Trial by Trigger

This 20-minute short is a mini-western about lumber barons in California's Redwood country, fighting over land grabbers and a girl. The trio is comprised of lesser known actors, ROBERT SHAYNE, CHERYL WALKER and WARNER ANDERSON.

What sets the featurette apart from others is the heavy use of stock footage from an earlier Warner Bros. film, GOLD IS WHERE YOU FIND IT ('38), photographed in Technicolor in 1938. The contrast between the new footage from '44 and the older is quite evident, and it has been inserted with an attempt to match sound stage filming with actual outdoor footage that ends up looking fake.

Nor can anything be said for the flat performances, the tired script (full of the usual clichés about lumbermen vs. landowners), and the general look of the clumsy effort to spin a mini-western in brief running time.

Recommended only for the scene of the runaway train, the bridge collapse and the lumber shipment being dynamited, all taken from the earlier mentioned film.

This honest little "short" (twenty minutes) does more in 1/3 of an hour than most of the current and former movies do in the usual two hour range. It is especially good when you consider that it was made during the draconian shortages of World War II. I believe that the villain was later in a television series called "the Lineup."

Trial by Trigger (1944)

*** (out of 4)

Entertaining Western short has a logger (Robert Shayne) trying to fight off a lumber company and their evil boss (Warner Anderson) over land full of redwood trees. This two-reeler has a very entertaining story and a nice cast that makes it worth watching. The most interesting thing is seeing how loggers worked back in the day when everything was a lot different than today. There are plenty of scenes of trees being cut and all of this makes the film worth viewing. Shayne is very good in his role and turns in a good performance as does Anderson as the bad guy. Cheryl Walker plays the woman caught between the two men and manages to be good as well. This was director McGann's final film but he's best remembered for directing In Old California and Blackwell's Island. Also worth noting is a famous quote from Casablanca that appears here.

During the middle Forties, Warner Brothers was trying what might have become a new genre in films. They would take some of their previous big budget films with footage previously and re-edit them into short subjects. The story that would have taken two hours to tell would be done in now fifteen to twenty minutes.

Trial By Trigger is a cut down version of Valley Of The Giants and the roles played by Wayne Morris and Claire Trevor were now done by Robert Shayne and Cheryl Walker. Years before he became Inspector Henderson on Superman, Shayne was apparently the young contract player whom these cut down remakes were given.

Try to tell a story that had previously been a feature film in 20 minutes and inevitably much would be lost. That's what happened and that's why these short subjects never took hold. Can you imagine MGM trying to do edit down Gone With The Wind that way?

Akin to the Republic movie serials of the 1940's in its use of new footage shot to match older, stock footage from 1938's "God's Country and the Woman", this fast-moving, entertaining logger epic (starring young Robert Shayne, seven years later to gain classic TV fame as Inspector Henderson in the George Reeves "Adventures of Superman" series) only misses the mark when the new footage (shot in post 1940, clearer black and white) is edited against the older (1938, three-strip color) footage. Shayne's dark hair vs. the stuntman's light-colored hair (a situation that can likely be blamed on the 'bleaching' that happens when color film is duped in B&W) make every carefully-planned re-staging of the action and every calculated match-edit into a distracting jumpcut. More's the pity, because the logging sequences and especially the runaway train climax are first-rate.