pluie (1952), which is set in the era of movie studios moving from silent pictures to talkies.] This generally is acknowledged as the first instance of one actress' voice being dubbed by another, even though the word "dub" is technologically inappropriate in this case.
- GaffesWhen Alice "unlocks" the door to the building where she lives, it starts to open as soon as the key reaches the door. It clearly not only was not locked but also not latched. However, she goes through the motions of unlocking it.
Actually, all she does is insert the key into the lock, and the door pushes open. As Alice steps through the door, it can be seen that the key is still in the same position as when it was inserted into the lock.
- Citations
Alice White: You and your Scotland Yard! If it weren't for Edgar Wallace, no one would ever have heard of it.
- Versions alternativesOriginally filmed as a silent movie, running 75 minutes; Hitchcock later added newly shot scenes and had other existing footage dubbed to create a talkie version, running 86 minutes.
- ConnexionsEdited into Der Zinker (1931)
- Bandes originalesMiss Up-to-Date
(1929) (uncredited)
Words by Frank Eyton and music by Billy Mayerl
Performed by Cyril Ritchard
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Détails
Box-office
- Montant brut mondial
- 160 $US
- Durée1 heure 25 minutes
- Couleur
- Rapport de forme
- 1.20 : 1
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