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6,1/10
595
MA NOTE
Ajouter une intrigue dans votre langueA Hollywood press agent lands his client in hot water with his zany publicity stunts.A Hollywood press agent lands his client in hot water with his zany publicity stunts.A Hollywood press agent lands his client in hot water with his zany publicity stunts.
- Réalisation
- Scénario
- Casting principal
Brooks Benedict
- Man in Webb's Office
- (non crédité)
Stanley Blystone
- Cop
- (non crédité)
John Butler
- Scriptwriter
- (non crédité)
Maurice Cass
- Dr. Rubnick
- (non crédité)
Charles Coleman
- Perkins
- (non crédité)
Avis à la une
Back when Lucille Ball was a contract player at RKO she got to co- star with Jack Oakie in a pair of films where she was cast as Annabel Allison motion picture queen on the lot at Wonder Pictures. Oakie played her press agent who was constantly coming up with Lucy Ricardo like schemes to keep his client before the public eye. And she's feeling as put upon as Ricky Ricardo used to.
Oakie who plays the part much like Pat O'Brien would do at Warner Brothers or Lee Tracy at MGM has a mind that works 24/7. His latest scheme is to have Lucy go to a home and work as a maid incognito as part of a scheme to publicize her latest picture where she is a kind of Ms. Fixit maid.
She gets a chance to be a real heroine when a couple of robbers feign interest in eccentric Uncle Thurston Hall's invention. It's all I can say, but it's all done with typical slapstick like gags. This was an unusual part for Hall, usually he's the respectable establishment type poo-pooing ideas like he has in this film.
James Burke also memorable as a thick as a brick policeman.
I don't think Ball and Oakie had all that much chemistry between them. They did one more film with these same characters and RKO called it quits on a series. Still the film will have its moments for fans of the two leads.
Oakie who plays the part much like Pat O'Brien would do at Warner Brothers or Lee Tracy at MGM has a mind that works 24/7. His latest scheme is to have Lucy go to a home and work as a maid incognito as part of a scheme to publicize her latest picture where she is a kind of Ms. Fixit maid.
She gets a chance to be a real heroine when a couple of robbers feign interest in eccentric Uncle Thurston Hall's invention. It's all I can say, but it's all done with typical slapstick like gags. This was an unusual part for Hall, usually he's the respectable establishment type poo-pooing ideas like he has in this film.
James Burke also memorable as a thick as a brick policeman.
I don't think Ball and Oakie had all that much chemistry between them. They did one more film with these same characters and RKO called it quits on a series. Still the film will have its moments for fans of the two leads.
Personally, I've always felt that the best comedies were the ones where you could actually believe in the situations--in other words, the events are things that could have happened. THE AFFAIRS OF ANNABEL is funny in spots, but hasn't got a single moment that is in touch with reality.
JACK OAKIE plays a scheming publicity man who dreams up the most outrageous ways of getting attention (newspaper headlines) for his fading star LUCILLE BALL, her film career supposedly on the wane. One plan involves getting her to spend three days in prison (which turns out to be 30 days) and to have the press on hand when she's released. The plan backfires, of course, and Lucy fires him.
She rehires him when he gets a little old lady (LEONA ROBERTS, Mrs. Meade from GWTW), to pretend to be his sick mother who needs money for an operation. Lucy relents and he comes up with another scheme--her next film is called "The Maid and the Man" so he gets her work as a maid in a wacky household. It turns out the house has become the nest for two infamous criminals and Lucy, of course, gets into the thick of things while Oakie tries to rescue her by hiring fake police officers to storm the house.
It had possibilities but emerges as a scatterbrained comedy without any real foothold on reality. THURSTON HALL is fun as a plate breaking scientist and RUTH DONNELLY has a few good one-liners as a studio receptionist, but other than that the gags are pretty hard to swallow at times.
Best that can be said is that LUCILLE BALL shows skill at this sort of comedy and looks pert and pretty throughout. OAKIE overplays the press agent with outlandish schemes but is fun to watch.
If you love Lucy, you'll find this acceptable fare but lacking in so many departments.
JACK OAKIE plays a scheming publicity man who dreams up the most outrageous ways of getting attention (newspaper headlines) for his fading star LUCILLE BALL, her film career supposedly on the wane. One plan involves getting her to spend three days in prison (which turns out to be 30 days) and to have the press on hand when she's released. The plan backfires, of course, and Lucy fires him.
She rehires him when he gets a little old lady (LEONA ROBERTS, Mrs. Meade from GWTW), to pretend to be his sick mother who needs money for an operation. Lucy relents and he comes up with another scheme--her next film is called "The Maid and the Man" so he gets her work as a maid in a wacky household. It turns out the house has become the nest for two infamous criminals and Lucy, of course, gets into the thick of things while Oakie tries to rescue her by hiring fake police officers to storm the house.
It had possibilities but emerges as a scatterbrained comedy without any real foothold on reality. THURSTON HALL is fun as a plate breaking scientist and RUTH DONNELLY has a few good one-liners as a studio receptionist, but other than that the gags are pretty hard to swallow at times.
Best that can be said is that LUCILLE BALL shows skill at this sort of comedy and looks pert and pretty throughout. OAKIE overplays the press agent with outlandish schemes but is fun to watch.
If you love Lucy, you'll find this acceptable fare but lacking in so many departments.
