Raton Pass

Having gotten rich by bullying all of the other ranchers in the area, a powerful and ruthless cattleman by the name "Pierre Challon" (Basil Ruysdael) is delighted when his son "Marc Challon" (Dennis Morgan) decides to marry an attractive woman named "Ann" (Patricial Neal) who has only recently arrived in town. At first, everything is going well and, to signify his approval, Pierre even hands over half of his estate to her as a sign of his affection. Big mistake as she soon maneuvers a rich businessman named "Prentice"(Scott Forbes) into becoming her lover and then uses his money to force her husband into turning over the rest of the ranch to her. Needless to say, this rather sudden turn-of-events infuriates Pierre, to the point that he refuses to have anything to do with Marc--despite the fact that Marc has a plan to get it all back. What Marc doesn't realize, however, is just how vicious his former wife can be once she feels threatened. Now, rather than reveal any more, let me just say that this movie started off rather slow but got much more interesting once the plot further developed. Admittedly, I thought that the ending was a bit unrealistic but, even so, I enjoyed this movie for the most part, and I have rated it accordingly. Slightly above average.

This western is for me a pure Warner Studios movie, recognizable from the very start - no matter of course the logo WB - because of the cast, technical crew, music score, and then the pace, very very fast, tense, and the overall plot and directing. It was not a Paramount nor a Metro Goldwyn Mayer...Impossible to get wrong. Dennis Morgan was a second rate lead role for Warner movies, and I have never liked it that much. He was so bland, unlike of course the terrific Steve Cochran who literally steals the show here, with also Patricia Neal, whom I would have never guessed to find in this kind of film.

Patricia Neal plays a chilling and evil vixen who uses and disposes men like Kleenex trying to get to the top. Among those she charms and disposes of or tries to in Raton Pass are Dennis Morgan, Basil Ruysdael, Steve Cochran, and Scott Forbes. This has fatal consequences for some of them.

Father and son Basil Ruysdael and Dennis Morgan own the biggest spread around and Ruysdael is one proud and ruthless character who's not too squeamish about what he does to maintain supremacy. He's feuding with neighbor Louis Jean Heydt, but Morgan is courting daughter Dorothy Hart and the marriage may make it a happy merger of interest.

That is until Neal arrives in town and she seduces Morgan away from Hart and they marry. So happy and charmed by his daughter-in-law that as a wedding present Ruysdael turns over title to the ranch to Morgan and Neal. That's when Neal really goes to work.

Part of her scheme includes banker Scott Forbes and outlaw Steve Cochran. In Cochran she finally meets a man more evil than her. But she thinks she's up to him.

A little more plot than usual characterizes this western and Raton Pass is definitely not for the Saturday matinée kid's trade. We do get to hear Dennis Morgan sing a song at his wedding which is always nice.

But Neal is truly a malevolent creature and Cochran isn't too far behind her. They make Raton Pass some interesting viewing.

Raton Pass is directed by Edwin L. Marin and written by Thomas W. Blackburn and James R. Webb. It stars Dennis Morgan, Patricia Neal, Steve Cochran, Scott Forbes and Dorothy Hart. Music is by Max Steiner and cinematography by Wilfred M. Cline.

Two families feuding over land either side of Raton Pass, New Mexico. Into their lives comes a beautiful seductress with manipulation and land dominance on her agenda...

Well well, what a treat. Something of a rare, little known or seen Oater, Raton Pass (AKA: Canyon Pass) really takes you by surprise. From the off we can see and hear this is a very nice production, with the twin greats of Steiner and Cline working their magic. Steiner's title music is Latino flavoured and then he introduces deft character motifs for the protagonists, while Cline's crisp black and white photography holds the eyes considerably.

For thirty minutes the picture simmers away like a standard "B" Western threatening to dull the senses with formulaic tedium, this is another reason why Steiner and Cline should be lauded as their work keeps you interested. But then the film completely turns, you notice that Cline's photography has suddenly shifted into film noir territory, and Neal has skillfully shifted from being the new loving wife on the block, to a complete femme fatale bitch! The plot dynamics now have a real edge, and as the smouldering Neal works her feminine whiles, this part of New Mexico territory boils away furiously until it inevitably explodes and spells doom and disappointment for some...

There's some crappy back projection work that undermines the quality elsewhere and the odd character is stereotypical of some Westerns of the period, but this has much to recommend. Marin (Johnny Angel/Nocturne/Colt.45/Sugarfoot) is fluid in his direction, while Neal and noir icon Cochran hold the screen as Max and Wilfred do their stuff. Currently licensed to TCM UK and available in HD format, I would urge any noir and Western fan in the UK to take the chance to see this rare picture the next time it shows. It doesn't deserve to stay rare. 7.5/10

When the story begins, Ann (Patricia Neal) arrives in town. The son of one of the two local land barons, Marc Challon (Dennis Morgan), falls for her and they are soon married. To celebrate the nuptials, Marc's father gives him and Ann the entire ranch. This sounds like a great idea...but it isn't. Soon Ann shows that she's got a heart of stone and she insists on taking her half! This will soon create all sorts of problems...and some unanticipated, as Ann's new foreman (Steve Cochran) is a complete sociopath and he's at least as awful as she is!

The biggest plus about this film is that is original. Sure, evil boss westerns where someone is trying to take over the range are a dime a dozen...but one with such a cut-throat woman is very unusual. Worth seeing.