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Ajouter une intrigue dans votre langueAn upper-crust artist hires a 'party girl' as a model; romance follows.An upper-crust artist hires a 'party girl' as a model; romance follows.An upper-crust artist hires a 'party girl' as a model; romance follows.
- Récompenses
- 2 victoires au total
Willie Best
- George - The Elevator Operator
- (non crédité)
Charles Butterworth
- Party Guest
- (non crédité)
Jay Eaton
- Party Guest on Balcony
- (non crédité)
Edith Ellison
- Jerry's Housekeeper
- (non crédité)
Harry Strang
- Ship's Officer
- (non crédité)
Commentaire à la une
This movie is one of the legendary Barbara Stanwyck's earliest starring roles. The title of the movie actually refers to prostitutes and that is what Stanwyck plays in this one, though it is, of course, only suggested. The set-up is that Stanwyck, a prostitute, is hired by a painter to be a model for one of his paintings. Through the course of the movie, Stanwyck's character, who has never know real love, is touched by the young painter's caring gestures (though to him, he is only being polite). As always, the beautiful Stanwyck carries the movie in the palm of her hand, and when the film is serious, it's pretty decent. Some problems arise in the humorous scenes with her chubby co-star (who died later in the decade because of self-starvation), a stereotypical, high-pitched, talkative New York girl who has too much of a silly vaudevillian personality to generate many laughs (remember, this is early 1930 and vaudeville was just beginning to wind down). Like a lot of early talkies, this movie is roughly edited, and the acting by the male lead is somewhat wooden. The story is okay, perhaps a bit too sentimental, but the movie is an interesting glance into the 1930s and the early stages of a screen Goddess' career.
- yarborough
- 11 sept. 2002
- Permalien
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Le saviez-vous
- AnecdotesAccording to Frank Capra's autobiographical book, he dismissed using Barbara Stanwyck when their interview went badly. Frank Fay, Stanwyck's husband at the time, called Capra up, furious over Stanwyck's having come home from the interview, crying. Capra blamed Stanwyck, saying she acted like she didn't even want the part. Fay responded, "Frank, she's young, and shy, and she's been kicked around out here. Let me show you a test she made at Warner's." (The test was for "The Noose," a Broadway play Stanwyck starred in and also a film made without Stanwyck in 1928 by John Francis Dillon for First National.) Capra was so impressed that he left the screening immediately to get Harry Cohn, who ran Columbia, to sign up Stanwyck as quickly as possible.
- GaffesAlthough the onscreen credits state "Adapted from A David Belasco-Milton Herbert Gropper stage play," only Gropper was the author of the play; Belasco produced it.
- Citations
Bill Standish: Ever done any posing before?
Kay Arnold: I'm always posing.
Bill Standish: How do you spend your nights?
Kay Arnold: Re-posing.
- Versions alternativesColumbia simultaneously released "Ladies of Leisure" in both sound and silent versions.
- ConnexionsFeatured in The 54th Annual Academy Awards (1982)
- Bandes originalesMisterioso Agitato
(uncredited)
Music by Harold Smith
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- How long is Ladies of Leisure?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Mujeres de lujo
- Lieux de tournage
- Malibu Lake, Californie, États-Unis(exterior locations)
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 39 minutes
- Couleur
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By what name was Femmes de luxe (1930) officially released in India in English?
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