Il était une fois... la révolution

A FISTFUL OF DYNAMITE aka DUCK YOU SUCKER (5 outta 5 stars)

I think this is Sergio Leone's third greatest movie... right after Once Upon a Time in the West and The Good, The Bad and the Ugly. Most Leone fans rank this film a lot lower... but I think that's because they are only familiar with the shortened two hour version. Also, for the record, I absolutely loathe the re-titling... A Fistful of Dynamite... how lame! At least the original Leone title, Duck You Sucker was... distinctive. Even the French title (translation: Once Upon a Time... The Revolution) is kinda classy. But AFOD??? Gimme a break! This movie has absolutely nothing to do with A Fistful of Dollars so why even try to make the comparison?

Anyway, I loved this movie when I first saw it in the theatre in 1972 (age 12). I am pretty sure that what we saw at the time was the lengthy, uncut version... and I don't remember being bored at all. (The most common complaint about this movie is that it is slow and boring... heck, that's the most common complaint about EVERY Leone movie.) Rod Steiger and James Coburn play Sean and Juan, respectively a poor Mexican bandit and a fugitive Irish terrorist... who meet up in Mexico and become involved (against their wills) with revolutionary warfare in that struggling country. The movie is exciting, funny, dramatic, suspenseful and, well, just plain brilliant. This is Ennio Morricone's greatest film score and the way it meshes with Leone's visuals is simply amazing... particularly in my favourite scene... the bank heist. Juan and his young sons break into the Bank of Mexico, shoot it out with the guards and go from door to door, searching for gold and finding only political prisoners, until finally... oh, I can't give it away! See it for yourself. This is a movie filled with classic scenes: Coburn's arrival on the "motorsickle" and his confrontation with Steiger's gang... Steiger and Coburn with their machine guns... Steiger's final act of vengeance (which is severely chopped to bits in the short version... robbing it of its vicious power). Its been said that Steiger's comical accent is stereotypical and insulting... but I say NO! He is playing one of the richest and most complex characters of his career... with some of his greatest speeches ("And what happens to the poor people? They are DEAD!"). Not to slight James Coburn, who also does a fantastic job, but Steiger is the star of this one.

A Fistful of Dynamite is often seen as the black sheep of Sergio Leone's commercial releases; and there's a good reason for that, as despite the fact that it's still a spaghetti western; it's a completely different kettle of fish to both the Dollars Trilogy and Once Upon a Time in the West. A Fistful of Dollars features common western themes such as bandits, guns and bank robberies - but, as he did with The Good, The Bad and The Ugly; Sergio Leone has implanted war themes into the plot, and we've also got the bizarre idea of one of the major characters being an IRA bomber! All this stuff doesn't quite come together cleanly, and as the tone of the movie changes often; it seems obvious that Leone has bitten off a bit more than he can chew...but luckily enough, A Fistful of Dynamite remains a fun movie for most of its duration. The plot follows a bandit named Juan, who bumps into a dynamite-laded bomber one day in the desert. Spotting an opportunity for robbery, he manages to recruit the IRA man to his cause; but he doesn't count on being dragged into the revolution that's going on at the same time.

The first half of the movie features some very astute elements of tongue-in-cheek humour, and it seems obvious that the director isn't intending the plot to be completely serious. However, at around the halfway point; the movie turns in completely the opposite direction, and the fun and silly first half gives way to a more deep and serious finale. For me, this is the movie's main problem; I like a movie that's unpredictable, but this change in plot feels disjointed and doesn't go down well. The second half of the film isn't as enjoyable to watch either, which harms the fun. However, Sergio Leone's direction is as impressive as ever, with some lovely wide angle shots capturing the beautiful landscapes; while, of course, Leone enjoys giving full focus to his actors for some extreme close-ups. Like the movie, the cast is a mixed bag. James Coburn looks the part, but his silly put-on accent makes him feel like he's having a laugh at times; and similarly, Rod Steiger dons an arguably even sillier accent and doesn't quite get away with it. Overall, A Fistful of Dynamite is not a film to please all viewers. I found it to be enjoyable despite many niggles, but I can understand why a lot of people disagree.

