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IMDbPro

Conquérants héroïques

Titre original : La leggenda di Enea
  • 1962
  • Tous publics
  • 1h 45min
NOTE IMDb
5,3/10
514
MA NOTE
Gianni Garko, Carla Marlier, Liana Orfei, Steve Reeves, and Giorgio Venturini in Conquérants héroïques (1962)
AdventureDrama

Ajouter une intrigue dans votre langueAeneas leads escapees from the Trojan war to new land in Italy, and must deal with new threats to his people.Aeneas leads escapees from the Trojan war to new land in Italy, and must deal with new threats to his people.Aeneas leads escapees from the Trojan war to new land in Italy, and must deal with new threats to his people.

  • Réalisation
    • Giorgio Venturini
  • Scénario
    • Publius Vergilius Maro
    • Albert Band
    • Ugo Liberatore
  • Casting principal
    • Steve Reeves
    • Giacomo Rossi Stuart
    • Carla Marlier
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    5,3/10
    514
    MA NOTE
    • Réalisation
      • Giorgio Venturini
    • Scénario
      • Publius Vergilius Maro
      • Albert Band
      • Ugo Liberatore
    • Casting principal
      • Steve Reeves
      • Giacomo Rossi Stuart
      • Carla Marlier
    • 18avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos10

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    Rôles principaux22

    Modifier
    Steve Reeves
    Steve Reeves
    • Enea…
    Giacomo Rossi Stuart
    Giacomo Rossi Stuart
    • Euryalus
    • (as Giacomo Rossi-Stuart)
    Carla Marlier
    Carla Marlier
    • Lavinia - Latino's Daughter
    Mario Ferrari
    Mario Ferrari
    • Latino - King of Latium
    Enzo Fiermonte
    Enzo Fiermonte
    • Acate
    Gianni Garko
    Gianni Garko
    • Turno - King of the Rutuli
    Liana Orfei
    Liana Orfei
    • Camilla - Queen of the Volsci
    Nerio Bernardi
    Nerio Bernardi
    • Drance
    Robert Bettoni
    • Pallante
    Maurice Poli
    Maurice Poli
    • Mezensio - Turno's Henchman
    Lulla Selli
    • Amata - Latino's Wife
    Pietro Capanna
    • Bisia
    Benito Stefanelli
    Benito Stefanelli
    • Nisius = Euryalus' Friend
    Adriano Vitale
    • Dancer: Hunter
    Augusto Terzoni
    • Dancer: Deer
    • (non confirmé)
    Charles Band
    Charles Band
    • Ascanio
    • (non crédité)
    Luciano Benetti
    • Sergeste
    • (non crédité)
    Emilio Cigoli
    • Narrator
    • (non crédité)
    • Réalisation
      • Giorgio Venturini
    • Scénario
      • Publius Vergilius Maro
      • Albert Band
      • Ugo Liberatore
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

    5,3514
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    Avis à la une

    Wizard-8

    As exciting as pouring molasses

    I haven't seen too many of these Italian sword and sandal movies that were so popular in the 1960s, but I feel pretty confident with my guess that experts of this genre would consider this entry to be a below average entry. The biggest problem that this movie has is that it is more often than not gosh-darn DULL. Especially the first half of the movie, which is talk talk talk and with almost no action. The second half of the movie slightly improves things - there is a lot of action. Unfortunately, the action is choreographed and directed in a way that saps out all excitement, instead generating a matter-of-fact feeling. Fans of Steve Reeves will be disappointed by the fact that he doesn't get to do a lot that is heroic, instead almost coming across as a secondary character. I will say that the movie does boast some good production values, but this eye candy does little to keep the audience awake.
    10Maciste_Brother

    One of the better Peplums

    I saw "The Trojan Horse" a few months ago, the version starring Steve Reeves and I enjoyed it. It's one of the best Sword & Sandals. I thought it was more successful than Robert Wise's HELEN OF TROY or the recent bloated version starring Brad Pitt, which is best forgotten. Wise's HELEN OF TROY is a sharply directed film that's hampered by a lack luster script and a freadfully dull ending. After enjoying the Steve Reeves version of the famous Greek story, I was ready to watch the sequel, "The War of the Trojans".

    Though another Steve Reeves film like GOLIATH & THE BARBARIANS might be more entertaining to most viewers, the cheese factor keeps it from being a great film. Well this isn't the case with "The War of the Trojans". The cheese factor is very low and the direction is taught and tight. The story is somewhat predictable, certainly for someone who recently watched something like 75 S&S films in a few months but even the familiar storyline wasn't enough to diminish the film's impact.

    The story continues right after the excellent "The Trojan Horse", when the fleeing people of Troy arrive in Italy and try to settle there. Problems arise when the King of a nearby Kingdom grants the people of Troy the right to live near the Tiber river. In-fighting within the Kingdom, lead by Turno, who sees the Trojans as a threat, creates a scheme to make the Trojans look evil. A war between the Trojans and the Kingdom erupts. Losing the battle, the Trojans, lead by Aeneas (played by the legendary Steve Reeves), become allies with the Etruscans, the sworn enemies of the Kingdom. The neverending battle causes a lot of deaths and casualties on both sides. Desperate to end the war, both sides agree to settle the war with a duel between Aeneas and Turno.

