La flèche noire

This 1948 swashbuckler set in the aftermath of the War of the Roses has three things that makes this mildly enjoyable programmer: the underrated Gordon Douglas directing, the menacing scene stealer George Macready, and the dashing Louis Hayward isn't Errol Flynn, which is a good thing, as Hayward has got his own unique style; he looks the part, acts really well as the son who returns to find his father murdered, and his sword fights are executed with cat-like agility.

The story - A young British nobleman comes back from fighting in the War of the Roses to discover that his father has been murdered by an old family friend who is now an outlaw. However, he becomes suspicious about the exact circumstances of his father's death and determines to find out exactly what happened.

As the storyline suggests, there's a little intrigue, especially with the black arrows left for Hayward's character to read. It implies that his uncle, Macready, is the real culprit. The first half moves slightly ponderously, but it's still captures your attention. There are sword fights, secret passages, rebellious bandits on the side of good, and an exciting jousting sequence. Enjoyable swashbuckler, though I wish it was in technicolour. Check out the brilliant Disney 1985 version of this Robert Louis Stevenson penned adaptation.