Les dix petits indiens

While the ending of the novel is changed in this 1965 remake of Agatha Christie's novel AND THEN THERE WERE NONE, it's still an OK murder mystery, a kind of modern version of an old dark house chiller, with an excellent cast of UK veterans and US imports Hugh O'Brian and Fabian. A mysterious "Mr. Owen" invites ten strangers, all of whom seem to be guilty of some crime, to spend a weekend in an isolated mountain home. They gradually get killed one by one. My wife felt that the only interesting character in the film was the one who is killed first (you'll have to watch it to see who that is), but I found the whole thing to be entertaining and the ending to be surprising (although the clues ARE planted, when you watch it a second time). Like any Harry Alan Towers production, this is low budget but well cast, and once again Towers wrote the script himself under his Peter Welbeck pseudonym. The recent DVD reissue of this includes the infamous "Whodunit Break" (which appeared at the film's climax in its theatrical run but was cut from all TV prints) as an "extra" but does not edit it back into the film, which is good because it would make second and third viewings of the film painful. Watch that scene once, marvel that anyone would ever attempt anything so cheesy, and then watch the uninterrupted movie again. Nice to see Shirley Eaton as always (The Girl From Rio and Su-Muru), Hugh O'Brian is a charming and masculine lead, Fabian is entertaining, and the British veterans are as colorful as you'd expect, although some Americans may have trouble telling them apart initially, except for Dennis Price. Worth renting, but I can't say it's worth fifteen dollars. Maybe $8.99 or so.

Agatha Christie's oft-filmed whodunnit (and dunnit and dunnit!) gets an updating here to the mid 1960's with a pretty odd international cast selection and a less skillful presentation than in the first adaptation, 1945's "And Then There Were None". Still, this is better than any of the following versions (two of which were made by this same producer, Harry Towers! Apparently, he liked the story?!) The credits open on a Swiss mountainside with the cast making it's way up to a remote castle. Sleigh ride-a-go go music plays, instantly dating the film even more than its black and white photography. The credits are fun, though, with each actor being shown along with his or her name to help keep everyone straight. Once at the top, the gathering of eight assorted personalities and the two staff members find that they have each been invited there by a person they have never met and that the person wants to pay them back for crimes they've supposedly committed, yet never paid for. Chief people include brylcreamed hunk of man O'Brian, stiff, blonde Eaton, yammering recording artist Fabian, mod-actress Lavi and wry, elderly Hyde White among others. Before anyone can really determine how to get out of the place, the first victim falls dead on the floor. They then realize that they are being offed in the manner of the famed title nursery rhyme. One by one, the murderer knocks them off until the surprise ending reveals how and why it was done. The set up is irresistible and not even a rather lame script, nor some wooden acting can mar it completely. The thing is, in a story like this, the actors are not permitted to display very much of their character, lest they spoil the mystery and ruin the ending. They all have to be simultaneous victims/suspects and all that really leaves is a lot of worried expressions. That said, O'Brian was at the peak of his handsomeness with his parade of macho sexuality "Love Has Many Faces" just around the corner. Eaton, one of the most noted Bond girls due to her gold body paint in "Goldfinger", doesn't exactly exude screen charisma, but she and O'Brian are attractive in their ski lodge wear. Fabian plays a highly annoying character and does it a bit too convincingly, creating animosity from many audience members. Lavi gets to trot around in some couture clothes while trying to balance a massive, lacquered wig on her head. The butler and housekeeper couldn't be more mismatched as a couple with her looking like his mother (and old enough in real life to be!) Of the remaining male guests, only Hyde White makes much of an impression with his customary glint in his eye, though Holloway has a few nice moments as well. Most versions are now minus the campy "murder minute" which gave audiences a chance to try to figure out who the killer was.

...the 1945 classic "And Then There Were None". This one also follows the script of the earlier film rather than the Agatha Christie book. It has two cast members who recently were in box office smashes-Shirley Eaton was the golden girl in the James Bond blockbuster "Goldfinger" and Stanley Holloway had been Oscar nominated in the multi award winner "My Fair Lady". Fabian was brought in to attract the younger crowd, and he plays an obnoxious pop singer who gets dispatched early. There is some great eye candy with gorgeous blond Eaton and exotic beauty Daliah Lavi. TV star Hugh O'Brien plays the rugged macho male lead. One of the best things in this film was a well done scene where Eaton holds a gun on O'Brien, the only improvement on the original film.

If you enjoy crime mystery movies this is one to see. Based on a novel by Agatha Christie, it tells the story of ten people, all unknown to each other, that get trapped and isolated in a sort of castle on top a mountain where they have been invited by a mysterious host they don't know either. They soon realize the idea for their presence there is none other than to be executed one by one as a punishment for unclear circumstances that hurt and killed people in each one's past. They also realize that the avenging murderer is one of them, but who? Deaths start and it comes to the point in which no one -sill alive of course- trusts no one and everyone suspects everyone. The mystery's disclosure at the very end of the film doesn't lack surprise and goes along with the previous entertaining situations.

A rather unpretentious remake of "And There here were None" released in the 40's, this 1965 version turns out really good and stands far better than others that followed (in 1974 with Oliver Reed and Elke Sommer and in 1989 with Donald Pleasence and Brenda Vaccaro).

The dark atmosphere -the shooting was made in black and white- is good enough and interest doesn't fall along the whole picture, perhaps because the events move fast and the film's running time is perfect.

No doubt the very good performances of such experienced actors as Leo Genn (the General), Wilfrid Hyde White (the Judge) and Sterling Holloway (the detective) help a lot too. Hugh O'Brian and Shirley Eaton (a former Bond girl) are correct in their not much demanding roles).

If you didn't read Christie's novel you will enjoy the film and its mysterious plot, and if did read it you will enjoy the murderer's handling of facts in order to accomplish his sinister plan.

Some too casual and forced situations -necessary to sustain the plot and usual in Miss Christie's novels- do not affect the picture in all which is a real good one in its genre.

Ten guests are assembled by UN Owen high up in the snow capped Mountains, in a beautiful remote house, one by one they die.

The setting is switched to the Alps, it manages somewhat to create a level of claustrophobia, intensified by Grohmann's demise.

It is a very attractive looking film, great scenery, a wealth of attractive people including Shirley Eaton, Daliah Lavi, Hugh O'Brian and Fabian.

I have often overlooked this film, favouring the versions from 1945 and 1974, but I've judged this film too harshly, it's a cracking film, the acting for the most part is excellent, the performances of Stanley Holloway and Wilfrid Hyde-White are just wonderful, they each have an abundance of charisma. The Grohmann's are perhaps a little dodgy at times, but they're enjoyable enough. I can understand why people have stated that O'Brian is a little wooden, but I would imagine he's there more so for his ruggedness than his acting.

My only gripe is that some of the dialogue feels at times that it was lifted directly out of Rene Clare's adaptation. I would also love to see an adaptation that sticks to the true ending, so far it's only the Russian 'Desyat Negrityat' that I've seen (outside of the Theater) brave enough to do it.

It's a very enjoyable film, full of 60's glamour, the loveliness of Shirley Eaton adds to the enjoyment. The whodunit break is so sweet.

8/10.