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La poupée brisée

Titre original : The Big Street
  • 1942
  • Approved
  • 1h 28min
NOTE IMDb
6,4/10
1,8 k
MA NOTE
Henry Fonda, Lucille Ball, Agnes Moorehead, and Sam Levene in La poupée brisée (1942)
A busboy in unrequited love with a nightclub performer grows closer to her after she is paralyzed in an attack by her gangster boyfriend.
Lire trailer1:34
1 Video
99+ photos
DramaMusicRomance

Ajouter une intrigue dans votre langueA busboy in unrequited love with a nightclub performer grows closer to her after she is paralyzed in an attack by her gangster boyfriend.A busboy in unrequited love with a nightclub performer grows closer to her after she is paralyzed in an attack by her gangster boyfriend.A busboy in unrequited love with a nightclub performer grows closer to her after she is paralyzed in an attack by her gangster boyfriend.

  • Réalisation
    • Irving Reis
  • Scénario
    • Leonard Spigelgass
    • Damon Runyon
  • Casting principal
    • Henry Fonda
    • Lucille Ball
    • Barton MacLane
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    1,8 k
    MA NOTE
    • Réalisation
      • Irving Reis
    • Scénario
      • Leonard Spigelgass
      • Damon Runyon
    • Casting principal
      • Henry Fonda
      • Lucille Ball
      • Barton MacLane
    • 56avis d'utilisateurs
    • 17avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires au total

    Vidéos1

    Official Trailer
    Trailer 1:34
    Official Trailer

    Photos102

    Voir l'affiche
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    + 96
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    Rôles principaux99+

    Modifier
    Henry Fonda
    Henry Fonda
    • Little Pinks
    Lucille Ball
    Lucille Ball
    • Gloria Lyons
    Barton MacLane
    Barton MacLane
    • Case Ables
    Eugene Pallette
    Eugene Pallette
    • Nicely Nicely Johnson
    Agnes Moorehead
    Agnes Moorehead
    • Violette Shumberg
    Sam Levene
    Sam Levene
    • Horsethief
    Ray Collins
    Ray Collins
    • Professor B
    Marion Martin
    Marion Martin
    • Mimi Venus
    William T. Orr
    William T. Orr
    • Decatur Reed
    • (as William Orr)
    George Cleveland
    George Cleveland
    • Colonel Samuel Venus
    Vera Gordon
    Vera Gordon
    • Mrs. Lefkowitz
    Ozzie Nelson and Orchestra
    • Night Club Orchestra
    Ozzie Nelson
    Ozzie Nelson
    • Orchestra Leader
    Al Bain
    Al Bain
    • Mug
    • (non crédité)
    Don Barclay
    Don Barclay
    • Eating Contest Emcee
    • (non crédité)
    Mary Bayless
    • Nightclub Patron
    • (non crédité)
    Louise Beavers
    Louise Beavers
    • Ruby - Gloria's Maid
    • (non crédité)
    Anthony Blair
    • O'Rourke
    • (non crédité)
    • Réalisation
      • Irving Reis
    • Scénario
      • Leonard Spigelgass
      • Damon Runyon
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs56

    6,41.7K
    1
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    10

    Avis à la une

    Noir-It-All

    a big impression on me

    I saw this film in the late '60's on our local TV station. It was not unusual to catch B movies starring our television personalities back in the day. What a film! I cried at the end. What shines through is the portrayal of the class levels within American society then. Lucille Ball's dame certainly internalized the idea that she was above the class of Henry Fonda's Pinky even while she subsisted on the food he brought home for her after she was no longer a gangster's moll. Henry Fonda's Pinky was a true codependent, picking her up from the floor, keeping her alive, even moving her from cold, icy New York City to the east coast Eden of Miami (shades of Midnight Cowboy!)with nary a thank you from this ungrateful woman. Through a plot device, Pinky and the busboys don tuxedos at the end so she condescends to be carried up the stairs by one of their own, enabling her self deceit that she is an upper class lady. Someone wrote it was too much of a downer to have been successful when released and couldn't be made today as the bit players do not exist to round out the cast. Rise above the limitations of both eras and enjoy this film.
    Emaisie39

    Lucy makes a stunning bitch opposite Henry Fonda in the sentimental "Big Street"

    "The Big Street" was not a major hit when first released but the critics at the time all noted Lucille Ball's superb star-making performance as one of the all-time nastiest women ever to reach the big screen. Lucy was already a minor star thanks to a string of popular B-grade comedies and dramas but this film cemented her stardom and brought her to MGM where she reached an early peak the next year. The film is sentimental and does have some plot points that have to be swallowed but Ball's great acting and chemistry with a splendid Fonda makes this tale of unrequited love work. Fonda plays a kind innocent busboy who falls madly in-love with a crippled chanteuse(Ball). The last scene on the dance floor is unforgettable. Why RKO did not get Lucy an Oscar nomination for this performance is a crime. All the critics at the time hailed her work in this but it just slipped under the rug when the film posted only small profits. This was the kind of role Bette Davis made her own but Ball does it without Davis' habit of falling into mannerisms. Agnes Moorehead is also excellent as Fonda's concerned friend. Beautiful cinematography makes Ball look incredible in her close-ups. Worth a look but overlook the occasional mawkish elements. Lucy makes it a must.
    5boy-13

    Lucille Ball is excellent, and in top-form.

