Casaque arc-en-ciel

I love horses and the racing world and so that is a bonus but I thoroughly enjoyed the film. The characters were believable and likeable with the backdrop and humour of the stable lads amusing. I read that this was based on a true story and it seems probable - just the sort of thing of that era. Interesting from a social history point of view. It was fun to see Sid James and Wilfred Hyde White in the cameo roles. OK the close up of the riders was a bit unconvincing but it is a film of it's time and I'm rating it 8. I find it strange that one of the two lead actors, Fella Edmonds as the young jockey, scarcely gets a mention.

Having waited over 20 years to see The Rainbow Jacket, I was not disappointed. As a racing afficiando and a stickler for detail, I have found most films on the subject somewhat toe curling. The Rainbow Jacket is totally faithful to it's subject. As the story unfolds we are told which racecourse the action is to take place at, in each case we see exactly that course. In many racing films, some factual and historical, the action edits together scenes from several venues. Imagine a film about a Grand National winner showing horses going round the paddock at Epsom - it happens, but not in the Rainbow Jacket. Bill Owen is in top form as Sam. Fella Edmonds plays the up and coming apprentice jockey with wide eyed charm, Robert Morley adds the comedy with his usual aplomb while no racing film of that era would have been complete without Wilfred Hyde White. Look out for a wonderful performance from Ronald Ward as the blackmailer. Of the other characters, Charles Victor amuses as the head lad,Mr Boss his performance is reminiscent of Harry Enfield's 'You don't wanna do that'character. All this is rounded off by appearances by Sid James as the proprieter of a mobile canteen and a brief appearance of that grand old stalwart of the era of classic British movies - Sam Kydd.

The film was criticised in it's day for a corny plot and wooden action shots. Admittedly the plot is a little weak but racing is a notoriously difficult subject on which to add a twist as the outcome of races tend to be a little inevitable. The close up action shots using wooden horses are a little ridiculous but the wide shots are realistic and beautifully photographed at realistic racing pace. So often the action is unnecessarily accelerated. The shots of the early morning gallops really do capture the atmosphere of the wide open space of Newmarket Heath. If you don't like racing you can just wallow in the company of some marvellous British stalwarts at the top of their form in yet another winner from the Ealing Studios.

Interesting to see that Sports movies basically haven't changed a lot in 70 years. This is more of a matinee from Ealing Studios with a cast of well known British actors of their day, although Bill Owen wouldn't gain national fame until twenty years later. A knowledge or love of Horse racing isn't necessary to enjoy this tale that's watchable but not great.

Bill Owen had just starred for Dearden & Relph in a stark black & white drama about boxing called 'The Square Ring', and Ealing presumably felt the need to lighten up a bit for their next film shot largely on location in immaculate Technicolor by Otto Heller. Hence the title.

A subplot concerns money owed by Owen to a loan shark played by an unbilled Bernard Lee (also unbilled are David Hemmings, and Katie Johnson in an amusing cameo), one of whose goons cuts Owen's lip with a beer glass, thus serving to remind us that this is still the Britain of ration books and spivs. But the subplot simply prolongs the film without actually making it any more interesting.

Seventh-billed Honor Blackman as Edward Underdown's wife looks ravishing in Technicolor - and in jodhpurs provides some Bond Girl glamour - but is largely absent from the second half of the film.

This is a fine little Ealing film from the great Basil Dearden - lots of brilliant outdoor shots of various race courses around southern England; really captures the colour and excitement of racing (I don't even like racing or gambling on horses). Okay, some of the racing shots are obviously shot in some empty field somewhere and cut together with racing footage but the effect is good. Great shots of Brentford and west London and some of the main line train stations. There's the Griffin Pub in Brentford (right near the football ground, incidentally) and an incredibly gruff, working class area that is now for the rich only. That's the great thing about these Ealing films - they all give you an amazing insight into a society that has changed so much in just 50 years.

Simple but effective script from Tibby Clarke, too.