La colère de Dieu

What a splendid mix this film has. It uses Robert Mitchum in some ways better than any of his later vehicles ever attempted to. He plays "Father" Van Horne who on the surface is a Catholic missionary but in actuality is an accomplished bank robber cutting a swath through Central America with a prayer book in one hand and a Thompson machine gun in the other. He encounters Victor Buono as an English gun runner named Jenning and Ken Hutchinson as an IRA assassin named Emmett Keogh. Together the 3 men comprise Col Santilla Unholy Trinity charged with the liquidation of his nemesis, one Tomas De Laplata(Frank Langella) who has a murderous antipathy toward any and all clergy. With a setup like this you go along for the ride. Believe me you won't be bored.

A tongue in cheek ,very funny "western" -although it features plenty of death-),not as tragic as Nelson's more famous "soldier blue" .A good chemistry between the three mates ,even though Mitchum is obviously the stand out.I did not go to confession for years ,but if I had a "priest " like him,well....His words are often Bunuelesque ,recalling "Nazarin"(1958) when he talks about the stranglehold the wealthy ones have on religion.In spite of the presence of a positive catholic character (Rita Hayworth's last part,her next-to-last was a strange French movie where she played the role (sadly premonitory)of a woman losing her mind "La Route De Salina" ),it is a very unfriendly look at the catholic Church,not exactly a Hollywoodian politically correct one.

The scene of the execution when the screen becomes completely black ("and it has not taken three days !say one of the condemned persons)is memorable ;and the title is thoroughly justified in the last scene when God's hand punishes the heathen .

I saw The Wrath of God as a sneak preview in 1972 when I was 14. I saw it with my dad at the now long gone Sunny Isle Theater in North Miami, Florida. I recall the film was action packed and concerned a South American Revolution around the early to mid 1900s. These type of films were popular in the 1960s and early 1970s: 100 Rifles, The Wild Bunch, The Professionals, Villa Rides, and the Wrath of God. Rita Hayworth looking surprising young and attractive. I believe she was 52, but looked about 40. Her part was small, and she looked extremely unhappy. Turned out to be her last film. Nothing really great here. Only fair, but lots of action. Only stands out as Rita Hayworth's final curtain call.

It's a revolutionary central American country in 1920s. Oliver Van Horne (Robert Mitchum) is dressed as a priest. Irishman Emmet Keogh (Ken Hutchison) buys a ticket to anywhere to escape the growing unrest but it gets stolen. He encounters men loyal to revolutionary leader Colonel Santilla (John Colicos). He tries to rescue mute native girl Chela from them only to get strung up and then they're both rescued by Van Horne. They are captured by Santilla. The two imprisoned men and immoral gunrunner Jennings are recruited to assassinate his opponent Thomas De La Plata (Frank Langella) who is using a mine for his war chest. Rita Hayworth plays De La Plata's mother.

This has the Peckinpahesque violence like shooting a kid in the back. It's like a spaghetti western. The motivations are a little clunky. There are some compelling characters although Hutchison may not be leading man material. His looks is more towards villainous henchman. It's also notable for being Hayworth's last film. Her role is very much supporting and most compelling for the name. The Mexican location is great and the local colors are enticing. This is a fine B-movie.

To some extent Ralph Nelson's "The Wrath of God" spoofs westerns, but like Nelson's "Lilies of the Field," under the comedy is, I think, a deeply felt belief in divine grace. Both movies focus on unlikely human materials having a vocation they fail to recognize and consciously resist. Herein, Robert Mitchum plays a con man masquerading as a priest and a Catholic martyr in the tradition of Thomas à Becket or Thomas More mistaken by many as a hedonist.

In her last screen performance Rita Hayworth has preternaturally red hair (fire-engine red, not a color of any natural human hair), few lines, and is required to look devout (which she manages to do). As her flamboyantly traumatized and traumatizing son, Frank Langella gets to chew up the scenery, which he does with great relish (before "Dracula," after his memorable film debut in "Diary of a Mad Housewife" and Mel Brooks's adaptation of "The Twelve Chairs"). Ken Hutchinson does fine as the token normal guy who is embroiled in others' plots, including the romantic subplot that involves him with a mute Indian maiden (Paula Pritchett). In a Sidney Greenstreet-kind of role as a corpulent and corrupt gun-runner Victor Buono is suitably droll. Still, it is Mitchum's movie, and he is as compelling when he takes his priestly role seriously as when he plays the usual disengaged but competent existentialist who expects nothin' from nobody. <bt><br> A motley gang of foreign mercenaries getting involved in the confusions of the long-running Mexican revolution and taking a side against their financial interest recurred in a number of late-1960s and early-70s movies, including "The Wild Bunch", "The Professionals", and "A Fistful of Dynamite." The latter two use considerable humor within the genre of expatriates taking sides (which in Mexican settings of different eras includes "Vera Cruz", "Old Gringo", and "Bring Me the Head, of Alfredo García").