NOTE IMDb
6,3/10
1,7 k
MA NOTE
Ajouter une intrigue dans votre langueAlthough free spirit Helen Bauer does not believe in marriage, she consents to marry Don, but his infidelities cause her to also take on a lover.Although free spirit Helen Bauer does not believe in marriage, she consents to marry Don, but his infidelities cause her to also take on a lover.Although free spirit Helen Bauer does not believe in marriage, she consents to marry Don, but his infidelities cause her to also take on a lover.
- Réalisation
- Scénario
- Casting principal
George Beranger
- Dinner Guest
- (non crédité)
- …
Edna Callahan
- Blonde at Painting Exhibition
- (non crédité)
Maxine Cantway
- Hat Check Girl
- (non crédité)
Armand Kaliz
- Man Flirting with Iris
- (non crédité)
William H. O'Brien
- Butler
- (non crédité)
Hedwiga Reicher
- Vocalist at Dinner Party
- (non crédité)
Gay Seabrook
- Miss Seymour
- (non crédité)
Billy West
- Panhandler
- (non crédité)
Renee Whitney
- Party Guest
- (non crédité)
Commentaire à la une
'Ex-Lady's' reviews here are mixed, some liking/loving it and others not caring for it. Both sides understandable. My main reasons for seeing it were for Bette Davis (whoo always was a great actress, her performance in 'All About Eve' in particular is a favourite), in an early role when her career was more variable, and for the unconventional and ahead of the time subject matter (back when films got away with more before the code was enforced) which would be an interest point really for any film buff.
By all means 'Ex-Lady' is not one of Davis' best films, nowhere near close, she herself did not think so. To me though, it is still a very interesting film (one of her more interesting early films) and a very enjoyable one that does deserve to be better known, if mainly for curiosity and historical value. Both as a Davis completest, or at least trying to see as many of her films as possible, and to see how films were pre-code and were able to take more risks.
Did think that it was a bit stagy in spots and that the drama could have opened up more.
Also Kay Strozzi overdoes it dreadfully, not funny or endearing at all and quite annoying. The ending felt a bit on the pat side.
However, Davis, although she would give much better performances later when the quality of her films became more consistent in a good way, shows a deft comic touch and totally at ease with her material. Gene Raymond shares a witty but also surprisingly tender at times chemistry with her and although his presence isn't quite as arresting he is certainly not as bland as he could be. Frank McHugh brings a lot of energy to his role as does a wonderfully snide Monrow Owsley. The direction is hardly indifferent and makes great use of Davis.
The dialogue is full of snap and sizzle, witty but also sophisticated, while the story makes the most of the unconventional subject with a fair share of daring moments, in a way one is surprised that such an early film got away with what it contains. The production values are tasteful and elegant, though the photography could have been a little more refined in places, standing out especially are Davis' clothes which are things of beauty.
Overall, not great but enjoyable fun and wonderfully ahead of its time. 7/10
By all means 'Ex-Lady' is not one of Davis' best films, nowhere near close, she herself did not think so. To me though, it is still a very interesting film (one of her more interesting early films) and a very enjoyable one that does deserve to be better known, if mainly for curiosity and historical value. Both as a Davis completest, or at least trying to see as many of her films as possible, and to see how films were pre-code and were able to take more risks.
Did think that it was a bit stagy in spots and that the drama could have opened up more.
Also Kay Strozzi overdoes it dreadfully, not funny or endearing at all and quite annoying. The ending felt a bit on the pat side.
However, Davis, although she would give much better performances later when the quality of her films became more consistent in a good way, shows a deft comic touch and totally at ease with her material. Gene Raymond shares a witty but also surprisingly tender at times chemistry with her and although his presence isn't quite as arresting he is certainly not as bland as he could be. Frank McHugh brings a lot of energy to his role as does a wonderfully snide Monrow Owsley. The direction is hardly indifferent and makes great use of Davis.
The dialogue is full of snap and sizzle, witty but also sophisticated, while the story makes the most of the unconventional subject with a fair share of daring moments, in a way one is surprised that such an early film got away with what it contains. The production values are tasteful and elegant, though the photography could have been a little more refined in places, standing out especially are Davis' clothes which are things of beauty.
Overall, not great but enjoyable fun and wonderfully ahead of its time. 7/10
- TheLittleSongbird
- 1 déc. 2019
- Permalien
Histoire
Le saviez-vous
- AnecdotesIn 1962, producer-director Robert Aldrich was preparing the prologue to Qu'est-il arrivé à Baby Jane? (1962). He chose a scene from Parachute Jumper (1933) and this film to document the fact that the young Jane was a flop as a movie star.
- GaffesIn the last scene, when Don speaks his final line to Helen, his lips do not move. The audio was obviously added after filming ended.
- Citations
Hugo Van Hugh: Love, and life, and laughter!
- ConnexionsFeatured in Qu'est-il arrivé à Baby Jane? (1962)
- Bandes originalesWhy Can't This Night Go On Forever?
(uncredited)
Music by Isham Jones
Played during the opening credits and often in the score
Meilleurs choix
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- How long is Ex-Lady?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Бывшая возлюбленная
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 93 000 $US (estimé)
- Durée1 heure 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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