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IMDbPro

Twelve Crowded Hours

  • 1939
  • Approved
  • 1h 4min
NOTE IMDb
5,5/10
326
MA NOTE
Lucille Ball and Richard Dix in Twelve Crowded Hours (1939)
ActionAdventureCrimeDramaRomance

Ajouter une intrigue dans votre langueOne night of twelve crowded hours in the life of a newspaper investigative reporter out to get the goods on the master-minds who operate the profitable Numbers Racket in a big city. His ques... Tout lireOne night of twelve crowded hours in the life of a newspaper investigative reporter out to get the goods on the master-minds who operate the profitable Numbers Racket in a big city. His quest is somewhat hampered by a romantic redhead, her less-than-stellar brother, a fat police ... Tout lireOne night of twelve crowded hours in the life of a newspaper investigative reporter out to get the goods on the master-minds who operate the profitable Numbers Racket in a big city. His quest is somewhat hampered by a romantic redhead, her less-than-stellar brother, a fat police detective, and henchmen, with bad intention, crawling out of the woodwork, and sewers.

  • Réalisation
    • Lew Landers
  • Scénario
    • John Twist
    • Garrett Fort
    • Peter Ruric
  • Casting principal
    • Richard Dix
    • Lucille Ball
    • Allan Lane
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,5/10
    326
    MA NOTE
    • Réalisation
      • Lew Landers
    • Scénario
      • John Twist
      • Garrett Fort
      • Peter Ruric
    • Casting principal
      • Richard Dix
      • Lucille Ball
      • Allan Lane
    • 10avis d'utilisateurs
    • 3avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos9

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    Rôles principaux33

    Modifier
    Richard Dix
    Richard Dix
    • Nick Green
    Lucille Ball
    Lucille Ball
    • Paula Sanders
    Allan Lane
    Allan Lane
    • Dave Sanders
    Donald MacBride
    Donald MacBride
    • Detective Sergeant Joe Keller
    Cy Kendall
    Cy Kendall
    • George Costain
    • (as Cyrus W. Kendall)
    John Arledge
    John Arledge
    • Red
    Granville Bates
    Granville Bates
    • James McEwen
    Bradley Page
    Bradley Page
    • Tom Miller
    Dorothy Lee
    Dorothy Lee
    • Thelma
    Addison Richards
    Addison Richards
    • Berquist
    Murray Alper
    Murray Alper
    • Louie Allen
    John Gallaudet
    John Gallaudet
    • Jimmy
    Joe De Stefani
    • Rovitch
    • (as Joseph de Stephani)
    Stanley Blystone
    Stanley Blystone
    • Patrolman
    • (non crédité)
    Richard Clarke
    Richard Clarke
    • Police Driver
    • (non crédité)
    Edmund Cobb
    Edmund Cobb
    • Pool Hall Proprietor
    • (non crédité)
    George Davis
    George Davis
    • Gus - French Waiter
    • (non crédité)
    Edgar Dearing
    Edgar Dearing
    • Second Bartender
    • (non crédité)
    • Réalisation
      • Lew Landers
    • Scénario
      • John Twist
      • Garrett Fort
      • Peter Ruric
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs10

    5,5326
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    Avis à la une

    chris-48

    A breezy "B"

    Twelve Crowded Hours is a tidy, swift and enjoyable little "crime comedy". Richard Dix, who seemed much more at ease in these programmers than in "A" features, is good as the newspaper reporter trying to bring the mobster responsible for his editor's death to justice. He manages to temper the character's innate cockiness and make him likeable. Lucille Ball enthusiasts may be disappointed with her role here; even though she has a few funny lines, her Paula Sanders is drab. Coming off much better are Donald MacBride as the sour detective and Cy Kendall as the burly mob boss. (The type of higher-profile role he should have had more often.) A nice, breezy 64 minutes.
    4Doylenf

    Another dismal B-film role for Lucille Ball at RKO...

