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6,1/10
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Une femme, avec la complicité de son amant, tue son mari. Cependant, des événements étranges commencent à se produire et ils se demandent s'ils l'ont vraiment tué ou s'il revient d'entre les... Tout lireUne femme, avec la complicité de son amant, tue son mari. Cependant, des événements étranges commencent à se produire et ils se demandent s'ils l'ont vraiment tué ou s'il revient d'entre les morts pour les hanter.Une femme, avec la complicité de son amant, tue son mari. Cependant, des événements étranges commencent à se produire et ils se demandent s'ils l'ont vraiment tué ou s'il revient d'entre les morts pour les hanter.
Elio Jotta
- Dr. John Hichcock
- (as Leonard G. Elliot)
Harriet Medin
- Catherine Wood - Housekeeper
- (as Harriet White)
Carlo Kechler
- Police Superintendent
- (as Charles Kechler)
Umberto Raho
- Canon Owens
- (as Raoul H. Newman)
Commentaire à la une
As you might expect, this film is really quite similar to Riccardo Freda's earlier horror flick "The Terror of Dr Hitchcock", although for my money; I'd say this one is slightly better. The two films share a director and a lead actress in common, as well as a lead character name. This film firmly fits into the 'Gothic' side of Italian cinema, which Steele often starred in, and Freda makes excellent use of this style with some real standout cinematography. It became clear that Riccardo Freda was, in fact, a hack; as it turned out that the great Mario Bava did most of the work on a lot of his films, and his later stuff - Tragic Ceremony and The Iguana with the Tongue of Fire to name a couple - was a million miles away from being brilliant. This film would appear to be Freda at his best, therefore, and it's actually not bad. The plot centres on Dr. John Hitchcock; a cripple who wants to die. His wife is, naturally, having an affair with her husband's doctor, and pretty soon the two of them conspire to murder Dr Hitchcock for his money. However, they didn't bargain for him haunting them after his death...
The film's title suggests that it's a ghost story, but I would say that The Ghost is more of a mystery chiller. There's not a great deal of real bona fide horror, and to be honest; I felt the film was a little too talky and would have proffered it to be a bit more visceral. The film's main draw is, obviously, Barbara Steele and the 'Queen of Horror' looks great throughout the film. The decor and set design is great too, and these allow Freda to build an oppressive and macabre atmosphere, which benefits the plot line quite well. The main problem with the film is the fact that a lot of it feels really amateurish. The dubbing is atrocious (even more so than usual) and some of the things the characters say are ridiculous. Whether or not that's down to the translation, I don't know. The climax is the best part of the film for me. Of course, it's not a completely sense-making ending and there are a few holes left; but it's a nice twist at least, and it does justify the shortfalls of some of the rest of the movie. Overall, I won't go as far as to say that The Ghost is a horror classic; but it's good entertainment, and fans of Gothic horror will enjoy it.
The film's title suggests that it's a ghost story, but I would say that The Ghost is more of a mystery chiller. There's not a great deal of real bona fide horror, and to be honest; I felt the film was a little too talky and would have proffered it to be a bit more visceral. The film's main draw is, obviously, Barbara Steele and the 'Queen of Horror' looks great throughout the film. The decor and set design is great too, and these allow Freda to build an oppressive and macabre atmosphere, which benefits the plot line quite well. The main problem with the film is the fact that a lot of it feels really amateurish. The dubbing is atrocious (even more so than usual) and some of the things the characters say are ridiculous. Whether or not that's down to the translation, I don't know. The climax is the best part of the film for me. Of course, it's not a completely sense-making ending and there are a few holes left; but it's a nice twist at least, and it does justify the shortfalls of some of the rest of the movie. Overall, I won't go as far as to say that The Ghost is a horror classic; but it's good entertainment, and fans of Gothic horror will enjoy it.
Histoire
Le saviez-vous
- AnecdotesMade during the pseudonym craze of the 1960s, the music score was credited to "Franck Wallace." Italian composers usually registered their pseudonyms with their performing right society, the SIAE, and the identities were listed by Bianco e Nero and the Monthly Film Bulletin who both reported that Wallace was Franco Mannino. However, some reference sources such as Donald C. Willis in 1972 suggested "Franck Wallace" was a joint pseudonym for Mannino and Roman Vlad (the two composers sometimes collaborated and Wallace is a very rough transliteration of Vlad). Even more confusingly, Beat Records released the soundtrack in 2008 and discovered that the surviving tapes in the Nazionalmusic vaults were attributed to Francesco De Masi. So the CD went out credited to De Masi only. De Masi did not work with either of the other two composers, instead being asked at the behest of the director to do a new score, not liking Mannino's effort; what portions thereof are contained in the film, are unknown, as the director seemingly changed his mind again, as Mannino is credited in the film for the score.
- GaffesWhen Dr. Livingston removes the bullet from the wall, there is a close-up of him holding an entire cartridge in his hands.
- Citations
Dr. John Hichcock: [hands around Margaret's throat] Feel how strong my grip is? But I won't kill you.
- ConnexionsFeatured in 100 Years of Horror: Ghosts (1996)
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- How long is The Ghost?Alimenté par Alexa
Détails
- Durée1 heure 37 minutes
- Mixage
- Rapport de forme
- 1.85 : 1
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By what name was Le Spectre du professeur Hichcock (1963) officially released in India in English?
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