NOTE IMDb
8,1/10
12 k
MA NOTE
La jeune épouse d'un prêtre vieillissant tombe amoureuse de son fils au milieu de l'horreur d'une impitoyable chasse aux sorcières dans le Danemark du XVIIe siècle.La jeune épouse d'un prêtre vieillissant tombe amoureuse de son fils au milieu de l'horreur d'une impitoyable chasse aux sorcières dans le Danemark du XVIIe siècle.La jeune épouse d'un prêtre vieillissant tombe amoureuse de son fils au milieu de l'horreur d'une impitoyable chasse aux sorcières dans le Danemark du XVIIe siècle.
- Récompenses
- 1 victoire et 1 nomination au total
Thorkild Roose
- Rev. Absalon Pederssøn
- (non crédité)
Sigrid Neiiendam
- Merete (Absalon's mother)
- (non crédité)
Albert Høeberg
- The Bishop
- (non crédité)
Preben Neergaard
- Degn
- (non crédité)
Anna Svierkier
- Herlofs Marte
- (non crédité)
Olaf Ussing
- Laurentius
- (non crédité)
Commentaire à la une
Although I'm certainly not religious myself, I do find the subject of religion to be fascinating, yet whenever I see a film about religion, especially old black and white subtitled ones, it tends to be a very torrid viewing for me. This was certainly the case with Ingmar Bergman's 'Winter Light', but not the case with this film; which is actually very good. I went into it with the wrong expectations because my television guide had touted it as a film about witch hunt; which although they feature in the film, that's not what it's about. The film is about loss of faith, and having to choose between what you believe and the people you love. We follow a pastor who has indicted a woman for witchcraft and later has her burnt at the stake. Around the same time, his son has returned and he has inadvertently fallen in love with his father's wife, a woman who is his junior. Much like his earlier 'Passion of the Joan of Ark', Danish genius Carl Theodor Dreyer has created a film rich with religious tones that includes themes of witchcraft and the power of belief. The lighting and way that the atmosphere is built in the film is superb, and it's obvious that a master technician made the film. However, much like Passion of Joan of Ark, and his 1932 film, Vampyr, this film also comes across as being cold - which can make it difficult to like if, like me, you value the story and characters over technical prowess and potent themes. Day of Wrath is certainly not a film for everyone, and people that dislike thought provoking, yet completely style-less pieces of art should steer clear. For everyone else, however, this is most definitely worth a watch.
Histoire
Le saviez-vous
- AnecdotesThere was a gap of eleven years between this film and Dreyer's last feature, being Vampyr in 1932.
- GaffesThe film is set in 1623. But at the back of the main room, where much of the action takes place, is a large wooden chest with a Latin inscription: "Quodque parum novit nemo docere potest - Anno 1639."
- Citations
Anne Pedersdotter: I see through my tears, but no one comes to wipe them away.
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- How long is Day of Wrath?Alimenté par Alexa
Détails
Box-office
- Montant brut aux États-Unis et au Canada
- 7 642 $US
- Durée1 heure 37 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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