    Poor Lucy. It's a wonder she ever got any of the big breaks that came her way when you see how she was mistreated at RKO in a bunch of ingenue roles that required not even one-third of her talent.

    She's barely even visible in this trifle, a gangster movie that has RICHARD DIX getting most of the attention as a newspaper reporter on the heels of a rackets number gangster (CY KENDALL) while Lucy sits on the sidelines and pops up in only a few scenes. Even in the scenes she's in, she's hardly given more than a few lines to speak.

    The plot is nothing special, just a series of car chases and shootouts that make little sense since none of the characters are anything more than cardboard fixtures. Lucy's not the only one wasted here. ALLEN LANE as her kid brother has virtually nothing to do and DONALD MacBRIDE does his usual turn as an exasperated police officer.

    Trivia note: JOHN ARLEDGE, who plays "Red", and serves as the juvenile comedy relief, played a dying soldier this same year (1939) in GONE WITH THE WIND. And incidentally, Lucille Ball was sent to audition for David O. Selznick as a Scarlett O'Hara hopeful. Can you believe it???
    6ksf-2

    big names before they were big

    Nick (Richard Dix) is the reporter, trying to get the goods on local mob boss (Cy Kendall) running the town, but Paula Sanders and her brother ( Lucille Ball, Allan lane) get in the way. You'll recognize Donald MacBride as the Detective... MacBride always yelled "Jumpin Butterballs!" in the marx brothers films. Granville Bates is McEwen, but Bates keeps looking off to the right... appears to be reading the lines off a card. Lucy had been making shorts and un-credited film roles since the early 1930s, but had just recently started getting bigger, credited parts. it all works. very linear. they get taken by the crooks,and have to figure out how to get out of it. no suspense. it's all very flat-line average. another pretty small role for Lucy, but she's on her way, after all those un-credited roles. Dix (and his son) both died quite young, as did Kendall. Directed by Lew Landers. made four films with Lucy. they never really knew what to do with her, until she got her own series.
    5planktonrules

    meh....

    While I have always liked Richard Dix, I must admit that this is one of the more ordinary films he made. Dix stars as a newspaper man--one that is frankly too glib and clever to be real. When a coworker is killed, Dix thinks a gangster is responsible and soon steals $80,000 from the crook. Much of the rest of the film is spent with the crook and Dix talking...a lot. Their tough banter seemed stagy and the film went no where for a very long period. By the end, I frankly didn't care who killed who--I was just bored and looking forward to another film.

    Dull writing, clichéd characters and a complete waste of Lucille Ball in a supporting role (she could have just as well been played by a ball of lint--the part was dull and shallow). While it's not a bad film, it's also not particularly good and seemed to be just another B-movie from RKO.
    RoboGarrett

    Good, Not Great

    This is a decent 1939 crime drama. Richard Dix is good and Lucille Ball is as well, in a non-comedy performance. Worth watching but not the kind of thing that would make any "best of the decade" lists or anything.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The Floy Floy Club in this film refers to part of the title of a popular 1938 jazz recording "Flat Foot Floogie (with a Floy Floy)". "Floogie" was originally "Floozie", meaning a woman with loose morals, but the record label objected to that term, so it was changed. Floy Floy was an African-American slang term for venereal disease - something this film's producers did not know at the time. So, the original title of the tune was about a flat-footed prostitute with VD, and the name of the club would have therefore been the VD Club.
    • Gaffes
      When Keller comes to Green's apartment and finds Costain and Green inside, he walks in and stops in the middle of the room. A conversation ensues. Keller then notices the handkerchief and compact on the desk, but he and the other two men are now another two yards/ metres further into the room.
    • Citations

      Red: I'm tired of being a mouse. Take it.

      [hands his copy to office boy]

      Red: Well, tonight I'm a man. How about a little kiss?

      Thelma: I would, but that face keeps getting in my way.

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    Détails

    Modifier
    • Date de sortie
      • 3 mars 1939 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Tolv spännande timmar
    • Lieux de tournage
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • RKO Radio Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 4 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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