Godzilla contre Hedora

Following the child-focused "All Monsters Attack" (1969), Godzilla returns as an ally of man in the battle against pollution, as personified (kaijufied?) by Hedorah (the Smog Monster)*. There are a number of stylistic changes from previous movies in the franchise, including James Bond-like opening credits, surreal psychedelic interludes (the fish-headed people at the 'go-go' club are memorable) and a number of odd animated inserts reminiscent of early 70's public service cartoons. The musical score, much of which sounds like background music for slapstick comedy or uplifting marches similar to the grating (but catchy) Gamera theme, is horrible. The franchise is still targeting younger audiences, so the central human character is a little kid (Ken Yano, played by Hiroyuki Kawase) who, among other things, comes up with the name for the new monster (Hedorah) as well as a method to destroy it. He also seems to have a psychic bond with Godzilla, and the last scenes of the film are straight out of "Shane" (1953, except that Shane is now a giant mutated dinosaur). Despite being a child-oriented film, "Godzilla vs. Hedorah" is much grimmer than any of the previous sequels, with human body counts after the monsters clash, on-camera 'deaths' of individuals (such as the gamblers or the driver of the truck crushed by Hedorah), and most jarringly, the 'melting' of people exposed to Hedorah's noxious exhalent (Ken encounters the gruesome partially-dissolved bodies of a number of these victims). Hedorah itself is so improbable looking that it might as well be accepted as a metaphor rather than a monster, but the titular fights are pretty good. The anthropomorphisation of Godzilla, who now constantly uses human-like gestures (almost rolling his eyes at mankind's ineffectual attempts to stop Hedorah), continues (although one delirious surprise in the film is the revelation that Godzilla can fly (!), a ridiculous-looking skill that would have come in handy in previous outings). All in all, "Godzilla vs. Hedorah" (the eleventh film in the franchise) while not a great kaiju film, is eccentric, imaginative and entertaining: a deviation from the downward slide that leads to the next two entries in the series (the woeful "G. vs Gigan" and "G. vs Megalon"). (*these comments pertain to an English subtitled version of the film).

This is a surreal experience and the strangest Godzilla film I've seen... I laughed so hard at this film out of pure enjoyment rather than mockery.

It serves as a warning to children (and, of course, everyone who watches it) of the dangers of long-term pollution. There are amazing scenes highlighting environmental problems that are served in a variety of creative ways.

Godzilla is hilarious in this film.

Do not make the same mistake I did and watch the film with the brightness on half, I actually watched it the first time thinking you weren't supposed to see anything in the night time scenes... turned the brightness up and realised!

This psychedelic Goji entry features a very formidable opponent in Hedorah and some very memorable trippy imagery. It has an environmental message and is truly unlike any Goji film.

Hedorah has a certain special aura about it, very memorable moments and a great soundtrack that makes this one of the Showa era's finest.

8 Smog Clouds out of 10!

Ah yes! Godzilla vs. The Smog Monster. Thank God for AMC, The SciFi Channel, and cable in general.

I was 9 years old when this movie came out in the theaters back in my home town, a suburb of Cleveland, OH. 9 year olds didn't go to the movies often because there were none of the multiplexes we have today. To my surprise, my mom offered to take us kids in the neighborhood to see Godzilla vs. The Smog Monster at the Lake Theater matinée. I was so excited. I was going to see Godzilla (loved all his movies as a kid), have popcorn, and be inside a huge movie theater!

This experience was 32 years ago! Until last Saturday, I could only remember 4 things: 1) Waiting in my seat seaming like forever for the movie to start, 2) The Smog Monster sucking on a smoke stack, 3) The Smog Monster sliming down a flight of steps, withdrawing, and a cat being stuck in the slime residue, and 4) A psychedelic discothèque.

Fast forward 32 years to 2004. Last Saturday night I was surfing cable and stumbled upon Godzilla vs. Hedora. I said to myself "Hmmmmm…I don't remember this movie and thought I saw them all. What the heck…it's Godzilla and I am up for some cheese."

To my utter surprise, fascination, and joy I quickly saw the monster suck on a smoke stack and I said "Oh my gosh!!!! It's the Smog Monster!!!!"

I had sudden flashbacks of my childhood. All of my memories returned!

OK, it's a bad movie. But so what? It served its purpose. It was designed for a 9 year old child and gave him memories of a lifetime. As bad as it is, it must have entertained more children than just me because it has stood the test of time returning to AMC and The SciFi channel.

I say, "Thanks for the memories."

This film has a really post modern feel to it. It begins with a song in Japanese called Save the Earth that (like The Lost Continent song) you won't stop singing (Kaishan! Kaishan! Kaishan!). The opening credits mix in shots of a girl singing the song with shots of a sludge clogged Tokyo harbor. Things get stranger from here. It opens with an annoying kid and his dad going swimming. The kid's father's face is disfigured and the kid gets his hand burned off by a smog monster named Hedorah who spits acid balls and inhales the fumes off smokestalks. Things get even stranger from there. Theres a Save the Earth concert or something with this girl in spandex with stuff painting on singing, this lava lamp like thing on the wall (definitely hippies) and this teenager who gets drunk and starts halucinating and sees everyone with fish masks on (when I saw this the first time when I was six, couldn't get why everyone started wearing fish masks and why the teen seemed so disturbed about it) until Hedorah suddenly attacks after sucking up fumes. Well Godzilla comes and saves everybody and they start fighting really bizarrely (similar to the Saturday night wrestling scenes from King Kong vs. Godzilla. They wrestle and wrestle some more. Though released in 1971, this is very sixties. Director Yoshimitsu Banno blends mind twisting images, real scenes of Tokyo bay covered with sludge, the scenes with the hippies, disturbing scenes with dying babies on mutiple screens, gory scenes of Hedorah's victems being reduced to skeletons, scenes with the kid and his scientist father trying to figure out how to stop the monster, and scenes with a newscaster. This is very poetic, bizarre, beautiful, and sometimes extremely disturbing and has about the strongest anti pollution messages I've ever seen (Japan was polluted the most back then). This is one colorful film. P.S. I don't know how this film got a G rating with all the disturbing images in it.