Lucille Ball stars as Annabel Allison, movie star. Jack Oakie, studio publicity man, has a great idea: He talks Annabel into getting caught stealing—a jail record, he argues, will give a great boost to her current picture, a prison drama. Annabel goes along with the gag, spends 30 days in jail, gets Oakie fired, has a change of heart and gets him his job back...all in the first 10 minutes of the movie.
Lucy is wild and blustery in this hectic comedy that keeps the jokes flying at a furious pace. Oakie is fairly obnoxious but eventually likable enough...at least, if you don't mind a pushy big mouth whose heart is mostly in the right place after all.
Familiar supporting actors add their own particular brands of humor: Ruth Donnelly is the wise cracking studio secretary, Fritz Feld is the eccentric European director who wants to make a "serious picture," Bradley Page is the exasperated studio boss.
Lucy ends up working as a maid (prep work for her next movie role, of course) for snooty Elizabeth Risdon, whose screwy inventor brother Thurston Hall brings home some "investors" who turn out to be crooks, and they're all trapped in the house....
It's very nutty and makes no sense at all—but I guess it is an interesting angle on the movie business, and it really is full of good laughs.
My favorite line is Lucy objecting to the maid picture: "You mean that piece of literary junk they've had around the studio for years? Why, they'd have to rewrite that before the moths would eat it."
Lucy is wild and blustery in this hectic comedy that keeps the jokes flying at a furious pace. Oakie is fairly obnoxious but eventually likable enough...at least, if you don't mind a pushy big mouth whose heart is mostly in the right place after all.
Familiar supporting actors add their own particular brands of humor: Ruth Donnelly is the wise cracking studio secretary, Fritz Feld is the eccentric European director who wants to make a "serious picture," Bradley Page is the exasperated studio boss.
Lucy ends up working as a maid (prep work for her next movie role, of course) for snooty Elizabeth Risdon, whose screwy inventor brother Thurston Hall brings home some "investors" who turn out to be crooks, and they're all trapped in the house....
It's very nutty and makes no sense at all—but I guess it is an interesting angle on the movie business, and it really is full of good laughs.
My favorite line is Lucy objecting to the maid picture: "You mean that piece of literary junk they've had around the studio for years? Why, they'd have to rewrite that before the moths would eat it."
It's easy to see why one viewer would love this movie and another couldn't stand it. I have had both reactions the two times I saw it.
Boy, I loved this the first time I viewed it and then was totally bored on the second viewing 10 years later, so it's hard to evaluate. Suffice to say it does have it's share of laughs which isn't surprising since Lucille Ball and Jack Oakie star. However, the humor is so corny one might see no humor in this - it all depends on what you like.
It WAS interesting to see a young (26 or 27-year-old) Ball, who was very attractive woman at that age. Oakie is okay because he looks funny. He doesn't even have to say anything to get a laugh, which sometimes is better because he played a number of roles over the years in which he delivered a lot of stupid lines!
Like a lot of comedies, it's very silly but the shortness of the film (68 minutes) helps in that regard, preventing it from becoming too silly for too long. There were some funny supporting roles in here, too. Like me, you might really laugh at this or think it's a waste of time: hard to say.
Boy, I loved this the first time I viewed it and then was totally bored on the second viewing 10 years later, so it's hard to evaluate. Suffice to say it does have it's share of laughs which isn't surprising since Lucille Ball and Jack Oakie star. However, the humor is so corny one might see no humor in this - it all depends on what you like.
It WAS interesting to see a young (26 or 27-year-old) Ball, who was very attractive woman at that age. Oakie is okay because he looks funny. He doesn't even have to say anything to get a laugh, which sometimes is better because he played a number of roles over the years in which he delivered a lot of stupid lines!
Like a lot of comedies, it's very silly but the shortness of the film (68 minutes) helps in that regard, preventing it from becoming too silly for too long. There were some funny supporting roles in here, too. Like me, you might really laugh at this or think it's a waste of time: hard to say.
Annabel Allison (Lucille Ball) is a movie star but her life is made a lot more difficult by her dopey studio publicity man, Lanny Morgan (Jack Oakie). Lanny always seems to have some sort of stunt and they often seem to backfire. At the beginning of the film, he gets her to go to prison for just a few days as a publicity stunt...and then she can't get out and is stuck there for a month. Later, as another stunt, he gets her a job as a maid...and America's #1 and 2 most wanted criminals take everyone in the house hostage! Will Annabel's troubles ever end?
Lucille Ball was very good in this film--and it's one of her better parts from the era. As far as Jack Oakie goes, sometimes his character was just a bit too much--too much of a jerk and he occasionally mugged a bit too much. Still, despite this, it's a fun little comedy...enjoyable and a bit silly.
Lucille Ball was very good in this film--and it's one of her better parts from the era. As far as Jack Oakie goes, sometimes his character was just a bit too much--too much of a jerk and he occasionally mugged a bit too much. Still, despite this, it's a fun little comedy...enjoyable and a bit silly.
Le saviez-vous
- AnecdotesFirst film where Lucille Ball's name appears above the title in this RKO picture. In about 19 years, she would own the studio, along with her husband Desi Arnaz.
- Citations
Lanny Morgan: I've got it! I got it! It's a cinch! A terrific idea! I'm gonna stick you in the can.
Annabel Allison: [suprised] In the what?
- ConnexionsFollowed by Annabel Takes a Tour (1938)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Affairs of Annabel
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 8 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Ah ces vedettes! (1938) officially released in India in English?
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