Le mariage est pour demain

John Payne plays Tennessee, a very successful gambler in the old west. It seems he's made some enemies and one of them tries to have him shot in the back. Fortunately for Tennessee, 'Cowpoke' (Ronal Reagan) is in town and sees the murder about to occur...and he intervenes. The two soon become friends. However, Tennessee can't believe Cowpoke is going to marry Goldie, as she's a cold-hearted money grubber and prostitute. But his new friend will hear none of it, so Tennessee decides to expose her for what she is by offering to marry her instead and take her to San Francisco...where he promptly dumps her. Naturally Cowpoke is angry. What will this do to their friendship? And how does Duchess (Rhonda Fleming) fit into all this? And why is there a lynch mob trying to hang them later in the movie?

Overall, this is a modest little western. Not great by any standard but it's different enough to make it worth your time.

The come on for this film was the boast that the West was like this film. I somehow do not believe that, but this is pure Hollywood at its best and its worst. Allan Dwan has a reputation among film buffs and clearly he directs well, but the plot is mainly set in a house for girls who want to get the best out of men. Rhonda Fleming looks her beautiful self and her acting is not bad either. Gamblers congregate there including John Payne who doesn't seem to like women very much in this role. His partner is someone who got him out of a dodgy situation, and that is Ronald Reagan who in my opinion cannot really act. Coleen Gray is bland as Reagan's love interest, and of course she is no good. This foursome play out the fantasy of the West and no doubt many lapped it up. A film for those who want to see glamour and a little violence and no one has a speck of dirt on them.

Tennessee's Partner is very loosely based on a Bret Harte story. The story takes place in a gold mining town in California where gambler John Payne finds it easier to make money at the poker table than digging for gold. Payne's who's name is Tennessee is probably no better than he ought to be, but the place is full of rough characters.

One of them is Anthony Caruso, another gambler who's got a bad case of jealousy. He eggs on another poker loser to bushwhack Payne, But a stranger riding into town played by Ronald Reagan saves Payne. He's simply known as Cowpoke. And he becomes Tennessee's partner.

Reagan is in town to marry Coleen Gray who's name Goldie implies what she's really after. Payne's known her in the past and knows what Gray is all about. He romances her again and leaves her on a boat to San Francisco.

Of course that's bitter medicine for Reagan and it puts a strain on the partnership.

Payne has another partner in town, Rhonda Fleming who's the local madam. They're partners in a combination bordello/gambling establishment. Payne takes the customer's money downstairs at the poker table and Fleming's girls do the same upstairs.

This marked the fourth film during the Fifties that Ronald Reagan and Rhonda Fleming appeared together in. They were good friends professionally and politically. Ms. Fleming's politics were quite compatible with the 40th president of the United States.

Tennessee's Partner is a nicely crafted B western and good entertainment even if we never do learn the real names of both Tennessee and Cowpoke.

Tennessee's Partner is directed by Allan Dwan and collectively adapted to screenplay by Milton Krims, D.D. Beauchamp, Teddi Sherman and Graham Baker from a short story written by Bret Harte. It stars John Payne, Rhonda Fleming, Ronald Reagan and Coleen Gray. Music is by Louis Forbes and cinematography by John Alton.

We are in a gold mining town in California and Tennessee (Payne) is an excellent poker player operating out of Elizabeth 'Duchess' Farnham's (Fleming) bordello. But when you are so good at cards you make enemies fast and Tennessee is only saved from being killed by the intervention of a stranger named Cowpoke (Reagan). The two men quickly become friends, but that friendship is sorely tested when Cowpoke's intended bride to be turns out to be a no good gold digger whom Tennessee knows well.

Producer Benedict Bogeaus once again assembles the principals that made the excellent Silver Lode the previous year. Dwann directs Payne while Alton photographs and Forbes drips his Western flavoured music over the top of things. Although this is not in the same league as Silver Lode, it's a hugely enjoyable movie in spite of adhering to a formula so rife in B Westerns of the 50s. The plot has enough going for it to keep it from ever feeling lazy, at its heart is a friendship under pressure from matters of the heart, but there is also gold in them thar hills, and with that also comes greed and irrational behaviour. With all hostile roads leading to Payne's gambling anti-hero.

The friendship between Tennessee and Cowpoke is very engaging. Tennessee has no friends, his line of work and his womanising ways have ensured that is the case, but Cowpoke is an amiable fella who only judges what he sees at first hand, and Tennesse welcomes this with open arms. But Cowpoke is gullible as well, especially where viper in the nest Goldie (Gray) is concerned. With Payne making Tennessee calm and slick, and Dwan able to get a very human aw-shucks performance out of Reagan for Cowpoke, they are interesting polar opposites, but still it's very easy for the audience to care what happens to them. While Fleming's Duchess is beautiful and brainy, and she's the glue holding firm while the town comes apart.

The French Region 2 DVD is not a perfect print, but it has transfered well enough to see the benefit of having John Alton on photography. Filmed out of Iverson Ranch, the film barely sets foot out of the confines of the town, so this is all about close character filming and sumptuous Technicolor lenses, and here Alton excels. The costuming (Gwen Wakeling) is first rate, especially for Fleming, who gets to don a number of knockout dresses, with a red one eye poppingly gorgeous, and the set design for the bordello/gambling den is wonderfully ornate. So with a good blend of quality aesthetics and weighty plotting, Tennessee's Partner easily shakes of its "B" budget beginnings to become a safe recommendation to the Western lover. 7.5/10

There's a lot of eye candy in Tennessee's Partner, with John Payne, Rhonda Fleming, and Ronald Reagan. John is well cast as the tall, powerful, cowboy who rules the roost. No one dares to cross him, until someone does. Up against a barrel, his life is only spared by a visitor in town, Ronnie. There's an understandably instant friendship, but they do disagree on one thing: romance. John has kept Rhonda at bay for years, and Ronnie is anxious to marry his sweetheart as soon as he can. Ronnie suggests to John that he get also married, to which John balks: "You'd have to marry a woman!" It's very funny and has a totally different meaning today; but in 1955, all he meant was that he liked his bachelor lifestyle and didn't want to have to alter it for a woman's habits and tastes.

This is not a very spectacular western, but if you like the cast you can try it. Rhonda's character is pretty funny; instead of being a madam of a group of saloon girls, she's the "mother" to a group of virtuous girls who are looking for husbands. It's the height of the gold rush, and the women hope to stake their claims on men who have staked theirs. Will Rhonda wear John down and get a ring on her finger? Will someone finally topple John from his pedestal? Will anything destroy the friendship and loyalty Ronnie feels for his hero? All mediocre questions, and you can find all the answers in this mediocre movie.