    This interesting story failed to make it big with audiences in its initial release, but is actually a noteworthy picture, nonetheless. This unlikely story has Henry Fonda as Little Pinks, a shy, timid busboy, who's obsessed with Lucille Ball's self-absorbed, mean-spirited torch singer. Despite her poor treatment of him, he continues to worship her. During an argument with her louse of a boyfriend, he (the boyfriend) pushes her down a flight of stairs. Paralyzed and desperate, Gloria moves in with Pinks. The wheelchair-bound diva alienates everyone around her with her anger and venomous commentary. But Pinks doesn't let it bother him. Instead the "odd couple" go on an unusual roadtrip together. He pushes her in her wheelchair all the way to Miami - pretty dumb, really !

    Ball is excellent, and in top form. It's great to see her in such an unusual role (see also 1947's "Lured"). Fonda is great, too, as the innocent and smitten young man. And the rest of the cast is good; especially, the always fabulous Agnes Moorehead. Despite a good story and an excellent cast, the plot limps along at points, and the shoddy production value is unignorable. Plus, the whole "Let's push Lucy to Florida in her wheelchair" thing is utterly nuts! However, the final scene is an unforgettable melodramatic moment that is fascinating just for the fact that Ball is the center of it. It makes it worth sitting through the many drawbacks of this film just to see the ending scene.
    dougdoepke

    Ball Shows Her Chops in Movie Oddity

    For fans of Lucy, Ball's role here takes real getting used to. "Her Highness" character is shrewish and generally not very likable. Ball does, however, get to show some very real chops outside her usual comedic range. As a result, I've got a new appreciation of her as an actress as well as a comedienne.

    The movie itself is undermined by a weak central focus. Neither Ball's Her Highness nor Fonda's servile bus boy is easy to identify with. Thus, it's hard to sympathize with the overbearing HH even after she's crippled. Nor is Little Pink's (Fonda) utterly selfless devotion understandable given the imperious way she treats him. As a result, the movie's core flounders. A charitable view might take the movie as a fairy tale where the unlikely bus boy, a prince in his sudden formal wear, rescues the crippled princess if only for a moment.

    Of course, being a Damon Runyon creation, there's the usual number of street-smart Broadway mugs. So the margins shine with such colorful types as Palette, Levene, Collins, et al. Also, catch dragon lady Agnes Moorehead in a rare sympathetic role (Shumberg); plus premier eccentric Hans Conreid as the grumpy headwaiter. And for folks interested in 50's TV, there's Wm. T. Orr as handsome socialite Decatur Reed. This is the same Orr who produced many of the popular hour-long TV shows of the late 50's, such as Maverick, 77 Sunset Strip, Lawman, et al. I've seen his name for years, never thinking he might show up on screen.

    All in all, the only reason to catch this 80-minute pastiche is for Lucy's surprising performance and the colorful peripheral characters. Otherwise, it's pretty forgettable, especially for fans of Fonda.
    9Eventuallyequalsalways

    Two incredible talents in their early years: Ball and Fonda

    Anyone who has the slightest desire to learn more about the incredible talent of Lucille Ball and Henry Fonda owes it to themselves to see this marvelous movie. Over the years, these two stars built up such powerful images of themselves as star characters, and most of the public came to know them as a result of the cumulative impressions which they made on our individual consciousness. Your strong impression of Lucille Ball is as a comedian, correct? You seldom if ever think of her as a dramatic actress. Can you imagine Lucille Ball playing a role of a vain self-centered and arrogant harridan who seems to live for the sole purpose of tormenting the lowly busboy who is her one true friend in all the world? Few people can imagine Lucy in such a role, but if you watch this movie, you will see it happen. It is also totally believable because, even though Lucy worked primarily as a comedian, she was a great dramatic actress when she chose to accept a role of that type. As for Henry Fonda, who could even conceive of casting this great actor as a busboy? It was early in his career and he is playing a role of the type that he would never have to play again, but he pulls it off. You wonder at times why he is taking so much abuse from this woman. But the answer is incredibly simple. He deeply loves the woman, and his love comes shining through. If you want to see two great stars at work in the early days of their careers, check out this movie.

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Lucille Ball's favorite of her films. She felt her performance was unjustly ignored by the Academy of Motion Picture Arts and Sciences (AMPAS).
    • Gaffes
      A gathering to raise money to send Gloria Lyons to Florida doesn't raise enough, so a suggestion is made to put it on a horse. A face-on shot of Horsethief shows him sitting down and pulling a paper from his inside pocket. He stands up and unfolds the paper, but then a long shot shows him just starting to take the paper from his pocket.
    • Citations

      Gloria Lyons: Love is something that gets you one room, two chins and 3 kids.

    • Crédits fous
      Opening credits: "Loser's Lane --- the sidewalk in front of Mindy's Restaurant on Broadway-- is not as high-toned a trading center as Wall Street, but the brokers are a lot more colorful. Generally they prefer to put their money on a prizefight or horserace, but when the action slows, anything can happen and it usually does. Tonight, for example, the citizens of the Lane are discussing the latest contest in their usual quiet way --"
    • Connexions
      Featured in AFI Life Achievement Award: A Tribute to Henry Fonda (1978)
    • Bandes originales
      Who Knows?
      (1942)

      Lyrics by Mort Greene

      Music by Harry Revel

      Performed by Lucille Ball at the New York nightclub (uncredited)

      Reprised by her with Ozzie Nelson and Orchestra at the Florida nightclub (Vocals for Miss Ball by Martha Mears) (uncredited)

      Played often in the score

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    FAQ16

    • How long is The Big Street?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 22 mars 1950 (France)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • The Big Street
    • Lieux de tournage
      • Miami, Floride, États-Unis(second unit - exteriors)
    • Société de production
      • RKO Radio Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 28 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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    Henry Fonda, Lucille Ball, Agnes Moorehead, and Sam Levene in La poupée brisée (1942)
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    By what name was La poupée brisée (1942) officially released in India in English?
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