Ajouter une intrigue dans votre langueA dashing insurance company investigator tries to catch an arsonist before he...or she...can strike again.A dashing insurance company investigator tries to catch an arsonist before he...or she...can strike again.A dashing insurance company investigator tries to catch an arsonist before he...or she...can strike again.
- Réalisation
- Scénario
- Casting principal
Alma Chester
- Janitor's Wife
- (scènes coupées)
Stuart Holmes
- Baldheaded Doorman
- (scènes coupées)
Mike Lally
- Taxi Driver
- (scènes coupées)
George Lloyd
- Mugg
- (scènes coupées)
Louis Natheaux
- Headwaiter
- (scènes coupées)
Iris Adrian
- Diane, First Secretary
- (non crédité)
Richard Allen
- Guard
- (non crédité)
Daisy Belmore
- Molly, the Apple Woman
- (non crédité)
Mickey Bennett
- Bellboy
- (non crédité)
Barlowe Borland
- Crane
- (non crédité)
Commentaire à la une
I love mysteries set in the 30s because the form was so new, invention was rampant.
And right after the code started being enforced, a good part of that invention was in how to portray sexuality (in women) indirectly.
In this case, its the heat of fire, transposed with the presence of Ann Sothern, a redhead turned blond for her entire career. Our detective is a profound womanizer, natch. In addition to his extremely high fee, he demands a pretty secretary and a running joke is that his clients send him first a sexpot, then a pretty woman who is dumber than the comic norm, then a battleax.
Anyway, the mystery grinds on with a clever arsonist and some gimmicks. The title doesn't have much to do with the story, I'm afraid. And other than the mild idea of sex and fire (and both against "insurance"), its pretty mundane. The building fires are real and pretty impressive.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
And right after the code started being enforced, a good part of that invention was in how to portray sexuality (in women) indirectly.
In this case, its the heat of fire, transposed with the presence of Ann Sothern, a redhead turned blond for her entire career. Our detective is a profound womanizer, natch. In addition to his extremely high fee, he demands a pretty secretary and a running joke is that his clients send him first a sexpot, then a pretty woman who is dumber than the comic norm, then a battleax.
Anyway, the mystery grinds on with a clever arsonist and some gimmicks. The title doesn't have much to do with the story, I'm afraid. And other than the mild idea of sex and fire (and both against "insurance"), its pretty mundane. The building fires are real and pretty impressive.
Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
Histoire
Le saviez-vous
- AnecdotesAccording to Robert Osborne, the script was submitted to the Production Code office for review in 1934 and it was rejected on the grounds that the film could teach people how to commit arson. The studio turned for help to an insurance company and the Los Angeles fire department. Both wrote letters to the Code office challenging the ruling. In a rare instance for the day, their decision was reversed.
- Citations
Thomas Ignatius 'Tom' Fletcher: A nice cold beer is very nice after a hot fire.
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Durée1 heure 8 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was Grand Exit (1935) officially released in Canada in English?
Répondre