Yellow Submarine
- 1968
- Tous publics
- 1h 28min
NOTE IMDb
7,4/10
29 k
MA NOTE
Ajouter une intrigue dans votre langueThe Beatles agree to accompany Captain Fred in his yellow submarine and go to Pepperland to free it from the music-hating Blue Meanies.The Beatles agree to accompany Captain Fred in his yellow submarine and go to Pepperland to free it from the music-hating Blue Meanies.The Beatles agree to accompany Captain Fred in his yellow submarine and go to Pepperland to free it from the music-hating Blue Meanies.
- Récompenses
- 2 victoires et 2 nominations au total
Paul McCartney
- Paul
- (non crédité)
George Harrison
- George
- (non crédité)
Ringo Starr
- Ringo
- (non crédité)
John Lennon
- John
- (non crédité)
The Beatles
- The Beatles
- (voix (chant))
- (as Sgt. Pepper's Lonely Hearts Club Band)
Paul Angelis
- Ringo Starr
- (voix)
- …
John Clive
- John Lennon
- (voix)
Geoffrey Hughes
- Paul McCartney
- (voix)
- (as Geoff Hughes)
Lance Percival
- Old Fred
- (voix)
Peter Batten
- George
- (voix)
- (non crédité)
‘Snow White’ Stars Test Their Wits
Histoire
Le saviez-vous
- AnecdotesIn summer 1967, director George Dunning brought German artist Heinz Edelmann to London to work as production designer on this movie. The script wasn't ready, and Edelmann wasn't given a specific assignment. After two months of inactivity, he decided to quit. He vented his frustrations by drawing a series of villainous characters, which these became the Blue Meanies, the Apple Bonkers, and The Glove. Dunning loved the sketches. From then on, Edelmann was a guiding force in the production, designing most of the characters and backgrounds and helping to develop the story. He let his imagination run rampant and cultivated a style of "visual overload" (his words) to cover the plot holes and maintain interest. Many viewers assumed Edelmann got his ideas from using hallucinogens. He said, "I had never taken any drugs. I'm a conservative, working class person who'd stick to booze all his life. And so I just knew about the psychedelic experience just by hearsay. And I guessed what it was."
- GaffesThe Beatles spot five Apple Bonkers taking apples off a tree. Only four Bonkers march and sound off before a Meanie Squad Leader.
- Crédits fousThe lyric "All Together Now" is shown in several different languages while the song plays at the end.
- Versions alternativesThe American version had several alternative shots during the "All You Need Is Love" song, among others: the population of Pepperland moves in at the Blue Meanies; Paul McCartney doing a somersault, a brief scene of Old Fred and the Mayor dancing together happily. The UK version featured alternate footage, like George floating down from Sgt Pepper's head, saying "It's all in the mind, you know".
- ConnexionsEdited from Le Tourbillon de la danse (1933)
- Bandes originalesYellow Submarine
Written by John Lennon and Paul McCartney
Performed by The Beatles
Published by Apple Records
Courtesy of Apple Records
Commentaire à la une
The music of the Beatles had galvanized an army of very creative artists who have accomplished the impossible, and created the movie that parallels the elegance and beauty of the music that inspired it. Many people feel that this film is a miracle, and I have the same feeling, especially when I'm watching it breathlessly from the beginning to its end.
Similar to the way the Beatles themselves have created many of their masterpieces, this film is the result of a "controlled chaos". Lennon remarked that many of his imagery and lyrics were just conceived off the top of his head, which is precisely the thing that gives them the freshness and spontaneity we adore. Same is with the rich and fulfilling imagery of this film -- it is obviously an outcome of the 'shoot from the hip' approach. It sounds unbelievable, but the film's ending (the most brilliant piece of all), was thrown in during one hectic weekend! Knowing this, it is not surprising to learn that the principal artist who designed the look and feel of the "Yellow Submarine" movie, almost went blind after finishing it (he set a grueling schedule of sleeping only four hours every other night during the making of the film! -- it took him several years to regain his health)
On a personal level, this film works as some kind of revelation for me. It is impossible to put it into words, but the film stirs the deepest, most contradictory emotions in me. It transcends space and time, and has the ability to bring me into the state where the regular, everyday thoughts do not apply. In that respect, it is as strong as the best Beatles songs.
Many criticisms of this movie are sadly missing the point. To criticise the animation as being jerky and unrealistic amounts to criticising Picasso for not painting more photo-realistic canvases. Misses the point entirely. To criticise the understatement-laden dialogue is to miss the finer points of comedy, insisting on the Three Stooges slapstick only. To say that the story line is incoherent is to betray the sitcom-infested mind in the sad state of commercial-induced eating disorder.
I must confess that I had approached the viewing of this film with a huge dose of skepticism. I thought it's going to look and feel lame, with a dated and naive hippy/psychedelia cliches. Boy, was I in for a shock!
My rating: 11 out of 10
Similar to the way the Beatles themselves have created many of their masterpieces, this film is the result of a "controlled chaos". Lennon remarked that many of his imagery and lyrics were just conceived off the top of his head, which is precisely the thing that gives them the freshness and spontaneity we adore. Same is with the rich and fulfilling imagery of this film -- it is obviously an outcome of the 'shoot from the hip' approach. It sounds unbelievable, but the film's ending (the most brilliant piece of all), was thrown in during one hectic weekend! Knowing this, it is not surprising to learn that the principal artist who designed the look and feel of the "Yellow Submarine" movie, almost went blind after finishing it (he set a grueling schedule of sleeping only four hours every other night during the making of the film! -- it took him several years to regain his health)
On a personal level, this film works as some kind of revelation for me. It is impossible to put it into words, but the film stirs the deepest, most contradictory emotions in me. It transcends space and time, and has the ability to bring me into the state where the regular, everyday thoughts do not apply. In that respect, it is as strong as the best Beatles songs.
Many criticisms of this movie are sadly missing the point. To criticise the animation as being jerky and unrealistic amounts to criticising Picasso for not painting more photo-realistic canvases. Misses the point entirely. To criticise the understatement-laden dialogue is to miss the finer points of comedy, insisting on the Three Stooges slapstick only. To say that the story line is incoherent is to betray the sitcom-infested mind in the sad state of commercial-induced eating disorder.
I must confess that I had approached the viewing of this film with a huge dose of skepticism. I thought it's going to look and feel lame, with a dated and naive hippy/psychedelia cliches. Boy, was I in for a shock!
My rating: 11 out of 10
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Beatles' Yellow Submarine
- Lieux de tournage
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 250 000 £GB (estimé)
- Montant brut aux États-Unis et au Canada
- 992 305 $US
- Week-end de sortie aux États-Unis et au Canada
- 107 105 $US
- 8 juil. 2018
- Montant brut mondial
- 1 273 261 $US
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