    The beginning is talky but it's worth staying on for what's to come. Here's a short list of memorable scenes: when Aeneas sees the mural which recounts the battle of Troy, with flashbacks from "The Trojan Horse". For once, flashbacks from another movie actually work here; the archery duel; the scene with the wild boars; the killing of Eurialo; the duel at the end.

    The cast is surprisingly good, with memorable characterization by the Queen and King Turno. The Queen is unforgettable, whoever played her. And King Turno is well played by Gianni Garko. Fans of SPACE 1999 will recognize Garko, who was Toni Cellini in the famous DRAGON'S DOMAIN episode. The only really weak part of the cast is Camilla, the young Amazonian woman. The purpose of her character is interesting but her dated hairstyle and appearance are the only incongruous elements in the film. The sets look real. Yes, it's not as spectacular and elaborate as "The Trojan Horse" but it doesn't need big moments to demonstrate the struggle of the displaced Trojan people which lead to the creation of Rome. And the score is excellent, one of the best I've heard in a Peplum. But the thing that tie all this beautifully together is the mature and assured direction. The compositions and constant smooth tracking shots give the film a greater professional look/feel than most films of the genre, which are often described static. Many moments could have easily turned into typical Peplum camp or silliness but here they were sharply set-up, creating tense or genuine emotional moments up to end. And one feels they actually learned something about history too. The film is believable too, which is no mean feat for a Sword & Sandal film.

    I've watched many S&S films recently and this one stands out from the pack. It's clearly overlooked. People must have had Peplum fatigue back then for this film to be forgotten as it is now.

    "The Trojan Horse" and "War of the Trojans" make an excellent double bill, for fans of Steve Reeves but history buffs as well.
    4Leofwine_draca

    Dull film about the founding of Rome

    THE LAST GLORY OF TROY - aka WAR OF THE Trojans, aka THE AVENGER - is the sequel to THE WOODEN HORSE OF TROY, a film that portrayed the Trojan War and also starred Steve Reeves as the eponymous hero Aeneas. This time around, the Trojans are a defeated people, having fled from their sacked city, but a mixture of courage and cunning sees them go on to found what is modern-day Rome.

    Unfortunately THE LAST GLORY OF TROY is a somewhat lacklustre sequel that more often than not is a rather BORING peplum flick. It has relatively lengthy running time, and much of that running time is made up of small talk between dull characters. Even Steve Reeves doesn't have much of a part to play here, feeling like a supporting character in his own movie, although the cast is populated with familiar faces including Giacomo Rossi-Stuart, Liana Orfei and Gianni Garko.

    The film does pick up for its second half, offering a handful of battle sequences, although the choreography isn't particularly great in these. But it lacks the tight script and focus of the first film and with six different scriptwriters credited it feels like a bit of a confused mess, struggling to make sense of itself.
    4kosmasp

    Not up to other standards

    Yes Steve Reeves has done better movies. Maybe just his presence here will make you feel differently about this (and the rating I and many others have given). But if you try to be as objective as possible, this does not really stand out against most of the other Sword and Sandals movies .. it isn't the worst either of course, but there are so many ... it's exhausting.

    So yes this is a Trojan story or some resemblance of that. It may even continue from another movie as another reviewer has suggested. Nothing of that seems to be needed to get the gist of it all. Fight scenes are ok, not anything to get too excited about either
    5bkoganbing

    Further adventures of Aeneas and those exiled Trojans

    The Avenger covers the story of Aeneas and how he led some survivors of Troy into exile on the Italian peninsula. Steve Reeves repeats his role Aeneas from The Trojan War as the exiled Trojans look to make a new home.

    Unfortunately in Etruscan Italy their addition complicates what looks like a delicately balanced situation among a lot of petty kings. One of them covets the land the Trojans have been granted on to settle.

    In the tradition of the Trojan War the film is cut above a lot of the Peplum epics that the Italians were churning out in the early 60s, taking advantage of those sets left over from Ben-Hur and Quo Vadis. It's all based on Virgil's Aeneid.

    And we get to see more of Steve Reeves physical development. That's what many were plunking their money down to see/

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The actor playing Niso, Benito Stefanelli, also did some of the stunts, trained the other actors in fencing and choreographed the sword-fights.
    • Gaffes
      Early in the movie, an army is seen passing by a maize field; this plant, however, was cultivated in Europe only since 1525, having been brought to the continent by Christopher Columbus.
    • Crédits fous
      Co-screenwriter Albert Band is the sole credited director on English language versions of the film.
    • Connexions
      Featured in Kolossal - i magnifici Macisti (1977)

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    FAQ14

    • How long is The Avenger?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 22 avril 1964 (France)
    • Pays d’origine
      • Italie
      • France
      • Yougoslavie
    • Langue
      • Italien
    • Aussi connu sous le nom de
      • La Légende d'Enée
    • Sociétés de production
      • Mercury Films
      • La Société des Films Sirius
      • Compagnie Industrielle et Commerciale Cinématographique (CICC)
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 45 minutes
    • Mixage
      • Mono
    • Rapport de forme
      • 2.35 : 1

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    Gianni Garko, Carla Marlier, Liana Orfei, Steve Reeves, and Giorgio Venturini in Conquérants héroïques (1962)
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    By what name was Conquérants héroïques (1962) officially released in Canada in English?
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