It's a shame that most people will not get to see this film on the big screen. The new print makes the film look like it was shot recently. The sound has been re- mastered also and is 90% perfect. A few of the restored scenes help the film along although they add to the already long running time. It is slightly different from the LaserDIsc version that came out a few years ago especially the end scene. However, one friend (a film reviewer) told me that it's the same version that he saw when it came out in 1972 for two weeks before it was pulled, re-titled and cut.

I have to say that this film is one of Leone's best and I now rate it above "Once Upon a Time in America". It's not an easy film and there are a few "flaws" but in a strange way it is the most human film Leone made. Coburn and Steiger both come off as real people despite the occasional lapse in accents. It's amazing how much time Leone gave to searing close-ups of the two actors and how they were able to convey so much of the story in silence. The story is very subtle and very unsubtle at the same time which can make following the film hard if you are expecting the "hello stupid" storytelling we get these days. Leone did the same thing in "Once upon a Time in the West" and "America". There's a storytelling genius here that's all the more amazing if you consider that Leone was operating out of his native language.

What makes this film stand out is the outright message Leone conveys with the story. He didn't do that with any of his other films.

A few words on the restored scenes. As with other Leone films that have undergone editing by American distributors, the removed scenes are a mixed bag. Some scenes were removed for length purposes, others for content reasons and some I suspect were removed because they were perceived as not up to the quality of the rest of the film. This was certainly the case for "The Good, The Bad & The Ugly". In "Duck, You Sucker", the restored opening helps the film's message which is probably not what the American censors though it was. The stagecoach robbery rape scene, which in the American version was edited in a way to suggest that Juan is really a gentleman thief not a rapist, is problematic unless you read it as a political comment and even then it's tough to take. The churchyard sequence, which is completely absent in the American version, is one of Leone's clumsiest scenes and it's absence didn't really affect the film. Some of it is out of focus! The ending sequence was apparently reedited by Leone after the opening in Europe and exists in several different versions over there! The version we see here is very, very long but illuminates the main characters motivations better then the American version.

Hopefully this limited re-release signals the soon arrival of a DVD version.

Update, July 2007: Finally, the DVD has been released. After watching the restored, restored version I have to add that the film really holds up. This version is identical to the screened version except for one minor, yet important difference at the very end. A crucial line from the American version has been restored.

The extras deserve some mention. First of all they all have a copyright of 2005 which indicates that the release of this DVD was delayed for some reason. The interviews are very interesting but each extra is heavily inter-cut with scenes from the film, the clips are frequently unrelated to the topic and often the same clips are repeated in each extra! You get to see James Coburn running in a field in Ireland over and over. One extra tracks the different versions that exist of this film, shows stills from scenes that Leone cut before the premier in Italy (the negatives of these particular scenes have apparently been destroyed) and leads into a rumination on the Sean/John confusion. The writer of this extra then comes to the conclusion that "Sean" isn't the James Coburn character! I don't agree at all but it's a useful extra.

A DVD to own.

Sergio Leone sums up the entire Italian film industry by starting the film with a beautifully framed and composed shot of...Rod Steiger pissing on some ants. And thus starts his fifth and final Spaghetti Western that some people declare a classic while others declare it a failure. Sure, it's got virtually no plot and just sort of meanders along for two and a half hours, but it's got Rod Steiger as a Mexican and it's directed by Sergio Leone - it's great!

Rod plays Juan, a bandit leader who tricks his way onto a lush carriage full of rich folk who treat him like he's some kind of disease (amazingly acted by Steiger as he plays up to their bigoted expectations), before turning the tables on them and robbing them of everything they have - including the carriage. It's not long after that Juan meets Sean (or John), who of course is an ex-member of the IRA and loves blowing everything up.

Sean/John is played by James Coburn who is literally dressed from head to toe in dynamite, and Juan has a religious experience when he realises that Sean is the key to the bank that Juan has always wanted to break into. The problem these days is that the Mexican revolution is going on and there's soldiers everywhere...and Juan does not want anything to do with no revolution...

Although Leone takes his sweet, sweet time digging a plot out of this one, it's such a delight to watch Rod Steiger being Mexican. He slides from wide eyed peasant innocence to rage and his interactions with Coburn are hilarious (usually because Coburn tells him to shut up most of the time). And the cursing! Eeh - the language!

Speaking of Coburn, he's having a problem with flashbacks throughout the film - Irish flashbacks involving David Warbreck! Warbreck would go on to be a leading man in Italian films shortly but here he just seems to be involved on some confusing romantic love triangle mixed with paramilitary business. Were they sharing that woman or were they all into each other?

There's no iconic gunfights here but there are some large scale battles and a lot of epic tracking shots that depict the carnage of the revolution. Italian minatures master and awesome director in his own right Antonio Margheriti provides the tiny train special effects.

I haven't mentioned a story because there isn't one.

Coming off the triumphs of his "Man With No Name" series and his frustrations with the cutting of "The Good, The Bad & The Ugly" and "Once Upon a Time in the West," Sergio Leone directed the big budget, epic western, originally titled, "Once Upon a Time in the Revolution". Since "...West" had been released by Paramount and United Artists was releasing "...Revolution," some executive decide the rename the movie "Duck! You Sucker!" after the phrase Sean (James Coburn) uses repeatedly before blowing someone or something up with dynamite. Likely the same executive choose an advertising campaign reminiscent of "The Good, The Bad & The Ugly," creating caricatures of Sean and Juan (Rod Steiger) adding the caption "...the master of adventure, Sergio Leone". Well, I doubt many theater audiences knew who Sergio Leone was, since he was yet to be recognized as a directoral genius the equal of John Ford or Howard Hawks. Worse, the advertising implied "Duck! You Sucker! was a laugh romp, a parody of Leone's early masterpieces. This impression was made even worse when the film failed to perform. In any event, "A Fistfull of Dyanmite" was a dismal failure at the box office and Leone never made another big budget western drama.It's too bad, because "A Fistfull of Dynamite" is Leone's trueist work, his most accurate vision of life, politics and revolution. Neither Rod Steiger nor James Coburn were strongly associated with westerns, even though both played strong roles in earlier films (Steiger in "Run of the Arrow" and "Jubal," Coburn in "The Magnificent Seven" and "Ride Lonesome". Worse, Steiger's Juan looked like something of a buffoon and the movies villains were bland and underdeveloped. However, I believe this was Leone's intention: corrupt politicians and Prussian officers are pretty well interchangeable. Kill one and another pops up. This isn't a very satisfying truth, but it is truth, nonetheless. Juan is a peasant, a bandit with a large family of bandits. Sean is a Irish Republican Army terrorist, an explosives expert. In Leone's world, or at least in all his films, there are only two types of people: predators and victims. His major characters are all predators. The only thing that distinguishes his protagonists from his antagonists is that his antagonists start with a large body count and his protagonists usually spare the innocent. That works with a taut enough storyline, but "...Dynamite" covers large areas of real estate and the goal is never clear. Juan didn't plan to become a hero of the revolution, and that is small payment for his losses. When one looks at history, the rewards of revolution and warfare are never worth the sacrifices, for just as we kill one bastard, another takes his place.

I think "A Fistfull of Dynamite" largely reflects Leone's fate as well. Leone proved he was the greatest western director in less than four years with only four major films. Yet, he was hardly appreciated during his short life and only a few films after his magnificent achievement. "A Fistfull of Dynamite" is also Leone's saddest movie. A beautiful, big budget metaphor for a man's talent wasted by underappreciate film executive and smug, self-serving critics.

Coburn should have won an "Oscar" for "Dynamite." With the exception of some tabletop model trains, the effects are convincing and exciting. The color cinematography is phenomenal, clearly the equal of "Once Upon a Time in the West. The sound and music (by Ennio Morricone) is phenomenal, as usual. While not as satisfying as Leone's best films, "A Fistfull of Dynamite" is an exemplary film. I give it a "9".